Irish drama following two children, Kylie (Kelly O'Neill) and Dylan (Shane Curry), who run away from their troubled family homes on the outskirts of Dublin at Christmas time. The pair head for the centre of the city, where they glimpse human life in all its colourful diversity - but as darkness falls and the night wears on, an uglier side of the city emerges and the two must rely on their wits and their friendship to survive.

Ethnic Violence and the Societal Security Dilemma explores how the phenomenon of ethnic violence can be understood as a form of security dilemma by shifting the focus of the concept away from its traditional concern with state sovereignty to that of identity instead. The book is divided into theoretical and empirical chapters, beginning with the categorisation by the author of the security dilemma concept into 'tight', 'regular' and 'loose' formulations, and its combination with the Copenhagen School's notion of societal security. This reconceptualisation of the traditional security dilemma then provides a framework capable of explaining conflictual dynamics between ethnic groups and how some cases can be resolved without recourse to outright war. It includes case studies on: Ethnic violence between Serbs and Croats in the Krajina region of Croatia, August 1990 Ethnic violence between Hungarian and Romanians in the Transylvania region of Romania, August 1990. This book will interest students and researchers of ethnic violence and the security dilemma.

Ethnic Violence and the Societal Security Dilemma explores how the phenomenon of ethnic violence can be understood as a form of security dilemma by shifting the focus of the concept away from its traditional concern with state sovereignty to that of identity instead. The book includes case studies on:
* ethnic violence between Serbs and Croats in the Krajina region of Croatia, August 1990
* ethnic violence between Hungarian and Romanians in the Transylvania region of Romania, March 1990.

The aim of this book is to stimulate research on the topic of the Social Internet of Things, and explore how Internet of Things architectures, tools, and services can be conceptualized and developed so as to reveal, amplify and inspire the capacities of people, including the socialization or collaborations that happen through or around smart objects and smart environments. From new ways of negotiating privacy, to the consequences of increased automation, the Internet of Things poses new challenges and opens up new questions that often go beyond the technology itself, and rather focus on how the technology will become embedded in our future communities, families, practices, and environment, and how these will change in turn.

The aim of this book is to stimulate research on the topic of the Social Internet of Things, and explore how Internet of Things architectures, tools, and services can be conceptualized and developed so as to reveal, amplify and inspire the capacities of people, including the socialization or collaborations that happen through or around smart objects and smart environments. From new ways of negotiating privacy, to the consequences of increased automation, the Internet of Things poses new challenges and opens up new questions that often go beyond the technology itself, and rather focus on how the technology will become embedded in our future communities, families, practices, and environment, and how these will change in turn.

Richard Paul Roe spent more than twenty years traveling the length and breadth of Italy to seek out and document the exact locations in which Shakespeare set his ten Italian Plays. Using as his compass only the exact lines spoken by characters in each play, Roe succeeded in pinpointing the location of nearly every scene in "Romeo and Juliet", "Two Gentlemen of Verona", "The Merchant of Venice", and others - and his captivating narrative of travel and scholarship reveals surprises about "A Midsummer Night's Dream", "The Tempest", and more, that will revolutionize the way we read Shakespeare. An introduction by the author's daughter, Hilary Roe Metternich, gives a behind-the-scenes look at her father's passion for the Bard and the lengths to which he went in pursuit of answers; and the copiously annotated, lavishly illustrated guide - including more than 150 maps, photographs, and paintings - makes for a richly compelling, deeply thought-provoking, and endlessly inspiring journey through Shakespeare's Italy.

"Wow is all I can say after finishing Sol Invictus. I like the macabre and have a huge collection of Poe, Dahl, and Doyle. However, this writer was able to throw in twists I never saw coming without compromising the storyline or sacrificing the wonderful dark humor that pervades this novella." - C. Duffie "This story grabbed me from the start...and the slow reveals were enough to keep me guessing with each step. A unique, truly frightening take on the holiday. A fast-paced, excellent read." - Author, Jonathan Praise ** "Sol Invictus" is a supernatural horror that sharpens the modernized mythology of "American Gods" to a razor-sharp edge. The undertones of psychological trauma, abuse and repression fill this book with shadows that will shock you with their words and haunt you with their memory. Above all else, "Sol Invictus" has a conclusion that you will never expect and you do not want to miss. If you're a fan of fast-reading stories unlike anything you've ever experienced, Roe's premier novella will earn a permanent place on your bookshelf. "From start to finish, my heart raced. I loved the characters and could actually feel their pain and power... And the ending was definitely the best What a fascinating novel. If you are looking for a page turner, you'll find it right here " - Mel You'll have to read it to believe it... ...and when a dark god has come to hunt, belief is the only thing that can save you.

Theatre is often said to offer unique insights into the nature of reality, but this obscures the reality of theatre itself. In Real Theatre, Paul Rae takes a joined-up approach to the realities of theatre to explain why performances take the forms they do, and what effects they have. Drawing on examples ranging from Phantom of the Opera and Danny Boyle's Frankenstein, to the performances of the Wooster Group and arthouse director Tsai Ming-liang, he shows how apparently discrete theatrical events emerge from dynamic and often unpredictable social, technical and institutional assemblages. These events then enter a process of cultural circulation that, as Rae explains, takes many forms: fleeting conversations, the mercurial careers of theatrical characters and the composite personae of actors, and high-profile products like the Hollywood movie Birdman. The result is a real theatre that speaks of, and to, the idiosyncratic and cumulative experience of every theatre participant.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Act of violence or show of strength? In a world of spectacular suffering and power plays - large and small - what is theatre's role in protecting human dignity? With its impassioned plays, inspired activism and outspoken artists, the theatre has long provided a venue for promoting and practising human rights; but is this always to the good? Today the relationship between theatre and human rights is not only vital, but complex and contested. Drawing on an international range of examples, this short, sharp and timely book outlines the key features of the debate and offers a critical take on where it should go next. Foreword by Rabih Mrove

Theatre is often said to offer unique insights into the nature of reality, but this obscures the reality of theatre itself. In Real Theatre, Paul Rae takes a joined-up approach to the realities of theatre to explain why performances take the forms they do, and what effects they have. Drawing on examples ranging from Phantom of the Opera and Danny Boyle's Frankenstein, to the performances of the Wooster Group and arthouse director Tsai Ming-liang, he shows how apparently discrete theatrical events emerge from dynamic and often unpredictable social, technical and institutional assemblages. These events then enter a process of cultural circulation that, as Rae explains, takes many forms: fleeting conversations, the mercurial careers of theatrical characters and the composite personae of actors, and high-profile products like the Hollywood movie Birdman. The result is a real theatre that speaks of, and to, the idiosyncratic and cumulative experience of every theatre participant.

American artist Paul Re invites us to join him on his journey for harmony, wisdom, and inner joy with Art, Peace, and Transcendence. His hybrid hand-digital prints, Reograms, are a unique art form very different from the Rayograms made in the twentieth century by the American Surrealist Man Ray. Re's digital prints are computer manipulations of the drawings, paintings, and sculpture he has created over his forty-year career-the transformations may be mild or dramatic, each manually massaged into a harmonious whole. Commentary by the artist, drawing from his background in physics, philosophy, and the practice of yoga and meditation, accompanies the fifty-eight full-page plates, placing each piece in its historical context. Bridging the lines of art and science, Re takes us on a discovery of our oneness with the whole of the universe and the source from which it emerged.