Modern embedded systems are used for connected, media-rich, and highly integrated handheld devices such as mobile phones, digital cameras, and MP3 players. All of these embedded systems require networking, graphic user interfaces, and integration with PCs, as opposed to traditional embedded processors that can perform only limited functions for industrial applications. While most books focus on these controllers, "Modern Embedded Computing" provides a thorough understanding of the platform architecture of modern embedded computing systems that drive mobile devices.

The book offers a comprehensive view of developing a framework for embedded systems-on-chips. Examples feature the Intel Atom processor, which is used in high-end mobile devices such as e-readers, Internet-enabled TVs, tablets, and net books. Beginning with a discussion of embedded platform architecture and Intel Atom-specific architecture, modular chapters cover system boot-up, operating systems, power optimization, graphics and multi-media, connectivity, and platform tuning. Companion lab materials compliment the chapters, offering hands-on embedded design experience.
Learn embedded systems design with the Intel Atom Processor, based on the dominant PC chip architecture. Examples use Atom and offer comparisons to other platformsDesign embedded processors for systems that support gaming, in-vehicle infotainment, medical records retrieval, point-of-sale purchasing, networking, digital storage, and many more retail, consumer and industrial applicationsExplore companion lab materials online that offer hands-on embedded design experience

Algeria: Nation, Culture and Transnationalism 1988-2015 offers new insights into contemporary Algeria. Drawing on a range of different approaches to the idea of Algeria and to its contemporary realities, the chapters in this volume serve to open up any discourse that would tie 'Algeria' to a fixed meaning or construct it in ways that neglect the weft and warp of everyday cultural production and political action. The configuration of these essays invites us to read contemporary cultural production in Algeria not as determined indices of a specific place and time (1988-2015) but as interrogations and explorations of that period and of the relationship between nation and culture. The intention of this volume is to offer historical moments, multiple contexts, hybrid forms, voices and experiences of the everyday that will prompt nuance in how we move between frames of enquiry. These chapters - written by specialists in Algerian history, politics, music, sport, youth cultures, literature, cultural associations and art - offer the granularity of microhistories, fieldwork interviews and studies of the marginal in order to break up a synthetic overview and offer keener insights into the ways in which the complexity of Algerian nation-building are culturally negotiated, public spaces are reclaimed, and Algeria reimagined through practices that draw upon the country's past and its transnational present.

The paper in this volume challenge the concept of form and aim to set out, explore and develop different theories and examples of 'the formless'. In so doing, they raise questions of form, and notions of formlessness (as distinct from something called 'the formless'). The starting point for many of the contributors is Georges Bataille's highly influential article entitled 'informe' ('formless'). Here, in a context where art, philosophy and anthropology were merging, Bataille tried to question the idea of formlessness as simply applying to things without form. This book, through a diversity of articles in various domains, asks how and why 'the formless' is such a dominant idea from the nineteenth century onwards and it asks the question: 'what is formless?'

Pierre Michon is one of France's most significant contemporary writers. Since the publication in 1984 of his first book, Vies minuscules, Michon's work has never ceased to evade generic classifications. His work ingests books, lives and thought and probes their complex interrelationship and those moments of convergence that transform an ordinary name into that of an 'Author' or of an 'Artist'. The contents of Michon's work are well documented: they are drawn from canonical novels, chronicles, archives and the biographies of artists' lives and are worked into cross-generic forms that revive names and make us rethink the uncertainty of literature. Less has been written of his engagement with avant-garde thought. The legacy of French avant-garde thinkers of the 1960s and 1970s, in particular the work of Roland Barthes, informs Michon's work. Barthes's notions of the referent, of intertextuality and of authorship, for example, are transposed, reconfigured and sometimes contested within Michon's work. In this way, Barthes's name, the afterlife of his thought, remains encrypted within Michon's prose. This book situates and reads Michon's texts through the complex inscription and transformation of names drawn from the Creuse, literature, art and avant-garde thought. And it is within this matrix that Michon puts in play his own name and its uncertain relation to literature.

Algeria: Nation, Culture and Transnationalism 1988-2015 offers new insights into contemporary Algeria. Drawing on a range of different approaches to the idea of Algeria and to its contemporary realities, the chapters in this volume serve to open up any discourse that would tie 'Algeria' to a fixed meaning or construct it in ways that neglect the weft and warp of everyday cultural production and political action. The configuration of these essays invites us to read contemporary cultural production in Algeria not as determined indices of a specific place and time (1988-2015) but as interrogations and explorations of that period and of the relationship between nation and culture. The intention of this volume is to offer historical moments, multiple contexts, hybrid forms, voices and experiences of the everyday that will prompt nuance in how we move between frames of enquiry. These chapters - written by specialists in Algerian history, politics, music, sport, youth cultures, literature, cultural associations and art - offer the granularity of microhistories, fieldwork interviews and studies of the marginal in order to break up a synthetic overview and offer keener insights into the ways in which the complexity of Algerian nation-building are culturally negotiated, public spaces are reclaimed, and Algeria reimagined through practices that draw upon the country's past and its transnational present.

Postcolonial literature has often tended to invite readings that focus on the relation between texts and political contexts, not surprisingly perhaps, given the fraught historical moments of colonialism and decolonisation with which it frequently engages. Nevertheless, critics such as Nicholas Harrison have argued for attention to the literary as literary, and have explored the ways in which literary representation makes any assumed ideological content necessarily indeterminate. Taking into account this call for attention to the literary, this volume investigates more specifically the idiosyncrasies of postcolonial poetics, including postcolonial literature's use of and experimentation with genre and form. However, this attention to poetics is not intended to replace political engagement, and, rather than privileging the literary at the expense of the political, this volume analyses how texts use genre and form to offer multiple distinct ways of responding to political and historical questions. Postcolonial texts engage with the political world in a variety of ways, directly or indirectly, and it is in their specific uses of genre and form that they alter or develop our understanding of the particular contexts with which they grapple. According to Graham Huggan, postcolonial studies is inherently plural and interdisciplinary, in that it is made up of literary and cultural analysis as well as political theory, psychoanalysis, anthropology, history and philosophy. It is in the combination and manipulation of such forms of analysis that postcolonialism is able to imagine alternative identities and societies. This volume of postcolonial poetics therefore probes some examples of different kinds of literary writing, its blurring with other discourses and its manipulation of genre and form, in order to achieve a better understanding of its transformatory power.This exploration of the poetics of genre also sheds light on how different kinds of texts offer specific, distinct modes of thought.

This volume responds to important questions about the formal properties of literary texts and the agency of form. A central feature of twentieth- and twenty-first century French and Francophone writing has been the exploration of how cultural forms (literary, philosophical and visual) create distinctive semiotic environments and at the same time engage powerfully with external realities. How does form propose a bridge between the environment of the text and the world beyond? What kinds of formal innovations have authors devised in response to the complexity of that world? How do the formal properties of texts inflect our reading of them, and perhaps also our apprehension of the real? In addressing such questions as they apply to a wide corpus of texts, including the novel, life writing, the essay, travel writing, poetry and textual/visual experiments, the chapters in this volume offer new perspectives on a wide range of creative figures including Proust, Picasso, Breton, Bataille, Ponge, Guillevic, Certeau, Camus, Barthes, Perec, Roubaud, Chauvet, Savitzkaya, Eribon, Ernaux, Laurens and Akerman. Collectively, they renew the engagement with form that has been a key feature of French cultural production and of analysis in French studies.

The contributions in this volume focus on the use of general connectivity (unstructured) adaptive meshes for Lagrangian calculations but contain a substantial amount of material on Euler and arbitrary Lagrange-Euler techniques as well. Contributions on the smooth particle hydrodynamics method and on deterministic vortex methods broaden the scope of the material and allow comparisons of different, though allied, techniques to be made. The format of the conference was designedto optimize the interaction among the attendees. An edited version of roundtable discussions is included in these proceedings.

Rose, Castle and Crown is a unique history of the part-time soldier of Hampshire and the Isle of Wight, from the time of the militia, yeomanry and volunteer, through to the Territorial Army and today's Army Reserve. This is all placed in the wider context of the British Army's history. For centuries, the country has defended its shores with a mixture of regular and auxiliary soldiers, but little has been written about the latter, particularly in Hampshire and the Isle of Wight. All military volunteers, throughout history, have had to balance the requirement of their service with family demands and their main civilian employment. This book tells their story.

This volume responds to important questions about the formal properties of literary texts and the agency of form. A central feature of twentieth- and twenty-first century French and Francophone writing has been the exploration of how cultural forms (literary, philosophical and visual) create distinctive semiotic environments and at the same time engage powerfully with external realities. How does form propose a bridge between the environment of the text and the world beyond? What kinds of formal innovations have authors devised in response to the complexity of that world? How do the formal properties of texts inflect our reading of them, and perhaps also our apprehension of the real? In addressing such questions as they apply to a wide corpus of texts, including the novel, life writing, the essay, travel writing, poetry and textual/visual experiments, the chapters in this volume offer new perspectives on a wide range of creative figures including Proust, Picasso, Breton, Bataille, Ponge, Guillevic, Certeau, Camus, Barthes, Perec, Roubaud, Chauvet, Savitzkaya, Eribon, Ernaux, Laurens and Akerman. Collectively, they renew the engagement with form that has been a key feature of French cultural production and of analysis in French studies.

Badly wounded and suffering from amnesia, Jason Bourne (Matt Damon) is pulled out of the Mediterranean by fishermen, and is able to recall neither who he is nor what happened to him. His only clue to his identity is the number of a Swiss bank account which has been etched into a device implanted in his body. Following the lead to Zurich, he discovers money, passports and a gun waiting for him, but also earns the attention of the security services and has to leave in a hurry. He then persuades a young woman named Marie Kreutz (Franka Potente) to drive him to Paris, where he hopes to find out his true identity and discover the reason why the CIA are taking such an interest in him. Directed by Doug Liman ('Swingers', 'Go').

22 years after the events of Jurassic Park, Isla Nublar now features a fully functioning dinosaur theme park, Jurassic World, as originally envisioned by John Hammond.

After 10 years of operation and visitor rates declining, in order to fulfill a corporate mandate, a newer much more dangerous attraction is created to respark visitor's interest... but events soon backfire horribly.

Fourth instalment in the blockbusting dinosaur series. 22 years after the events of 'Jurassic Park' (1993), Isla Nublar, located off the Pacific Coast of Central America, has been reopened as a dinosaur theme park. In order to boost attendance, operations manager Claire Dearing (Bryce Dallas Howard) asks the park's geneticists to create genetically modified hybrid dinosaurs - the latest product of their experimentation being the Indominus rex. But when the Indominus rex escapes and begins killing other dinosaurs for sport, it's left to park staff member and behavioural researcher Owen Grady (Chris Pratt) to clean up the mess. The supporting cast includes Vincent D'Onofrio, Jake Johnson, Nick Robinson, Ty Simpkins and Irrfan Khan.

Second instalment of the espionage thriller starring Matt Damon, based on the novel by Robert Ludlum. Having abandoned his life as a CIA assassin, Bourne (Damon) has left his violent past behind him and is living a normal life with girlfriend Marie (Franka Potente) under an assumed name. But his plans for a peaceful life are crushed when he narrowly escapes an assassination attempt. Now hunted by an unknown enemy, Bourne must prove once again that he is not an easy target.

The past few years have seen significant change in the landscape of high-end network processing. In response to the formidable challenges facing this emerging field, the editors of this series set out to survey the latest research and practices in the design, programming, and use of network processors.
Through chapters on hardware, software, performance and modeling, Volume 3 illustrates the potential for new NP applications, helping to lay a theoretical foundation for the architecture, evaluation, and programming of networking processors.
Like Volume 2 of the series, Volume 3 further shifts the focus from achieving higher levels of packet processing performance to addressing other critical factors such as ease of programming, application developments, power, and performance prediction. In addition, Volume 3 emphasizes forward-looking, leading-edge research in the areas of architecture, tools and techniques, and applications such as high-speed intrusion detection and prevention system design, and the implementation of new interconnect standards.
*Investigates current applications of network processor technology at Intel; Infineon Technologies; and NetModule.
Presents current research in network processor design in three distinct areas:
*Architecture at Washington University, St. Louis; Oregon Health and Science University; University of Georgia; and North Carolina State University.
*Tools and Techniques at University of Texas, Austin; Academy of Sciences, China; University of Paderborn, Germany; and University of Massachusetts, Amherst.
*Applications at University of California, Berkeley; Universidad Complutense de Madrid, Spain; ETH Zurich, Switzerland; Georgia Institute of Technology; Vrije Universiteit, the Netherlands; and Universiteit Leiden, the Netherlands.

Responding to ever-escalating requirements for performance, flexibility, and economy, the networking industry has opted to build products around network processors. To help meet the formidable challenges of this emerging field, the editors of this volume created the first Workshop on Network Processors, a forum for scientists and engineers to discuss latest research in the architecture, design, programming, and use of these devices. This series of volumes contains not only the results of the annual workshops but also specially commissioned material that highlights industry's latest network processors.
Like its predecessor volume, Network Processor Design: Principles and Practices, Volume 2 defines and advances the field of network processor design. Volume 2 contains 20 chapters written by the field's leading academic and industrial researchers, with topics ranging from architectures to programming models, from security to quality of service.
.Describes current research at UNC Chapel Hill, University of Massachusetts, George Mason University, UC Berkeley, UCLA, Washington University in St. Louis, Linkopings Universitet, IBM, Kayamba Inc., Network Associates, and University of Washington.
.Reports the latest applications of the technology at Intel, IBM, Agere, Motorola, AMCC, IDT, Teja, and Network Processing Forum."

As the demand for digital communication networks has increased, so have the challenges in network component design. To meet ever-escalating performance, flexibility, and economy requirements, the networking industry has opted to build products around network processors. These new chips range from task-specific processors, such as classification and encryption engines, to more general-purpose packet or communications processors. Programmable yet application-specific, their designs are tailored to efficiently implement communications applications such as routing, protocol analysis, voice and data convergence, firewalls, VPNs, and QoS.

Network processor design is an emerging field with issues and opportunities both numerous and formidable. To help meet this challenge, the editors of this volume created the first Workshop on Network Processors, a forum for scientists and engineers from academia and industry to discuss their latest research in the architecture, design, programming, and use of these devices. In addition to including the results of the Workshop in this volume, the editors also present specially commissioned material from practicing designers, who discuss their companies' latest network processors. "Network Processor Design: Issues and Practices" is an essential reference on network processors for graduate students, researchers, and practicing designers.
* Includes contributions from major academic and industrial research labs including Aachen University of Technology; Cisco Systems; Infineon Technologies; Intel Corp.; North Carolina State University; Swiss Federal Institute of Technology; University of California, Berkeley; University of Dortmund; University of Washington; and Washington University.
* Examines the latest network processors from Agere Systems, Cisco, IBM, Intel, Motorola, Sierra Inc., and TranSwitch.

The Allied campaign in Mesopotamia began in 1914 as a relatively simple operation to secure the oilfields in the Shatt al-Arab delta and Basra area. Initially it was a great success, but as the army pressed towards Baghdad its poor logistic support, equipment and command left it isolated and besieged by the Turks. By 1916 the force had not been relieved, and on 29 April 1916 the British Army suffered one of the worst defeats in military history. In Kut 1916, Patrick Crowley recounts this dramatic battle story of blunders, sacrifice, imprisonment and escape. PATRICK CROWLEY is a historian and battlefield tour guide. He recently retired after thirty-four years' service in the Queen's Regiment and Princess of Wales's Royal Regiment. He was awarded the American Meritorious Service Medal for his service in Iraq. His other publications include A Guide to the Princess of Wales's Royal Regiment, Kut 1916 and Loyal to Empire (The History Press, 2016).

Fourth instalment in the blockbusting dinosaur series. 22 years after the events of 'Jurassic Park' (1993), Isla Nublar, located off the Pacific Coast of Central America, has been reopened as a dinosaur theme park. In order to boost attendance, operations manager Claire Dearing (Bryce Dallas Howard) asks the park's geneticists to create genetically modified hybrid dinosaurs - the latest product of their experimentation being the Indominus rex. But when the Indominus rex escapes and begins killing other dinosaurs for sport, it's left to park staff member and behavioural researcher Owen Grady (Chris Pratt) to clean up the mess. The supporting cast includes Vincent D'Onofrio, Jake Johnson, Nick Robinson, Ty Simpkins and Irrfan Khan.