Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

In Thick and Dazzling Darkness, Peter O'Leary offers a new reading of modern and contemporary poets' treatment of religion and the nature of the divine in a secular age. The book seeks to come to terms with an often obscured spiritual impulse that drives the production and imagination of American poetry. O'Leary presents close and comprehensive readings of the modernist, late-modernist, and postmodern poets Robinson Jeffers, Frank Samperi, and Robert Duncan, as well as the contemporary poets Joseph Donahue, Geoffrey Hill, Fanny Howe, Nathaniel Mackey, Pam Rehm, and Lissa Wolsak. He argues that an anxiety of misunderstanding exists in the study and writing of poetry between secular and religious impulses and that the religious nature of poets' works is too often marginalized. Examining the works of a specific poet in each chapter, O'Leary reveals their complexity and offers a defense of the value and meaning of religious poetry against the grain of a secular society.

Poetry. In WATCHFULNESS, Peter O'Leary delves into arcane, biblical and mystical texts as well as the art of iconic architecture to deliver a new poetry. Here the center is "concealed in concealment" wherewith a new composition can be, in Duncan's powerful phrase, "made loose." Reminiscent of both Robert Duncan's "Passages" and Ronald Johnson's Ark, these verses draw influence from the aether of poesis itself, thus charting a thoroughly contemporary and soulful terrain.