Books > Arts & Architecture > History of art / art & design styles > BC to 500 CE, Ancient & classical world
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Problems of Chronology in Gandharan Art - Proceedings of the First International Workshop of the Gandhara Connections Project, University of Oxford, 23rd-24th March, 2017 (Paperback)
Loot Price: R1,089
Discovery Miles 10 890
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Problems of Chronology in Gandharan Art - Proceedings of the First International Workshop of the Gandhara Connections Project, University of Oxford, 23rd-24th March, 2017 (Paperback)
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Since the beginning of Gandharan studies in the nineteenth century,
chronology has been one of the most significant challenges to the
understanding of Gandharan art. Many other ancient societies,
including those of Greece and Rome, have left a wealth of textual
sources which have put their fundamental chronological frameworks
beyond doubt. In the absence of such sources on a similar scale,
even the historical eras cited on inscribed Gandharan works of art
have been hard to place. Few sculptures have such inscriptions and
the majority lack any record of find-spot or even general
provenance. Those known to have been found at particular sites were
sometimes moved and reused in antiquity. Consequently, the
provisional dates assigned to extant Gandharan sculptures have
sometimes differed by centuries, while the narrative of artistic
development remains doubtful and inconsistent. Building upon the
most recent, cross-disciplinary research, debate and excavation,
this volume reinforces a new consensus about the chronology of
Gandhara, bringing the history of Gandharan art into sharper focus
than ever. By considering this tradition in its wider context,
alongside contemporary Indian art and subsequent developments in
Central Asia, the authors also open up fresh questions and problems
which a new phase of research will need to address. Problems of
Chronology in Gandharan Art is the first publication of the
Gandhara Connections project at the University of Oxford's
Classical Art Research Centre, which has been supported by the
Bagri Foundation and the Neil Kreitman Foundation. It presents the
proceedings of the first of three international workshops on
fundamental questions in the study of Gandharan art, held at Oxford
in March 2017.
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