This volume brings together contributions from an experienced group of archaeologists and geologists whose common objective is to present thorough and current reviews of the diverse ways in which methods from the earth sciences can contribute to archaeological research. Many areas of research are addressed here, including artifact analysis and sourcing, landscape reconstruction and site formation analysis, soil micromorphology and geophysical exploration of buried sites.

A DEBUT NOVEL OF DARING ORIGINALITY, THE YID GUARANTEES THAT YOU WILL NEVER THINK OF STALINIST RUSSIA, SHAKESPEARE, THEATER, YIDDISH, OR HISTORY THE SAME WAY AGAIN

Moscow, February 1953. A week before Stalin's death, his final pogrom, "one that would forever rid the Motherland of the vermin," is in full swing. Three government goons arrive in the middle of the night to arrest Solomon Shimonovich Levinson, an actor from the defunct State Jewish Theater. But Levinson, though an old man, is a veteran of past wars, and his shocking response to the intruders sets in motion a series of events both zany and deadly as he proceeds to assemble a ragtag group to help him enact a mad-brilliant plot: the assassination of a tyrant.

While the setting is Soviet Russia, the backdrop is Shakespeare: A mad king has a diabolical plan to exterminate and deport his country's remaining Jews. Levinson's cast of unlikely heroes includes Aleksandr Kogan, a machine-gunner in Levinson's Red Army band who has since become one of Moscow's premier surgeons; Friederich Lewis, an African American who came to the USSR to build smelters and stayed to work as an engineer, learning Russian, Esperanto, and Yiddish; and Kima Petrova, an enigmatic young woman with a score to settle. And wandering through the narrative, like a crazy Soviet Ragtime, are such historical figures as Paul Robeson, Solomon Mikhoels, and Marc Chagall.

As hilarious as it is moving, as intellectual as it is violent, Paul Goldberg's THE YID is a tragicomic masterpiece of historical fiction.

A classic work on the joy of experiencing architecture, with a new afterword reflecting on architecture's place in the contemporary moment "Architecture begins to matter," writes Paul Goldberger, "when it brings delight and sadness and perplexity and awe along with a roof over our heads." In Why Architecture Matters, he shows us how that works in examples ranging from a small Cape Cod cottage to the vast, flowing Prairie houses of Frank Lloyd Wright, from the Lincoln Memorial to the Guggenheim Bilbao. He eloquently describes the Church of Sant'Ivo in Rome as a work that "embraces the deepest complexities of human imagination." In his afterword to this new edition, Goldberger addresses the current climate in architectural history and takes a more nuanced look at projects such as Thomas Jefferson's academical village at the University of Virginia and figures including Philip Johnson, whose controversial status has been the topic of much recent discourse. He argues that the emotional impact of great architecture remains vital, even as he welcomes the shift in the field to an increased emphasis on social justice and sustainability.

Applied Soils and Micromorphology in Archaeology provides the most up-to-date information on soil science and its applications in archaeology. Based on more than three decades of investigations and experiments, the volume demonstrates how description protocols and complimentary methods (SEM/EDS, microprobe, micro-FTIR, bulk soil chemistry, micro- and macrofossils) are used in interpretations. It also focuses on key topics, such as palaeosols, cultivation, and occupation surfaces, and introduces a range of current issues, such as site inundation, climate change, settlement morphology, herding, trackways, industrial processes, funerary features, and site transformation. Structured around important case studies, Applied Soils and Micromorphology in Archaeology is thoroughly-illustrated, with color plates and figures, tables and other ancillary materials on its website (www.cambridge.org/9781107011380); chapter appendices can be accessed separately using the web (www.geoarchaeology.info/asma). This new book will serve as an essential volume for all archaeological inquiry about soil.

Michael Gericke is one of the most influential graphic designers in the world today. This much anticipated monograph covers four decades of work by the acclaimed graphic designer and Pentagram partner. Lavishly illustrated throughout at close to 500 pages, the book is driven by a celebration of places, telling stories, and making images and symbols - predominantly through Gericke's work with projects for buildings, civic moments, exhibitions and visual identities, including for posters, magazines, New York's AIA chapter (America's largest) and the Center for Architecture that, through graphics and images, continues to portray the spirit of architecture and design in New York City today. Prefaced by the prize-winning architect Moshe Safdie, with commentary by Pulitzer Prize-winning architectural critic and educator Paul Goldberger, this encyclopaedic compilation is a must for all collectors and aficionados of contemporary design, branding, and visual identity.

This volume brings together contributions from an experienced group of archaeologists and geologists whose common objective is to present thorough and current reviews of the diverse ways in which methods from the earth sciences can contribute to archaeological research. Many areas of research are addressed here, including artifact analysis and sourcing, landscape reconstruction and site formation analysis, soil micromorphology and geophysical exploration of buried sites.

Applied Soils and Micromorphology in Archaeology provides the most up-to-date information on soil science and its applications in archaeology. Based on more than three decades of investigations and experiments, the volume demonstrates how description protocols and complimentary methods (SEM/EDS, microprobe, micro-FTIR, bulk soil chemistry, micro- and macrofossils) are used in interpretations. It also focuses on key topics, such as palaeosols, cultivation, and occupation surfaces, and introduces a range of current issues, such as site inundation, climate change, settlement morphology, herding, trackways, industrial processes, funerary features, and site transformation. Structured around important case studies, Applied Soils and Micromorphology in Archaeology is thoroughly-illustrated, with color plates and figures, tables and other ancillary materials on its website (www.cambridge.org/9781107011380); chapter appendices can be accessed separately using the web (www.geoarchaeology.info/asma). This new book will serve as an essential volume for all archaeological inquiry about soil.

Moscow, February 1953. A week before Stalin's death, his final pogrom, "one that would forever rid the Motherland of the vermin," is in full swing. Three government goons arrive in the middle of the night to arrest Solomon Shimonovich Levinson, an actor from the defunct State Jewish Theater. But Levinson, though an old man, is a veteran of past wars, and his shocking response to the intruders sets in motion a series of events both zany and deadly as he proceeds to assemble a ragtag group to help him enact a mad brilliant plot: the assassination of a tyrant. Levinson's cast of unlikely heroes includes Aleksandr Kogan, a machine-gunner in Levinson's Red Army band who has since become one of Moscow's premier surgeons; Friederich Lewis, an African American who came to the USSR to build smelters and stayed to work as an engineer, learning Russian, Esperanto, and Yiddish; and Kima Petrova, an enigmatic young woman with a score to settle. While the setting is Soviet Russia, the backdrop is Shakespeare: A mad king has a diabolical plan to exterminate and deport his country's remaining Jews. And wandering through the narrative, like a crazy Soviet Ragtime, are such historical figures as Paul Robeson, Solomon Mikhoels, and Marc Chagall. As hilarious as it is moving, as intellectual as it is violent with echoes of Inglourious Basterds and Seven Samurai - The Yid is a tragicomic masterpiece of historical fiction.

Rising dramatically above all other skyscrapers at the tip of Manhattan, the World Trade Center symbolized New York. From any direction the Towers were lodestars, Manhattan's local mountains. Nearly a decade after the dark events of 9/11, New Yorkers continue to come to terms with the tragedy, and to reminisce about the views of the Towers they once had from their homes and offices. Visitors, too, are remembering how the WTC looked as they approached Manhattan by car, plane, or from the water. As we mourn for the terrible loss of life, we also want to remember.
The 72 images of the World Trade Center presented in this book depict a New York we once knew, one we are now working to rebuild. For more than two decades, practically since the Twin Towers were erected, Sonja Bullaty and Angelo Lomeo have been photographing these awesome buildings. The pictures featured here portray the WTC from all directions, starting with views from the east at dawn, and ending with evening views from the west. There are captivating panoramas from Brooklyn, Lower Manhattan, New Jersey, and uptown, taken in all seasons, as well as a section showing the grand Plaza at the center of the buildings. Together, they create an unforgettable portrait of the Twin Towers.
Introducing this extraordinary collection of photographs, Paul Goldberger's text evokes the Towers and the city they came to symbolize. He recalls how they evolved in the public mind, targets of criticism to beloved American icons. He explains their architectural significance and explores their visceral meaning to New Yorkers. In contrast to books depicting the disaster and the days following it, this photographic memoir will be welcomed by all of us-- New Yorkers and visitors alike -- who yearn to remember the way the city was.
A portion of the book's proceeds are donated to the Twin Towers Scholarship Program care of Scholarship America.

This handsome book examines the remarkable new addition to the Art Institute of Chicago, designed by Renzo Piano and scheduled to open in May 2009. This expansion to the Art Institute of Chicago, already one of the largest museums in the country, will provide new galleries for modern and contemporary painting and sculpture, as well as for photography, film and video, and architecture and design. The structure is Piano's largest art museum building to date. The museum's director, James Cuno, discusses the history of the commission, and Paul Goldberger writes on how this building fits into the larger context of Piano's work-especially his many museum designs-as well as considers its positioning in a city celebrated for its architecture. Judith Turner provides exquisite architectural photographs, showing many nuanced details and views of the structure, while Joseph Rosa comments on her images and how they convey the beauty and sophistication of the building. Photographs by New York-based architectural photographer Paul Warchol complete the book Distributed for the Art Institute of Chicago

It is January 2017 and Bill has hit rock bottom. Yesterday, he was a successful science reporter at The Washington Post. Today, fired from his job, with exactly $1,219.37 in his bank account, he learns that his college room mate, a plastic surgeon known far and wide as the "Butt God of Miami Beach," has fallen to his death under salacious circumstances. With nothing to lose, Bill heads for Florida, ready to begin his own investigation - a last ditch attempt to revive his career. There's just one catch: Bill's father, Melsor. Melsor Yakovlevich Katzenelenbogen (so-named in tribute to Marx, Engels, Lenin, Stalin and the October Revolution) - poet, literary scholar, political dissident, small-time-crook - is angling for control of the condo board at the Chateau Sedan Neuve, a crumbling high-rise populated mostly by Russian Jewish immigrants. The current board is filled with fraudsters, and Melsor will use any means necessary to win the election. And who better to help him - through legal and illegal means - than his estranged son? Featuring a colourful cast of characters, The Chateau injects the crime novel genre with surprising idiosyncrasy, subverting it with dark comic farce in a setting that becomes a microcosm of Trump's America.

Communitas stands in a class by itself: a fresh and original theoretic contribution to the art of building cities. Such a book does not appear often... a witty, penetrating, provocative and, above all, ... a wise book; for it deals with the underlying values and purposes, political and moral, on which planning of any sort must be based...'Lewis Mumford