Covers all aspects of broadcast journalism, beginning with the basic principles of having a career in the field, the principles of journalism and basic broadcast skills, and continuing with in-depth practical aspects of radio and television news. A new dedicated chapter on social media discusses sourcing news, approaching witnesses, verifying information and subsequent changes in the production flow. New chapters discuss the rise of mobile journalism and podcasting, specifically looking at the kit involved, the production process and how audio and broadcast journalism can be incorporated.

This book, a product of collaboration and cooperation between two non-Masonic historians and the Grand Lodge of Virginia, is an objective, comprehensive study of the history of Freemasonry in the state of Virginia. The authors relate a fascinating chronicle of Freemasonry, from its British origins two hundred years ago to today. Along the way, they describe the colorful figures who populate this history and debunk many myths about Freemasonry.

The character of Roman art history has changed in recent years. More than ever before, it is concerned with the role of art in ancient society, including the functions that it served and the values and assumptions that it reflects. At the same time, images have become centrally important to the study of ancient history in general. This book offers a, critical introduction to Roman art against the background of these developments. Focusing on selected examples and themes, it sets the images in context, explains how they have been interpreted, and explodes some of the modern myths that surround them. It also explores some of the problems and contradictions that we face when we try to deal with ancient art in this manner. From wall-paintings to statues, from coins to the gravestones, this is a lucid and often provocative appraisal of the world of Roman images.

Now in its 8th edition, Broadcast Journalism continues to be an essential text on the production of news broadcasting and the practical skills needed.

It includes not only basic techniques and classic examples for the production of radio and TV news, but also new technology and the latest case studies. The fundamental skills of interviewing, news writing and production now have to cope with the prevalence of Fake News and Deep Fakes and verifying content in an endless flow of social media. This edition also includes newsgathering with mobile devices, live reporting and using data and graphics. There are dozens of new images and links for downloads and further reading, plus end-of-chapter exercises and tutor notes.

This continues to be an indispensable textbook for broadcast journalism and communications students looking for an in-depth guide to the industry.

Table of Contents

Preface. What this book is about

ACKNOWLEDGEMENTS

1 Do You Want The Job?

2 Ethics. Law. Fakes & Fabrications (biggest now – 35 pages)

3 Story types for broadcast journalism.

4 News channels, programmes and streams

5 Where News Comes From

6 Choosing and Chasing the Story

7 Setting up the Interview

8 The Interview

9 Writing Basics

10 Writing for News

11 Broadcast News Style Book

12 Putting the Show Together

13 News Anchors and Presenters

14 On Air

15 Newsreading

16 Story Treatment

17 Recording

18 Editing

19 The Studio

20 Television newsroom production

21 Writing Television News

22 Gathering television news.

23 Getting the shots

24 Editing the pictures and sound

25 Live TV reporting

26 Data, graphics and visuals

27 The television news studio and presentation

Appendix - GLOSSARY OF TERMS

Index

Basic Radio Journalism is a working manual and practical guide to the tools and techniques necessary to succeed in radio journalism. It will be useful both to students starting a broadcasting career as well as experienced journalists wishing to develop and expand their skills. Based on the popular Local Radio Journalism, this book covers the core skills of news gathering, writing, interviewing, reporting and reading with extensive hints and tips. It outlines working practices in both BBC and commercial radio. There are revamped legal and technical sections as well as a new chapter on the journalist as programme producer. For the student, there is extensive advice about getting a job, marketing yourself and dealing with job interviews. The Foreword is by Lord Ryder of Wensum, vice chairman of the BBC.

Basic Radio Journalism is a working manual and practical guide to the tools and techniques necessary to succeed in radio journalism. It will be useful both to students starting a broadcasting career as well as experienced journalists wishing to develop and expand their skills.
Based on the popular Local Radio Journalism, this book covers the core skills of news gathering, writing, interviewing, reporting and reading with extensive hints and tips. It outlines working practices in both BBC and commercial radio. There are revamped legal and technical sections as well as a new chapter on the journalist as programme producer. For the student, there is extensive advice about getting a job, marketing yourself and dealing with job interviews.
The Foreword is by Lord Ryder of Wensum, vice chairman of the BBC.
* A manual and handbook for working journalists and an ideal starter textbook for radio journalism and media students
* Written by two experienced journalists and trainers
* Includes the latest digital production techniques as well as scores of practical hints and tips covering the core skills of radio journalism

The Wilton House sculptures constituted one of the largest and most celebrated collections of ancient art in Europe. Originally comprising some 340 works, the collection was formed around the late 1710s and 1720s by Thomas Herbert, the eccentric 8th Earl of Pembroke, who stubbornly 're-baptized' his busts and statues with names of his own choosing. His sources included the famous collection of Cardinal Mazarin, assembled in Paris in the 1640s and 1650s, and recent discoveries on the Via Appia outside Rome. Earl Thomas regarded the sculptures as ancient - some of them among the oldest works of art in existence - but in fact much of the collection is modern and represents the neglected talents of sixteenth-and seventeenth-century artists, restorers and copyists who were inspired by Greek and Roman sculpture. About half of the original collection remains intact today, adorning the Gothic Cloisters that were built for it two centuries ago. After a long decline, accelerated by the impact of the Second World War, the sculptures have been rehabilitated in recent years. They include masterpieces of Roman and early modern art, which cast fresh light on Graeco-Roman antiquity, the classical tradition, and the history of collecting. Illustrated with specially commissioned photographs, this catalogue offers the first comprehensive publication of the 8th Earl's collection, including an inventory of works dispersed from Wilton. It re-presents his personal vision of the collection recorded in contemporary manuscripts. At the same time, it dismantles some of the myths about it which originated with the earl himself, and provides an authoritative archaeological and art-historical analysis of the artefacts.

The Live-Streaming Handbook will teach you how to present live-video shows from your phone and stream them straight to Facebook and Twitter. With this book and your favourite social media apps, you will be able to run your own TV station for your home or work. Peter Stewart, an experienced TV and radio presenter, producer and author, now shares the training he's given to professional broadcasters with you! From structuring and developing a show, to establishing an effective online persona and getting more people to watch you. The book includes dozens of tried and tested formats for your live-video show, alongside case studies highlighting how businesses and professionals are using live-streaming in their brand and marketing strategies. Also included are: a foreword by Al Roker (NBC's The Today Show); practical steps for using popular live-streaming apps, such as Facebook Live and Twitter; nearly 80 colour images of live-streaming events, screenshots and gadgets; a detailed walk-through of how to successfully present and produce your live-streaming show; advice on analysing and exploiting viewer metrics to increase followers; more than 130 quotes of real-world advice from expert producers of online media content; over 700 links to online case studies, articles, research and background reading. With this extensive manual you will gain a competitive edge in the world of online live-streaming. This book is invaluable to entrepreneurs, professionals and students working in journalism, public relations, marketing and digital media, as well as general readers interested in live-streaming at home.

Statues are among the most familiar remnants of classical art. Yet their prominence in ancient society is often ignored. In the Roman world statues were ubiquitous. Whether they were displayed as public honours or memorials, collected as works of art, dedicated to deities, venerated as gods, or violated as symbols of a defeated political regime, they were recognized individually and collectively as objects of enormous significance.
By analysing ancient texts and images, Statues in Roman Society unravels the web of associations which surrounded Roman statues. Addressing all categories of statuary together for the first time, it illuminates them in ancient terms, explaining expectations of what statues were or ought to be and describing the Romans' uneasy relationship with 'the other population' in their midst.

Statues were everywhere in the Roman world. They served as objects of cult, honours to emperors and noblemen, and memorials to the dead. Combining close attention to individual Roman texts and images with an unprecedented broad perspective on this remarkable phenomenon, Statues in Roman Society explains the impact which all kinds of statuary had on the ancient population.

The Live-Streaming Handbook will teach you how to present live-video shows from your phone and stream them straight to Facebook and Twitter. With this book and your favourite social media apps, you will be able to run your own TV station for your home or work. Peter Stewart, an experienced TV and radio presenter, producer and author, now shares the training he's given to professional broadcasters with you! From structuring and developing a show, to establishing an effective online persona and getting more people to watch you. The book includes dozens of tried and tested formats for your live-video show, alongside case studies highlighting how businesses and professionals are using live-streaming in their brand and marketing strategies. Also included are: a foreword by Al Roker (NBC's The Today Show); practical steps for using popular live-streaming apps, such as Facebook Live and Twitter; nearly 80 colour images of live-streaming events, screenshots and gadgets; a detailed walk-through of how to successfully present and produce your live-streaming show; advice on analysing and exploiting viewer metrics to increase followers; more than 130 quotes of real-world advice from expert producers of online media content; over 700 links to online case studies, articles, research and background reading. With this extensive manual you will gain a competitive edge in the world of online live-streaming. This book is invaluable to entrepreneurs, professionals and students working in journalism, public relations, marketing and digital media, as well as general readers interested in live-streaming at home.

'Incredibly comprehensive. Learn and understand this lot and you will have a fine grasp' Jon Snow

'This sets the standard for every radio newsroom' - Andy Ivy, Editor, Sky News Radio

In an age of infinite choice made possible by new technology, and a disturbing move away from traditional reporting into colourful comment and speculation by blogs and 'citizen journalists' there has never been a better time to focus on pure journalism skills.

"Essential Radio Journalism "is a vastly comprehensive working manual for radio journalists as well as a textbook for broadcast journalism students. It contains practical advice for gathering, reporting, writing, editing and presenting, the news, alongside media law and ethics. There is a wealth of 'inside' information, checklists and on-the-job advice that you can immediately put to use whether you are in your first job or have several years of experience. This is a book to inspire responsible, accurate and exceptional journalism skills.

Despite the central importance of connoisseurship in the rarefied world of art collecting, it occupies an uncomfortable position in modern scholarship. On the one hand, the concept retains a significant role in the study of art and the care of public and private collections when it is linked with art appreciation, qualities visible to the attuned eye, or the processes of attribution and authentication. On the other hand, the last century has seen connoisseurship marginalized in academic discourse: it is often associated with amateurism, social elitism, status-display, and intellectual mystification. The present collection of essays enters this breach and—by adopting a broad, interdisciplinary approach—considers connoisseurship afresh, investigating its practice in both familiar and unexpected places. Essays on the role of connoisseurship in Western art history appear alongside innovative, global perspectives on Chinese numismatics and walnut collecting, wine and coffee expertise, the market for geological specimens, and the parallels between Morellian connoisseurship and modern forensics. These essays resonate with one another in surprising ways and create new dialogues about connoisseurship's meaning and application, demonstrating that its practice can be both intuitive and scientific.

PRP is one of the most successful housing practices in the world. Peter Phippen, Peter Randall and David Parkes founded the practice in 1963, and since then have moved forward from their Modernist beginnings, evidenced in the post-Second World War housing boom to the diverse concerns of the twenty-first century - creating hospice care and sheltered housing for the elderly and infirm, as well as accommodating the need for sustainable, low-energy, zero-carbon developments. "Place & Home: The Search for Better Housing" comprises essays by Phippen, Randall and Parkes, Barry Munday and Chris Rudolph on PRP's past and current work, as well as texts by commissioned writers on the topics of 'place', 'building technology' and 'home' in architecture. These are interspersed with illustrated case studies of PRP's work with housing associations, local authorities and private developers, in diverse locations including Moscow, La Grande Motte, Milton Keynes, Manchester, and Brixton - the latter of which Ken Livingstone, the Mayor of London, considers "sets the standard for what we should be achieving in every social housing development in London".

"Gandharan Art in its Buddhist Context is the fifth set of papers from the workshops of the Classical Art Research Centre's Gandhara Connections project. These selected studies revolve around perhaps the most fundamental topic of all for understanding Gandharan art: its religious contexts and meanings within ancient Buddhism. Addressing the responses of patrons and worshippers at the monasteries and shrines of Gandhara, these papers seek to understand more about why Gandharan art was made and what its iconographical repertoire meant to ancient viewers. The contributions from an array of international experts consider dedicatory practices in monasteries, the representation of Buddhas, and the lessons to be learned from some of the latest excavations and survey work in the region."

This newest edition of Broadcast Journalism continues its long tradition of covering the basics of broadcasting from gathering news sources, interviewing, putting together a programme, news writing, reporting, editing, working in the studio, conducting live reports, and more. Two new authors have joined forces in this new edition to present behind the scenes perspectives on multimedia broadcast news, where it is heading, and how you get there.
Technology is meshing global and local news. Constant interactivity between on-the-scene reporting and nearly instantaneous broadcasting to the world has changed the very nature of how broadcast journalists must think, act, write and report on a 24/7 basis. This new edition takes up this digital workflow and convergence. Students of broadcast journalism and professors alike will find that the sixth edition of Broadcast Journalism is completely up-to-date.
Includes new photos, quotations, and coverage of convergent journalism, podcasting, multimedia journalism, citizen journalism, and more!
* Covers the trends that have reshaped the world of journalism: convergence, multiskilling, citizen journalism, podcasting, online journalism, and more
* An indispensible and comprehensive introduction to the field of broadcast journalism
* The leading text in the broadcast journalism field
* Fundamentals of Broadcast Journalism, such as news gathering, news writing, news reading, interviewing, making programmes
* Up-to-date practical manual for beginning reporters hoping to enter the arenas of radio and television news

Gandh�ran art is usually regarded as a single phenomenon – a unified regional artistic tradition or ‘school’. Indeed it has distinctive visual characteristics, materials, and functions, and is characterized by its extensive borrowings from the Graeco-Roman world. Yet this tradition is also highly varied. Even the superficial homogeneity of Gandh�ran sculpture, which constitutes the bulk of documented artistic material from this region in the early centuries AD, belies a considerable range of styles, technical approaches, iconographic choices, and levels of artistic skill. The geographical variations in Gandh�ran art have received less attention than they deserve. Many surviving Gandh�ran artefacts are unprovenanced and the difficulty of tracing substantial assemblages of sculpture to particular sites has obscured the fine-grained picture of its artistic geography. Well documented modern excavations at particular sites and areas, such as the projects of the Italian Archaeological Mission in the Swat Valley, have demonstrated the value of looking at sculptures in context and considering distinctive aspects of their production, use, and reuse within a specific locality. However, insights of this kind have been harder to gain for other areas, including the Gandh�ran heartland of the Peshawar basin. Even where large collections of artworks can be related to individual sites, the exercise of comparing material within and between these places is still at an early stage. The relationship between the Gandh�ran artists or ‘workshops’, particular stone sources, and specific sites is still unclear. Addressing these and other questions, this second volume of the Gandh�ra Connections project at Oxford University’s Classical Art Research Centre presents the proceedings of a workshop held in March 2018. Its aim is to pick apart the regional geography of Gandh�ran art, presenting new discoveries at particular sites, textual evidence, and the challenges and opportunities of exploring Gandh�ra’s artistic geography.

The ancient Buddhist art of Gandh�ra was rediscovered from the 1830s and 1840s onwards in what would become the North-West Frontier of British India. By the end of the century an abundance of sculptures had been accumulated by European soldiers and officials, which constituted the foundations for a new field of scholarship and internationally celebrated museum collections. Both then and since, the understanding of Gandh�ran art has been impeded by gaps in documentation, haphazard excavation, forgery, and smuggling of antiquities. Consequently, the study of Gandh�ran archaeology often involves the evaluation and piecing together of fragmentary clues. In more subtle ways, however, the modern view of Gandh�ran art has been shaped by the significance accorded to it by different observers over the past century and a half. Conceived in the imperial context of the late nineteenth century as ‘Graeco-Buddhist’ art – a hybrid of Asian religion and Mediterranean artistic form – Gandh�ran art has been invested with various meanings since then, both in and beyond the academic sphere. Its puzzling links to the classical world of Greece and Rome have been explained from different perspectives, informed both by evolving perceptions of the evidence and by modern circumstances. From the archaeologists and smugglers of the Raj to the museums of post-partition Pakistan and India, from coin-forgers and contraband to modern Buddhism and contemporary art, this fourth volume of the Classical Art Research Centre’s Gandh�ra Connections project presents the most recent research on the factors that mediate our encounter with Gandh�ran art.

This is a practical, how-to guide to producing and presenting radio to a professional standard. Packed with day-to-day advice that captures the essence and buzz of live broadcasting; from preparing your show before it goes out, last minute changes to running orders, deciding what to drop in over a track, how to sell a feature or promote a programme, setting up competitions, thinking fast in a phone in- this book will help you do all that and more. It covers network and commercial, music and talk radio skills. It will particularly suit the independent local or community radio sector, where people often start out. It features advice from industry professionals, covers industry-wide best practice with enough 'need-to-know' technical information to get you up and running, and distills tried and tested practical tips from a specialist BBC radio trainer, and award-winning radio broadcaster with over 15 years of experience. A handbook you wouldn't want to be without before you go on air.

Gandharan art is often regarded as the epitome of cultural exchange in antiquity. The ancient region of Gandhara, centred on what is now the northern tip of Pakistan, has been called the 'crossroads of Asia'. The Buddhist art produced in and around this area in the first few centuries AD exhibits extraordinary connections with other traditions across Asia and as far as the Mediterranean. Since the nineteenth century, the Graeco-Roman associations of Gandharan art have attracted particular attention. Classically educated soldiers and administrators of that era were astonished by the uncanny resemblance of many works of Gandharan sculpture to Greek and Roman art made thousands of miles to the west. More than a century later we can recognize that the Gandharan artists' appropriation of classical iconography and styles was diverse and extensive, but the explanation of this 'influence' remains puzzling and elusive. The Gandhara Connections project at the University of Oxford's Classical Art Research Centre was initiated principally to cast new light on this old problem. This volume is the third set of proceedings of the project's annual workshop, and the first to address directly the question of cross-cultural influence on and by Gandharan art. The contributors wrestle with old controversies, particularly the notion that Gandharan art is a legacy of Hellenistic Greek rule in Central Asia and the growing consensus around the important role of the Roman Empire in shaping it. But they also seek to present a more complex and expansive view of the networks in which Gandhara was embedded. Adopting a global perspective on the subject, they examine aspects of Gandhara's connections both within and beyond South Asia and Central Asia, including the profound influence which Gandharan art itself had on the development of Buddhist art in China and India.