The proposals in London of the Future aim to predict and prescribe how the metropolis might be governed, organized, and designed in years to come and to provoke debate among planners, architects, and developers. Over the course of eighteen essays, experts in various fields - engineering, urbanism, architecture, manufacturing, futurology, journalism, and more - examine possibilities for reimagining and improving many aspects of the city. These writers consider changes both radical and minor that could shape London into a more resilient city and a fairer, healthier place to live. The architectural commentator Peter Murray provides an engaging introduction. Discussing some of the more interesting and, in some cases, eccentric proposals of the earlier book, he paves the way for an entirely new and up-to-date collection of ideas for the twenty-first century and beyond. The architectural critic and consultant Hugh Pearman ponders the dangers and uses of prediction while proposing that London be improved and made more liveable, rather than expanded and developed. The architect Carolyn Steel continues the focus on making the city a more pleasant place to live by discussing the future of its food supplies, considering the place of farming within the city's boundaries to spearhead urban renewal in a newly environmental age. The engineer Roma Agrawal advocates increasing cross-disciplinary understanding in the building and engineering world so that tomorrow's engineers can be curious without boundaries. Yvonne Farrell and Shelley McNamara of the architectural practice Grafton interrogate the meaning of permanence, and what London's inhabitants will need from their buildings, and the urbanist Kat Hanna discusses the future of two of London's identities: the Central Business District and the Financial Services Hub. Mark Brearley, an architect and proprietor of a long-established London manufacturer, writes on the subject of the local high street and how the city is strengthened by these social, commercial hubs. Gillian Darley, a writer and historian, looks at the future of heritage, and how the city's past can be conserved and contribute towards its future. Sarah Ichioka is an environmental and social consultant, and her approach focuses on the climate emergency and natural solutions to make the city more resilient. The architect Indy Johar puts forward radical ideas about the shift that is required of all London's inhabitants if the city is to transform itself for the future, and Smith Mordak, an architect and engineer with Buro Happold, advocates for large infrastructural changes for sustainability. The cultural practitioner and writer Yasmin Jones-Henry, meanwhile, advocates for the value of cultural activities, powered by diversity, while the theatre director Jude Kelly calls for London's broadly inclusive cultural past to be put at the centre of future plans, and imagines a place for AI in that future. Dame Baroness Lawrence, a campaigner who has promoted reforms in the police service, uses housing, education, policing, and racial equality to put forward her vision for a more equitable London. The journalist Anna Minton sets the extraordinarily high values of property in certain areas of the city against the crisis of social housing and the poor quality of low-income housing and asks how the problem of housing inequality can be solved. The architect Claire Bennie also examines how housing can be made fairer and available to more people. The futurologist Mark Stevenson, meanwhile, imagines a commercial, building-focused solution to the problem of climate change, while the journalist Tony Travers imagines London's future in relation to its survival of past crises. Neal Shashore, an architectural historian, focuses on the approach to educating future designers of the capital, to champion inclusivity and focus on the needs of people and communities. As part of the London Society's growing role to campaign for a better London, the proposals in this book aim to influence the discourse of politicians and local authorities and to provoke debate among architects, developers, and planners. But it will also provide food for thought more generally, in a world where change will be required of everyone.

The immense power the Catholic Church once wielded in Ireland has considerably diminished over the last fifty years. During the same period the Irish state has pursued new economic and social development goals by wooing foreign investors and throwing the state's lot in with an ever-widening European integration project. How a less powerful church and a more assertive state related to one another during the key third quarter of the twentieth century is the subject of this book. Drawing on newly available material, it looks at how social science, which had been a church monopoly, was taken over and bent to new purposes by politicians and civil servants. This case study casts new light on wider processes of change, and the story features a strong and somewhat surprising cast of characters ranging from Sean Lemass and T.K. Whitaker to Archbishop John Charles McQuaid and Father Denis Fahey. -- .

The immense power the Catholic Church once wielded in Ireland has considerably diminished over the last fifty years. During the same period the Irish state has pursued new economic and social development goals by wooing foreign investors and throwing the state's lot in with an ever-widening European integration project. How a less powerful church and a more assertive state related to one another during the key third quarter of the twentieth century is the subject of this book. Drawing on newly available material, it looks at how social science, which had been a church monopoly, was taken over and bent to new purposes by politicians and civil servants. This case study casts new light on wider processes of change, and the story features a strong and somewhat surprising cast of characters ranging from Sean Lemass and T.K. Whitaker to Archbishop John Charles McQuaid and Father Denis Fahey. -- .

Organized under the Rapid Transit Act of 1875, the Manhattan Railway Company (commonly known as the Manhattan Elevated Railway, or the "el") dominated public transportation in late-nineteenth-century New York City. Its four lines extended the length of Manhattan Island into the Bronx, with 334 steam locomotives carrying 1,122 passenger cars over 102 miles of track. From 1880 to 1902, more passengers traveled the el than on any other rapid transit system in the world. Frank K. Hain was vice president and general manager of the company for 16 years, during which time he confronted union organizers, horrifying accidents, and a relentless media crusade for a conversion to electric power and the establishment of a subway system. Based on Hain's experiences, this chronicle of New York's elevated steam railways illuminates an important era in transportation.

Probably the most popular building of the last century, Sydney Opera House is the icon of modern Australia. It has repaid its Au$100 million cost many times over, both as a tourist attraction and as a cultural center; as a brand, it is priceless. The story of its creation is one of both triumph and tragedy: universally loved these days, it was attacked by press and public when under construction. It is a masterpiece of modern architecture, yet Jorn Utzon, its designer, walked out before completion. Opinions are still divided over who was at fault when he resigned after a row with the client in 1966, and the story continues to rouse powerful passions to this day. Now, nearly 40 years later, Utzon has been invited back to oversee the building's refurbishment.
Peter Murray's compelling and highly readable biography of the building presents both sides of the story. Using previously unpublished files and papers; Murray has managed to unravel one of the most intriguing architectural controversies of recent times - what really happened when they built Sydney Opera House?

Peter Murray's compelling and highly readable biography of the building presents both sides of the story. Using previously unpublished files and papers, Murray has managed to unravel one of the most intriguing architectural controversies of recent times - what really happened when they built Sydney Opera House...

Drawing upon a surprising wealth of evidence found in surviving manuscripts, this book restores friars to their rightful place in the history of English health care. Friars are often overlooked in the picture of health care in late medieval England. Physicians, surgeons, apothecaries, barbers, midwives - these are the people we think of immediately as agents of healing; whilst we identify university teachers as authorities on medical writings. Yet from their first appearance in England in the 1220s to the dispersal of the friaries in the 1530s, four orders of friars were active as healers of every type. Their care extended beyond the circle of their own brethren: patients included royalty, nobles and bishops, and they also provided charitable aid and relief to the poor. They wrote about medicine too. Bartholomew the Englishman and Roger Bacon were arguably the most influential authors, alongside the Dominican Henry Daniel. Nor should we forget the anonymous Franciscan compilers of the Tabula medicine, a handbook of cures, which, amongst other items, contains case histories of friars practising medicine. Even after the Reformation, these texts continued to circulate and find new readers amongst practitioners and householders. This book restores friars to their rightful place in the history of English health care, exploring the complex, productive entanglement between care of the soul and healing of the body, in both theoretical and practical terms. Drawing upon the surprising wealth of evidence found in the surviving manuscripts, it brings to light individuals such as William Holme (c. 1400), and his patient the duke of York (d. 1402), who suffered from swollen legs. Holme also wrote about medicinal simples and gave instructions for dealing with eye and voice problems experienced by his brother Franciscans. Friars from the thirteenth century onwards wrote their medicine differently, reflecting their religious vocation as preachers and confessors.

The Oxford Dictionary of Christian Art and Architecture explains a wide range of terms used in the study of the history of Christian art and architecture including subjects, topics, themes, artists, works, movements, and buildings. This long-awaited new edition of Peter and Linda Murray's classic text continues to provide an invaluable, authoritative, and engaging guide to interpreting Christian Art both for students and teachers of the subject, as well as non-specialists or those without a formal education in Christianity. The new editor, the Reverend Tom Devonshire Jones, has been aided by over a dozen expert contributors, fully updating the text for the new century. Areas that have been expanded upon include the artwork, artists, and innovations of the 19th, 20th, and 21st centuries (such as the relationship between Christianity and film). Coverage includes art from around the world, with new entries upon the Christian art of North America, Latin America, Australasia, and of the non-Western world, as well as Christian artistic interactions with other religions, including Judaism and Islam. The detailed bibliography has been heavily revised and updated, increasing the number of sources cited and expanding on sources relevant to the study of non-traditional Christian art. The updated bibliography will be placed on a companion webpage to the Dictionary, which will also feature an appendix of web links to sites of relevant interest.

Vasari's knowledge was based on his own experience as an early Renaissance painter and architect. Volume 2 explores the lives of twenty-five artists, from Perugino to Giovanni Pisano.

Biologische Theorien bewegen sich nicht selten, wie Kleidermoden, vollstandig im Kreis. Vor hundert Jahren behauptete der angesehe ne Histologe C. G. Ehrenberg, er konnte eine komplexe Serie in nerer Organe in den Zellen von Protozoen nachweisen; aber seine Ideen wurden verlacht. Die letzten zwanzig Jahre haben jedoch ge zeigt, dass er trotz seiner sehr extravaganten Ansichten zumin dest darin Recht hatte, in Zellen eine hochorganisierte Innen struktur zu vermuten, membranbegrenzte Vesikel mit ganz speziel len Funktionen. Das Interesse an den intrazellularen Membranen ist sehr viel grosser geworden seit der Erkenntnis, dass sie nicht nur eine pas sive Rolle durch das Abgrenzen von verschiedenen Zellbereichen spielen, sondern in ihrer Funktion alle Facetten der Zellakti vitat umfassen. Die Vielfalt ihrer Stoffwechselerscheinungen und die Komplexitat ihrer Struktur haben die Membranen zum "naturli chen Treffpunkt der Wissenschaften" gemacht, dem sich Elektronen mikroskopiker, Physikochemiker, Biochemiker und Biophysiker unter verschiedenen Aspekten nahern. Die Ergebnisse dieses konzertier ten Forschens haben es offenkundig gemacht, dass die genaue Kennt nis der Struktur und Funktion der verschiedenen Membranen einen Weg eroffnen sowohl fur das Verstandnis, was Leben im molekula ren Bereich ausmacht, als auch fur die vitale und komplizierte Kontrolle von Zell- und Gewebsfunktionen, eine Kenntnis, die bei der Behandlung von Zellversagen und fur Gewebstransplantationen Voraussetzung ist. Der Biologe, der das Studium der Membranen vernachlassigt, tut dies also auf eigene Gefahr. Die ganze Vielfalt der verschiedenen Aufgaben von Membranen ist zwar erst seit kurzem bekannt."

In the year 2016, Sam James Carter's life is turned upside down. One day while walking home from school, a dangerous young girl named Sophie Brooks tells him of his sister's murder that occurred while she was working for a secret US government agency. Sam seeks vengeance for his sister's death, and vows to find the murderer. Sophie agrees to join him and they embark upon a head- spinning journey to obtain revenge for his sister. As events progresses nothing is what it seems: anything could happen. Will Sam and Sophie find and bring the killer down or will the assassin elude them forever?

A collection of 30 poems by an English immigrant living in Canada. Emotion and creativity all poured into text.

Title: Account of a deposit of fossil plants, discovered in the coal formation of the third secondary limestone, near Scarborough. From the Edinburgh New Philosophical Journal for October 1828. MS. notes.Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The GEOLOGY collection includes books from the British Library digitised by Microsoft. The works in this collection contain a number of maps, charts, and tables from the 16th to the 19th centuries documenting geological features of the natural world. Also contained are textbooks and early scientific studies that catalogue and chronicle the human stance toward water and land use. Readers will further enjoy early historical maps of rivers and shorelines demonstrating the artistry of journeymen, cartographers, and illustrators. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Murray, Peter; 1829?] 8 . 7107.b.33.

The Oxford Dictionary of Christian Art and Architecture explains a wide range of terms used in the study of the history of Christian art and architecture including subjects, topics, themes, artists, works, movements, and buildings. This long-awaited new edition of Peter and Linda Murray's classic text continues to provide an invaluable, authoritative, and engaging guide to interpreting Christian Art both for students and teachers of the subject, as well as non-specialists or those without a formal education in Christianity. The new editor, the Reverend Tom Devonshire Jones, has been aided by over a dozen expert contributors, fully updating the text for the new century. Areas that have been expanded upon include the artwork, artists, and innovations of the 19th, 20th, and 21st centuries (such as the relationship between Christianity and film). Coverage includes art from around the world, with new entries upon the Christian art of North America, Latin America, Australasia, and of the non-Western world, as well as Christian artistic interactions with other religions, including Judaism and Islam. The detailed bibliography has been heavily revised and updated, increasing the number of sources cited and expanding on sources relevant to the study of non-traditional Christian art. The updated bibliography will be placed on a companion webpage to the Dictionary, which will also feature an appendix of web links to sites of relevant interest.

The Renaissance began in Italy, but it grew out of European civilization, with roots in Antiquity, in Christian dogma, and in Byzantium. The artistic ferment which had taken hold of Florence by 1420 was also reflected in the regional schools of Siena, Umbria, Mantua and Rome; and the new ideas spread from Italy through France, the Netherlands, Austria, Spain and Portugal. The book includes artists as diverse as Piero della Francesca, Van Eyck, Durer, Mantegna and Bellini, as well as the High Renaissance masters Leonardo da Vinci, Michelangelo and Raphael. With superb illustrations of the artists' work and crucial historical information about the "rebirth" of arts and letters, the authors illuminate one of the most important periods of art history. 251 illus., 51 in color.

DICTIONARY OF ART AND ARTISTS

Fully revised for this seventh edition, The Penguin Dictionary of Art and Artists is one of the most comprehensive and detailed reference works available on the subject. It contains:

* Entries on all the major artists of the last seven centuries
* Short, incisive biographies of over 1,200 artists, including many new entries on modern American artists
* Evaluations of the works of the greatest artists and their location
* Expositions of the best-known groups of schools of artists
* Descriptions of artistic techniques and styles
* Definitions of artistic movements

Fully updated, with new and expanded entries, this remarkable dictionary is an indispensable source of information for both artists and those interested in the arts in general.