The life of Philipp Jaffe (1819-1870), from his youth in Posen; his studies with Leopold von Ranke and career - as a close friend of Theodor Mommsen - at the pinnacle of historical scholarship in Berlin, first at the Monumenta Germaniae Historica and then, after his feud with Georg Heinrich Pertz, with his unprecedented 1862 appointment, while still a Jew, to a Berlin professorship; and on to his baptism in 1868 and suicide in 1870, was a life of transition between East and West and between Judaism and Christianity - and a life of devotion to scholarship, of loneliness, of success and of frustration. Forgotten today, except by medievalists who depend on his numerous editions of Latin texts, Jaffe was a central figure in the heydays of German scholarship. His career illustrates the working conditions of such scholars, their friendships and feuds, and also the limits that hemmed Jews in and the ways they could be overcome. This volume documents Jaffe's life, accomplishments, and struggles, and also offers insight into his soul via more than two hundred of his letters (in German) - about half to his parents in Posen and half to colleagues around Europe, especially Pertz and Mommsen.

Lillian Russell was the Victorian era's symbol of talent, charm, and beauty. She was introduced by impresario Tony Pastor in 1880, and was considered an emblem of feminine beauty until the turn of the century. Although her voice still set a standard of excellence, by that time America's vision of loveliness had changed, and her middle-aged body could not meet the new challenge on the musical stage. Russell responded with extraordinary resilience. She adapted with the times and became the Igrande dameR of the American theatre in non-musical plays, burlesque, variety, and the lecture circuit. She wrote widely-read newspaper columns in which she pioneered an optimistic philosophy of self-help, and she used her numerous connections to champion the causes that she held dear.

Carefully researched, this reference book is a comprehensive and thoroughly documented guide to Lillian Russell's life and career. A biography places her in the social and cultural context of her time and adds previously ignored information about her parents, birth, coming-of-age in the Midwest, early career, daughter, and death. A chronology then gives a detailed listing of events in her life and career. The chapters that follow are devoted to her many performances. Entries in each section provide cast and credit information, plot synopses, review excerpts, and critical commentary. Several appendices offer additional information about her work, and an extensive annotated bibliography lists sources of additional information.

"Deans of men in American colleges and universities were created in the late nineteenth and early twentieth centuries to help manage a growing student population. The early deans often had a personality that allowed them to engage easily with students. Over time, many deans saw their offices increase in size and responsibility. The profession grew slowly but by the 1940's drew several hundred men to annual conferences and many more were members. Deans of men and women were significant figures for college students; many students saw them as the "face" of the college or university. Schwartz traces the role and work of the deans and how they managed the rapidly growing culture of the American college campus in the twentieth century"--Provided by publisher.

2 Maccabees is a Jewish work composed during the 2nd century BCE and preserved by the Church. Written in Hellenistic Greek and told from a Jewish-Hellenistic perspective, 2 Maccabees narrates and interprets the ups and downs of events that took place in Jerusalem prior to and during the Maccabean revolt: institutionalized Hellenization and the foundation of Jerusalem as a polis; the persecution of Jews by Antiochus Epiphanes, accompanied by famous martyrdoms; and the rebellion against Seleucid rule by Judas Maccabaeus. 2 Maccabees is an important source both for the events it describes and for the values and interests of the Judaism of the Hellenistic diaspora that it reflects - which are often quite different from those represented by its competitor, 1 Maccabees.

The memoirs of the Russian-born German composer Georg von Alberecht (born Kasan 1891, died Heidelberg 1976) are an important document of 20th-century musical history. Dictated to his son Michael von Albrecht and first published in German, von Albrecht's autobiography recounts his dramatic experiences during the 1917 Russian revolution and the Nazi terror. His reports of encounters with such other composers as Taneyev, Glazunov, Scriabin, Stravinsky, Hindemith, Frommel, David, and others, and his thorough discussion of tonal systems and compositional methods, reflect the approach and critical response to many procedures typical of the 20th-century music. His analyses shed light on the works of other composers and the development of modern and postmodern compositional strategies. Translated by Michael von Albrecht and Francis R. Schwartz, and edited by Elliott Antokoletz, these memoirs offer the English-speaking reader a first-hand account of some of the most dynamic political, social, and musical developments in 20th-century Europe.

The nineteenth century is central to contemporary discussions of visual culture. This reader brings together for the first time key writings about the period, exploring such topics as photographs, exhibitions and advertising. Suggesting that "modernity" rather than "modernism" is a valuable way of understanding the changes particular to the visual culture of the time, the editors investigate the variety of nineteenth-century images, technologies and visual experiences, stressing in particular the very consciousness of vision and visuality.
The reader begins with three specially written essays about definitions of visual culture as an object of study. "Genealogies" introduces key writings about culture from writers living in the nineteenth century itself or from those who scrutinized its visual culture from early in the twentieth century such as Walter Benjamin and Siegfried Kracauer. The remainder is organized around themes: technologies of vision, practices of display and the circulation of images, cities and the built environment, visual representations of the past, visual representations of categories of racial, sexual and social differences, and spatial configurations of inside and out, private and public. Selections include well-known authors and new research by younger scholars to produce a well-balanced and comprehensive collection.

What happens when married men face their gay/bisexual needs?This astonishing volume offers an intimate look into the lives and thoughts of bisexual men. Already married to women, these men are undeniably attracted to other men. Their struggle with conflicting needs, desires, and loyalties is not filtered through theories or evoked in brief interviews. It comes straight from their own keyboards. The stories told in Bisexual and Gay Husbands are taken from an Internet mailing list, which allows people to speak freely and in anonymity, yet also encourages the development of a tightly knit community. Men at all stages of the coming-out process share their experiences, their secrets, their pain, shame, anger, and hope.One man writes, "I have found the answer to my bisexual needs and am afraid to embrace it. I need help and advice to know what to do. What you people have done in your lives may hold the key to helping me decide on a course of action. I am either going to create a dream come true or hell on earth as I destroy my marriage. I can't tell which, and of course you can't either. But you CAN tell me how you are handling the problems I am facing."Bisexual and Gay Husbands includes advice and information on the issues that touch these men most deeply, including: how do I tell my wife and kids? what does it mean to self-identify as bisexual or gay? what kinds of relationships do I want with men? can triads work? how do I deal with my children's reaction? do I have to leave my wife?The insight, intelligence, and honesty revealed in Bisexual and Gay Husbands make it a riveting read, but it also has great clinical and historic value for therapists, sex theorists, and bisexual men and theirfamilies.

Deans of men in American colleges and universities were created in the late nineteenth and early twentieth centuries to help manage a growing student population. The early deans often had a personality that allowed them to engage easily with students. Over time, many deans saw their offices increase in size and responsibility. The profession grew slowly but by the 1940's drew several hundred men to annual conferences and many more were members. Deans of men and women were significant figures for college students; many students saw them as the "face" of the college or university. Schwartz traces the role and work of the deans and how they managed the rapidly growing culture of the American college campus in the twentieth century.

The nineteenth century is central to contemporary discussions of visual culture. This reader brings together for the first time key writings about the period, exploring such topics as photographs, exhibitions and advertising. Suggesting that "modernity" rather than "modernism" is a valuable way of understanding the changes particular to the visual culture of the time, the editors investigate the variety of nineteenth-century images, technologies and visual experiences, stressing in particular the very consciousness of vision and visuality.
The reader begins with three specially written essays about definitions of visual culture as an object of study. "Genealogies" introduces key writings about culture from writers living in the nineteenth century itself or from those who scrutinized its visual culture from early in the twentieth century such as Walter Benjamin and Siegfried Kracauer. The remainder is organized around themes: technologies of vision, practices of display and the circulation of images, cities and the built environment, visual representations of the past, visual representations of categories of racial, sexual and social differences, and spatial configurations of inside and out, private and public. Selections include well-known authors and new research by younger scholars to produce a well-balanced and comprehensive collection.

Snow Leopards, Second Edition provides a foundational, comprehensive overview of the biology, ecology and conservation of this iconic species. This updated edition incorporates all the recent information from range-wide surveys and conservation projects, the results of technical and advances particularly in genetics, camera trapping and satellite tracking, and evaluates emerging threats. New chapters synthesize the novel scientific methods and statistical analyses used to develop density and population estimates and how they inform conservation and management estimates. Sections cover historical information, the main biogeographic patterns, evolutionary trends, conservational efforts, and cultural significance. Status and distribution are fully updated for all 12 countries where snow leopards occur. Other sections describe established and emerging threats, including human-wildlife conflict, illegal trade, infrastructure development, and climate change along with conservation solutions used to address these threats. The book concludes with a final section on global snow leopard initiatives and future potentials.

A stunning look at the profound impact of the jet plane on the mid-century aesthetic, from Disneyland to Life magazine Vanessa R. Schwartz engagingly presents the jet plane's power to define a new age at a critical moment in the mid-20th century, arguing that the craft's speed and smooth ride allowed people to imagine themselves living in the future. Exploring realms as diverse as airport architecture, theme park design, film, and photography, Schwartz argues that the jet created an aesthetic that circulated on the ground below. Visual and media culture, including Eero Saarinen's airports, David Bailey's photographs of the jet set, and Ernst Haas's experiments in color photojournalism glamorized the imagery of motion. Drawing on unprecedented access to the archives of The Walt Disney Studios, Schwartz also examines the period's most successful example of fluid motion meeting media culture: Disneyland. The park's dedication to "people-moving" defined Walt Disney's vision, shaping the very identity of the place. The jet age aesthetic laid the groundwork for our contemporary media culture, in which motion is so fluid that we can surf the internet while going nowhere at all.

The recent history of cultural exchange between France and the United States would appear to be defined by "freedom fries" and boycotts against Beaujolais--or, on the other side of the Atlantic, by enraged farmers toppling statues of Ronald McDonald. But this dismal state of affairs is a long way from the mutual admiration that followed World War II, epitomized in a 1958 cover of "Look" magazine that declared "Brigitte Bardot conquers America." "It's So French!" explores the close affinity between the French and American film industries that flourished in the postwar years, breaking down myths of American imperialism and French cultural protectionism while illuminating the vital role that cinema has played in the globalization of culture.
Hollywood was once enamored with everything French and this infatuation blossomed in a wildly popular series of films including "An American in Paris,"" Gigi,"" "and "Funny Face," Schwartz here examines the visual appeal of such films, and then broadens her analysis to explore their production and distribution, probing the profitable influences that Hollywood and Paris exerted on each other. This exchange moved beyond individual films with the sensational spectacle of the Cannes Film Festival and the meteoric career of Brigitte Bardot. And in turn, their success led to a new kind of film that celebrated internationalism and cultural hybridity. Ultimately, Schwartz uncovers an intriguing paradox: that the road to globalization was paved with nationalist cliches, and thus, films beloved for being so French were in fact the first signs of a nascent cosmopolitan culture.
Packed with an array of colorful film stills, publicity photographs, paparazzi shots, ads, and never before seen archival images, "It's So French!" is an incisive account of the fertile collaboration between France and the United States that expanded the geographic horizons of both filmmaking and filmgoing, forever changing what the world saw and dreamed of when they went to the movies.

"Perception" presents classic essays on the conceptual and theoretical problems in the study of vision. In a style that is accessible to the non-expert, the volume lays out core issues in the theory of vision and then sets up a dialogue on the topics among philosophers and psychologists, past and present.

"Perception" provides the historical background on the important debates in this field, considers alternative accounts of the basis for the individuation of the senses, explores the controversy over whether perception is direct or indirect, and examines the difficulties and complexities of drawing a principled distinction between perception and conception.

This collection will interest anyone who seeks a deeper understanding of the complex problems of perception. It will also appeal to scholars in search of a compact collection of some of the best expository writing in this area.

Jewish Identities in Antiquity: Studies in Memory of Menahem Stern pays homage to one of the greatest scholars of ancient Jewish history in the twentieth century. Its theme stems from the recognition that Jewish life and society in the thousand-year period from Alexander's conquest in the fourth century BCE to the Arab conquest in the seventh century CE underwent countless changes, both sudden and gradual. As a result, numerous facets of Jewish life in antiquity were drastically altered as well as many aspects of Jewish identity. The articles in this volume encompass political, social, cultural and religious issues in both literary and archaeological sources.

A new translation and commentary on I Maccabees that offers a fresh interpretation of the author's values and purpose First Maccabees, composed in the second century BCE, chronicles four decades of clashes between Hellenistic Syria and Judea, from Antiochus Epiphanes's ascent to the throne in 175 BCE to the Hasmoneans' establishment of an independent Judean state, ruled by Simon and his sons. In this volume, Daniel R. Schwartz provides a new translation of the Greek text and analyzes its historical significance. In dialogue with contemporary scholarship, the introduction surveys the work's themes, sources, and transmission, while the commentary addresses textual details and issues of historical reconstruction, often devoting special attention to the lost Hebrew original and its associations. Schwartz demonstrates that 1 Maccabees, despite its Hebraic biblical style and its survival within the Christian canon, deviates from biblical and Judaic works by marginalizing God, evincing scorn for martyrs, and ascribing to human power and valor crucial historical roles. This all fits its mandate: justification of the Hasmonean dynasty, especially the Simonides.