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The Nazi occupation of Europe of World War Two is acknowledged as a
defining juncture and an important identity-building experience
throughout contemporary Europe. Resistance is what 'saves' European
societies from an otherwise chequered record of collaboration on
the part of their economic, political, cultural and religious
elites. Opposition took pride of place as a legitimizing device in
the post-war order and has since become an indelible part of the
collective consciousness. Yet there is one exception to this trend
among previously occupied territories: the British Channel Islands.
Collective identity construction in the islands still relies on the
notion of 'orderly and correct relations' with the Germans, while
talk of 'resistance' earns raised eyebrows. The general attitude to
the many witnesses of conscience who existed in the islands remains
ambiguous. This book conversely and expertly argues that there was
in fact resistance against the Germans in the Channel Islands and
is the first text to fully explore the complex relationship that
existed between the Germans and the people of the only part of the
British Isles to experience occupation.
From the late-1800s up to the beginning of World War I some of the
most elegant and colorful regimental steins were produced for
Kaiser Wilhelm II's cavalry regiments. Each stein portrayed the
unique uniform colors, owner, service dates, and fellow servicemen
of the regiment. These steins represent a time of military fashion
that disappeared during World War I. The steins presented in this
book are organized by cavalry service branch, beginning with the
heavy cavalries of Prussia and Saxony, followed by the Hussar and
Uhlan (lancer) regiments, and finishing with representative steins
of the Mounted Rifle (JAger Zu Pferde) and Dragoon regiments. Each
stein is well illustrated in large color photos. This book provides
an accurate collector's reference for cavalry regimental steins of
the Kaiser's time.
The contributors to this issue of Plough Quarterly focus on what it
means to bear witness to the gospel. Peggy Gish reports on the
church’s response to Boko Haram in Nigeria, where thousands of
Christians have been killed. But in addition to witnesses who die
for their faith, there are those who live for it, such as the
families of those who died in Emanuel AME Church in Charleston,
South Carolina. And in the wake of the US Supreme Court’s move to
redefine marriage, we can’t talk about Christian witness without
considering marriage and sexuality. With insights from Russell
Moore, N. T. Wright, Amy Carmichael, Pope Francis, George Fox, Ivan
Illich, Julia Chaney-Moss, Nathaniel Peters, Channah Ben-Eliezer,
Chico Fajardo-Heflin, Les Isaac, Paul Sanders, and Robert Paeglow,
this issue is sure to stimulate reflection and discussion. And as
if that weren’t enough, you also get world-class art by
Caravaggio, August Macke, Eric Drooker, Denis Barsukov, Pablo
Picasso, George Tooker, Lucas Cranach the Elder, Janice Earley,
John Singer Sargent, Paul Sanders, Paul Klee, Ghislaine Howard, and
others. Plough Quarterly features stories, ideas, and culture for
people eager to put their faith into action. Each issue brings you
in-depth articles, interviews, poetry, book reviews, and art to
help you put Jesus’ message into practice and find common cause
with others.
The Nazi occupation of Europe of World War Two is acknowledged as a
defining juncture and an important identity-building experience
throughout contemporary Europe. Resistance is what 'saves' European
societies from an otherwise chequered record of collaboration on
the part of their economic, political, cultural and religious
elites. Opposition took pride of place as a legitimizing device in
the post-war order and has since become an indelible part of the
collective consciousness. Yet there is one exception to this trend
among previously occupied territories: the British Channel Islands.
Collective identity construction in the islands still relies on the
notion of 'orderly and correct relations' with the Germans, while
talk of 'resistance' earns raised eyebrows. The general attitude to
the many witnesses of conscience who existed in the islands remains
ambiguous. This book conversely and expertly argues that there was
in fact resistance against the Germans in the Channel Islands and
is the first text to fully explore the complex relationship that
existed between the Germans and the people of the only part of the
British Isles to experience occupation.
During the thirty years prior to World War I, the Kaiser's Imperial
Germany provided some of the finest examples of military fashion
ever seen. The light cavalry, or Hussars, on parade were among the
most elaborate and colorful regiments in military history. It was a
time of regimental loyalty, honor and distinction. This two volume
set provides a lavishly illustrated reference - with over 600 color
and black and white photos - of Hussar busbies, tunics, trousers,
horse accessories, steins, and swords of the twenty hussar
regiments. These volumes are an excellent full-color photo
reference to an era of military fashion long gone. This second
volume covers the 10th-20th regiments and includes the colorful
10th, Brunswick 17th, and Saxon regiments. Chapters on the uniform
accessories (bandoliers and boxes), swords, steins and rank and
regimental insignia are also included. Each regiment has a chapter
with full-page photos of the parade uniform, period black and white
photos, and various regimental accessories.
During the thirty years prior to World War I, the Kaiser's Imperial
Germany provided some of the finest examples of military fashion
ever seen. The light cavalry, or Hussars, on parade were among the
most elaborate and colorful regiments in military history. It was a
time of regimental loyalty, honor and distinction. This two volume
set provides a lavishly illustrated reference - with over 600 color
and black and white photos - of Hussar busbies, tunics, trousers,
horse accessories, steins, and swords of the twenty hussar
regiments. These volumes are an excellent full-color photo
reference to an era of military fashion long gone. This first
volume covers the Guard, Death Head 1st and 2nd and line 3rd
through 9th regiments. Chapters provide in-depth research on the
head-gear, tunics, trousers, and musician uniforms, and includes a
rare set of watercolors illustrating the regimental parade horse
bridles. Additional chapters are devoted to each individual
regiment and contain extensive photos of the regiment's parade
uniform, accessories, stein, and walkout uniform.
This book is a compilation of helmets collected over the past
thirty years, and is intended as an illustrated reference source on
the elaborate head dress of the Imperial German Army from
1880-1916. Displaying many rare helmets in full color, large format
photographs, the book covers most branches within the army and is
organized in alphabetic order beginning with the artillery units,
moving through the various cavalry (hussars, dragoons, currasiers)
and infantry units, and ending with uhlans - a superb cross section
of all the different head dress types. Head dress of the large
states like Prussia, Bavaria, WArttemburg, and Saxony are well
represented, and in addition, smaller states like Hesse, Lubeck,
Hamburg and the Saxon duchies can also be found. Other sections are
devoted to the helmets of the generals and their staffs, with
another showing six examples of the different ranks and models of
the rare Garde du Korps helmets. This book is a beautiful, highly
detailed source for collectors.
Magisterarbeit aus dem Jahr 2011 im Fachbereich BWL - Wirtschafts-
und Sozialgeschichte, Note: 1,1, Albert-Ludwigs-Universitat
Freiburg (Historisches Seminar - Lehrstuhl fur Wirtschafts-,
Sozial- und Umweltgeschichte), Veranstaltung: Geschichte -
Wirtschafts- und Sozialgeschichte, Sprache: Deutsch, Anmerkungen:
"Die Arbeit zeichnet sich durch einen gut begrundeten Aufbau, klare
Fragestellungen, eine reichhaltige Materialbasis, eine souverane
Kenntnis der Sekundarliteratur, eine auch sprachlich uberzeugende
Darstellung und schlussige Ergebnisse aus." Prof. Dr. Dr. F.J.
Bruggemeier, Albert-Ludwigs-Universitat Freiburg, Abstract: Die
Debatte der deutschen Wirtschaftselite um aktionarsorientierte
Unternehmensfuhrung begann 1989, erreichte den Hohepunkt Ende der
1990er Jahre und ebbte dann die Folgejahre ab. Gerade in der
wirtschaftssoziologischen Literatur wird die Offnung des deutschen
Aktienmarktes fur internationale Investoren haufig als Prozess der
Amerikanisierung der deutschen Wirtschaftskultur betrachtet, in dem
die einzelnen Akteure sich Handlungslogiken fugen mussten, wie
jener der Maximierung des Aktionarsgewinnes im Kontext der
Internationalisierung der Finanzmarkte. Hierfur ist Shareholder
Value zum Symbol geworden. Gestutzt auf eine Analyse der Debatte um
Shareholder Value in der Wirtschaftspresse argumentiert die
vorliegende Arbeit hingegen, dass der Wandel der deutschen
Wirtschaftsordnung in der Konzeption der deutschen Wirtschaftselite
als kreativer Such- und Aushandlungsprozess verstanden werden muss,
nicht als passiver Akt der Ubernahme amerikanischer Vorstellungen
davon, was richtige Unternehmensfuhrung sei. Durch die Konstruktion
von raumlich zuschreibbaren Wirtschaftskulturen werden
konkurrierende Eigen- und Fremdbilder geschaffen, die nicht nur das
jungste Deutschland in einer sich globalisierenden Welt verorten
sollen, sondern auch die Geschichte der deutschen
Wirtschaftsordnung neu entwerfen.
Zwischen 1989 und 2009 entstand das, was wir heute den globalen
Finanzmarkt nennen: ein amerikanisch gepr gter Marktplatz mit
Investoren, die Anteile an nationalen Unternehmen weltweit kaufen.
Viele Beobachter der Zeit f rchteten, dass mit der Globalisierung
der Aktienm rkte auch eine Homogenisierung der Wirtschaftskulturen
einherginge. Reizwort und Symbol f r die Furcht vor
Amerikanisierung des deutschen Kapitalismus wurde die
US-Managementmethode 'Shareholder Value'. Das vorliegende Buch
vertritt entgegen des Tenors der damaligen Massenmedien die These,
dass der deutsche Kapitalismus in den 1990er und 2000ern nicht
durch die Globalisierung bedroht wurde, sondern sich vielmehr
selbst in dieser Zeit geschaffen hat. Shareholder Value wird als
Praxis wirtschaftlichen Handelns und als etwas Verhandelbares
begriffen. Damit wird es kulturhistorisch interessant zu wissen,
wie die deutschen Funktionstr ger der Wirtschaft mit aktion
rsorientierter Unternehmensf hrung umgegangen sind. Zu erst wird
aufgezeigt, welche Konzeptionen eines 'deutschen Kapitalismus' in
der Literatur auftauchen. Dann wird der Begriff 'Wirtschaftskultur'
gesch rft. Im Hauptteil vollzieht die Studie die Genese der
Managmentmethode Shareholder Value in den USA nach. Anschlie end
wird die Debatte der deutschen Wirtschaftselite um den Begriff
zwischen 1989 und 2009 beleuchtet und die Zeit in Phasen
eingeteilt. Dabei kommt heraus, dass der Begriff am hei esten Ende
der 1990er Jahre debattiert wurde. Danach ebbte die Verwendung bis
zum v lligen Verschwinden ab. Drei Argumentationsmotive tauchten
zum Zusammenhang zwischen Shareholder Value und der deutschen
Wirtschaftsordnung auf: Shareholder Value als revolution re Kraft,
als Reformansatz und als blo technische Neuerung, die es zu
integrieren gelte. F r die berpr fung der These stellt die
Debattenanalyse drei Ergebnisse heraus: 1. Journalisten und
Wirtschaftsbosse haben Anfang der 1990er die Kluft zwischen
angeblich deutscher und angeblich amerikanische
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