The Quatuor pour la fin du temps (Quartet for the End of Time) is among the best-known compositions by Olivier Messiaen (1908-92). Like virtually all of his works, it combines the striking technical achievement of Messiaen's rich and attractive musical style with a deeply felt theological inspiration - in this case from the apocalyptic events described in the Book of Revelation, leading to the end of Time itself. Composed while Messiaen was a prisoner-of-war and premiered under extraordinary conditions in Stalag VIIIA in 1941, the work retains a powerful immediacy that has made it a favourite of performers and audiences alike. Anthony Pople's book provides an introduction to Messiaen's style through an examination of this great work, showing how it came to be composed and giving an in-depth assessment of each of its eight movements.

Alban Berg's achievement is based on an extraordinarily small musical output, but it includes towering masterpieces such as the operas Wozzeck and Lulu, and his last work, the Violin Concerto. These and all Berg's other substantial works are discussed in this wide-ranging Companion, which contains essays written from a variety of historical and critical perspectives, outlining the place of the music in the cultural history of its time and within the broader interplay of twentieth-century fashions, aesthetics and ideas.

Beginning with classification, nomenclature, and structures, this reference discussesphysicochemical properties of alkaloids relevant to the chromatographic process.Chromatographic Analysis of Alkaloids explores the main experimental factors affectingthe separation and detection of alkaloids in gas (GC), liquid (LC), and thinlayer(1LC) chromatography ... illustrates separation conditions described in recentliterature ... provides, for a given compound, the GC, LC, and 1LC techniquesavailable within the same paragraph ... surveys, in tabular form, the methods forsample preparation for chromatographic analysis ... contains over 1,200 up-to-datereferences covering the majority of papers on the chromatography of alkaloids... and more.Serving as a rich resource of practical information, Chromatographic Analysis ofAlkaloids is essential reading for analytical, organic, natural products, and forensicchemists and biochemists, pharmacologists, and graduate-level students in thesedisciplines.

The first hand stories in this book, collected through The Children's Society's campaign The Debt Trap, offer a unique understanding of life for families and children fighting a daily battle against poverty and debt.

There have been far-reaching changes in the way music theorists and analysts view the nature of their disciplines. Encounters with structuralist and post-structuralist critical theory, and with linguistics and cognitive sciences, have brought the theory and analysis of music into the orbit of important developments in intellectual history. This book presents the work of a group of scholars who, without seeking to impose an explicit redefinition of either theory or analysis, explore the limits of both in this context. Essays on the languages of analysis and theory, and on practical issues such as decidability, ambiguity and metaphor, combine with studies of works by Debussy, Schoenberg, Birtwistle and Boulez, together making a major contribution to an important debate in the growth of musicology.

The Cambridge IGCSE (R) & O Level Complete Physics Enhanced Online Student Book is an electronic version of the Student Book, accessible in the classroom and at home. It has been fully updated and matched to the latest Cambridge IGCSE (0625) and O Level (5054) Physics syllabuses, ensuring it covers all the content that students need to succeed. The Enhanced Online Student Book provides support for class and homework, exam preparation, and assessment throughout the course with opportunities to develop and improve students' performance, and equip them for further study. It contains access to a range of digital resources such as 'On Your Marks' to improve exam technique, extensive formative and summative assessments including interactive, auto-marked tests, practice papers with mark schemes, and worksheets. The licence period for this product is for 30 months from the date you activate the access code. Cambridge IGCSE & O Level Complete Physics is also available in print or as a great-value print and online pack. The supporting Exam Success Guide and Practical Workbook help students achieve top marks in their exams, while the Workbook, for independent practice, strengthens exam potential inside and outside the classroom.

The Cambridge IGCSE (R) & O Level Complete Physics Student Book is at the heart of delivering the course. It has been fully updated and matched to the latest Cambridge IGCSE (0625) & O Level (5054) Physics syllabuses, ensuring it covers all the content that students need to succeed. The Student Book is written by Stephen Pople, experienced and trusted author of our previous, best-selling edition, and Anna Harris. It has been reviewed by subject experts globally to ensure it meets teachers' needs. The book offers a rigorous approach, with a light touch to make it engaging. Varied and flexible assessment-focused support and exam-style questions improve students' performance and help them to progress, while the enriching content equips them for further study. The Student Book is available in print, online or via a great-value print and online pack. The supporting Exam Success Guide and Practical Workbook help students achieve top marks in their exams, while the Workbook, for independent practice, strengthens exam potential inside and outside the classroom.

There have been far-reaching changes in the way music theorists and analysts view the nature of their disciplines. Encounters with structuralist and post-structuralist critical theory, and with linguistics and cognitive sciences, have brought the theory and analysis of music into the orbit of important developments in intellectual history. This book presents the work of a group of scholars who, without seeking to impose an explicit redefinition of either theory or analysis, explore the limits of both in this context. Essays on the languages of analysis and theory, and on practical issues such as decidability, ambiguity and metaphor, combine with studies of works by Debussy, Schoenberg, Birtwistle and Boulez, together making a major contribution to an important debate in the growth of musicology.

This book is about one musical work, the popular Quartet for the End of Time by the great French composer Olivier Messiaen. Like virtually all of his works, the Quartet combines the striking technical achievement of Messiaen's rich and attractive musical style with a deeply felt theological inspiration. Anthony Pople's book provides an introduction to Messiaen's style through an examination of this great work, showing how it came to be composed while Messiaen was a prisoner-of-war and premiered under extraordinary conditions in Stalag VIIIA in 1941. He gives an in-depth assessment of each of its eight movements.

Described by Aaron Copland as 'among the finest creations in the modern repertoire', Alban Berg's Violin Concerto has become a twentieth-century classic. In this authoritative and highly readable guide to the work the reader is introduced not only to the concerto itself but to all that surrounded and determined its composition. This is a book about musical culture in the 1930s, about the Second Viennese School, about tonality, atonality and serialism, about Berg's own musical development, compositional method and the private significance the Violin Concerto held for him. The book describes the genesis of the work, its performance history and critical reception and, in two detailed musical chapters, provides a section-by-section account of the book and a closer analysis of the musical language and structure. Anthony Pople's ability to combine musical anecdote with scholarly discussion makes this guide compelling reading for the amateur and the specialist alike.

The Cambridge History of Twentieth-Century Music, first published in 2004, is an appraisal of the development of music in the twentieth century from the vantage-point of the twenty-first. This wide-ranging and eclectic book traces the progressive fragmentation of the European 'art' tradition, and its relocation as one tradition among many at the century's end. While the focus is on Western traditions, both 'art' and popular, these are situated within the context of world music, including a case study of the interaction of 'art' and traditional musics in post-colonial Africa. An international authorship brings a wide variety of approaches to music history, but the aim throughout is to set musical developments in the context of social, ideological, and technological change, and to understand reception and consumption as integral to the history of music.

Ian Pople is a man of the world. He has travelled and taught in the UK, Greece, Sudan and Saudi Arabia. His poems explore England, the larger world, and how changing perspectives readjust the sense of England and of home. They deal with borders, crossings, closing boundaries. They are about transitions in space and time, the ways life and relationships change and adapt to illness, love, estrangement and loss. The traveller changes identities as he moves, responding to different surroundings, and the early poems collected here provide a varied retrospect, moving through Africa, Europe and Asia - so that we read the more recent work from a different perspective. The travel poems explore the range of reactions, appropriations and misappropriations as physical and psychological boundaries are crossed. More recent writing responds to music and the visual arts, using assemblages or bricolage to convey the painfully familiar experience of displacement, dislocation. There are poems that answer back to figures from jazz history, Roland Kirk, Dupree Bolton and Pat Metheny among them. It is wonderful to encounter such an accomplished and varied body of work which shares with us its vivid spaces and tones. Pople, a lucid critic of modern and contemporary - especially American - poetry, is an original artist in his own right.

The Cambridge History of Twentieth-Century Music, first published in 2004, is an appraisal of the development of music in the twentieth century from the vantage-point of the twenty-first. This wide-ranging and eclectic book traces the progressive fragmentation of the European 'art' tradition, and its relocation as one tradition among many at the century's end. While the focus is on Western traditions, both 'art' and popular, these are situated within the context of world music, including a case study of the interaction of 'art' and traditional musics in post-colonial Africa. An international authorship brings a wide variety of approaches to music history, but the aim throughout is to set musical developments in the context of social, ideological, and technological change, and to understand reception and consumption as integral to the history of music.

The world of Alban Berg is full of paradoxes, secrets and allusions, but he was able to handle emotional and moral issues at a distance and with profound sympathy. His unhurried, almost aristocratic attitude to life and his extreme self-criticism in professional matters resulted in an extraordinarily small musical output, but it includes towering masterpieces such as the operas Wozzeck and Lulu, and his last work, the Violin Concerto. All of Berg's substantial works are discussed in this Companion which brings together a team of experts who write from a variety of historical and critical perspectives, outlining the place of the music in the cultural history of its time and recontextualising it against the broader twentieth-century interplay of fashions, aesthetics and ideas.

It's been called "profane," "offensive," and deemed "intolerable" to consider its literal meaning part of the scriptural canon. Such is the hard-fought history of the Song of Songs: no other book has been so maligned, simply for existing in the Bible. In truth, the Song is exactly as it appears: an intensely passionate expression of romantic love, ascetic and sexual, between two lovers. The poetry is structured in two anti-symmetric halves: a chiasmus. The Song's lovers are forever imprinted as timeless emblems for this flawless - except godless - love; and the divine Hand enriches the Song symbolically, creating an allegorical overlay with spiritual instruction. The literal story-line and interwoven allegorical messages coexist effortlessly: rooting the Song on Earth does not limit it reaching to Heaven. The spiritual lessons imprinted in the Song are simple, profound and highly relevant to the 21st century disciple; and the manner in which they can be seen to emerge from the symbology, fascinating.

Biography of Tom Hostetler, SSRL beamline operator for SSRL. A compilation of his craziest antics

The annual Symposium on Principles of Programming Languages is a forum for the discussion of all aspects of programming languages and systems, with emphasis on how principles underpin practice. Both theoretical and experimental papers are welcome, on topics ranging from formal frameworks to experience reports.

It begins with the Divine injunction: "Have you considered my servant Job?" The Biblical drama of Job is haunting. A blameless man is tormented by 'the Satan': stripped of wealth, status, possessions, health and children - all with God's permission! Who is this Satan? More chilling still, who is this God? And why, despite this cataclysmic carnage, does the drama focus on the resulting argument between Job and his 3 friends? The ending of the drama seems no clearer. When God reveals Himself, what is He saying? Finally, God restores Job. Yet does this truly repair His permitted destruction of him? With its distinctive identification of the Satan, this interpretation offers unique insights into the classic interactions between God, Satan and the Righteous Man; revealing the Messianic message encoded within. Most importantly it lends reason to persevere in faith, as Job did; and speak well of God.