The Critical Heritage gathers together a large body of critical sources on major figures in liteature. Each volume presents contemporary responses on a writer's work, enabling student and researcher to read the material themselves.

The "Critical Heritage" series gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read for themselves, for example, comments on early performances of Shakespeare's plays, or reactions to the first publication of Jane Austen's novels. The selected sources range from essays in the history of criticism to journalism and contemporary opinion, and little published documentary material such as letters and diaries. Significant pieces of criticism from later periods are also included, in order to demonstrate the fluctuations in an author's reputation. Each volume contains an introduction to the writer's published works, a selected bibliography, and an index of works, authors and subjects. The collected "Critical Heritage" set is available as a set of 68 volumes and the series is also available in mini- sets selected by period (in slipcase boxes) and as individual volumes.

Of the seventy-three cases in the fourth edition of Paul Siegel’s Cases in Communication Law, twenty-eight are new to this edition. Among these are such Supreme Court decisions as Air Wisconsin Airlines Corporation v. Hoeper, which gives those who follow the post-911 instruction, “if you see something, say something!” some special protection from libel suits; Brown v. Entertainment Merchants Association, which explicitly gives maximal First Amendment protection to violent video games, even when sold to minors; U.S. v. Alvarez, which prohibits prosecution for falsely claiming one has been awarded a Medal of Honor; and Snyder v. Phelps, which gave notorious minister Fred Phelps the right to mount demonstrations with rather nasty messages at funerals. Siegel has used several criteria to select cases for inclusion in this and previous editions. He admits unabashedly that one of those criteria is the cultural significance, familiarity, and even celebrity of the controversies or the litigants. Just to cite a few examples, this edition includes cases involving such litigants as Michael Moore, Penn & Teller, Joan Rivers, and Madonna, as well as TV programs like Family Guy, CSI, Law and Order, and featured movies include Disturbia, American Gangster, American Beauty, and The Hangover, Part II.

Communication Law in America is a comprehensive, easy-to-follow overview of the complicated ways in which U.S. law determines who may say what to (and about) whom. It covers the usual content- libel, invasion of privacy, copyright and trademark, access to government information, advertising, electronic media- all the while giving readers a sense of how and why this country has come to weigh freedom of speech above competing freedoms far more often than in other Western democracies. This fourth edition of the well-received text boasts over 300 new citations, including discussion of a dozen U. S. Supreme Court decisions handed down since the previous edition. The nearly 200 still photos and over 80 videos on the author-maintained website - generally not images of litigants but of the actual artifacts (TV and movie scenes, advertisements, news reports) that led to the law suits- have always represented dramatic added value to students and professors alike. The new edition includes 35 new visual elements, including 20 videos. The text also offers a new section on how the First Amendment applies to special populations, including students, government employees in general, and the military in particular.