This volume of essays is based upon papers that were delivered at Quinnipiac University's Great Hunger Conference in September 2000. It considers the Great Hunger both as a historical moment that had a devastating and enduring impact on Ireland, and as a social, political, and demographic process that shaped the culture and people of both Ireland and North America. The chapters are grouped thematically into three parts. The first, Silence, takes as its point of departure the ways in which the Great Hunger created silences, both at the time of the Famine and in the subsequent historical memory of the Irish people. The second section, Memory, addresses the legacy of the Famine in the lives and work of the generation that lived through it and those who came after, both in Ireland and among the Irish Diaspora. The final section, Commemoration, considers how the Famine has become a focal point during the past decade in popular memory, particularly through varied efforts to memorialize the Famine and to integrate it into educational curricula. The book also includes an introduction by Christine Kinealy that discusses recent historical scholarship on the Famine, and a preface by David A. Valone that describes the ongoing educational and scholarly activities related to the Great Hunger at Quinnipiac University.

W. B. Yeats: A Poetics of Ideology investigates the articulations of ideology in Yeats from the beginning of his poetic career. The book seeks to contextualize this ideology within what I call "the modernist predicament." Yeats's articulation of politics can be divided into three major phases. The first focuses on his juvenilia, where politics is articulated in the pastoral trope at the unconscious level of the text. The second is explicitly expressed in Yeats's "imaginative nationalism." Here Ireland is painted as a utopian land, an extension of his early pastoral world. In such an idyllic depiction of the nation traumatic events like the Great Hunger are glossed over. The third phase grounds Yeats in the modernist predicament. Here the poet's consciousness of the discrepancy between aesthetics and praxis, poetry and modernity, is paramount to our understanding of the Yeatsian crisis. The crisis articulates itself in Yeats's politicization of space and claustrophilia. The book aims to trace the development or, better still, radicalization of Yeats's political thought, especially with regard to modernity and the Enlightenment.