She's wonderful - she's just kind of destroying my life. Maggie (Greta Gerwig) is a young single woman in Brooklyn who is determined to have a baby on her own through a surrogate. However, she meets John (Ethan Hawke), an attractive, older university professor, caught in an unhappy marriage, and they start a relationship. Maggie's rejuvenating enthusiasm lures John away from his wife, the domineering Danish critical theorist Georgette Norgaard (Julianne Moore). The film moves forward three years and the couple have married and settled down with a daughter together. Everything has gone according to Maggie's plan, so why isn't she happy? And what sort of meddlesome scheme will she concoct next? Maggie's Plan, based on an unpublished novel by Karen Rinaldi, is both an affectionate send-up of highbrow academic culture and a treatise on modern self-realization. Rebecca Miller exhibits her characteristic sensitivity to female experience, but with a playfulness given freer rein than ever before in her work. The film was premiered at the New York Film Festival in October 2015 and received its official US premiere in May 2016.

A pregnant mother of two finds herself increasingly in thrall to her help, Nat. For Joad, the discovery of a haunting typewritten document in an old desk in need of restoration is overwhelming. And when Roxanne rescues her sister from an institution, she comes to realise how vulnerable they both are. Deftly navigating the fault lines of relationships - new, established or remembered - Total is a powerful collection of brilliantly imaginative stories. From the comforting mundanities of motherhood to a technologically infected near future that mirrors our present with dark prescience, each life captured in this collection is unforgettable.

'An excellent book' Guardian 'Compelling' Independent The vibrantly fresh and lustrous stories in Miller's collection explore the multifaceted lives of women in seven arresting portraits. Modern and diverse, these women of different classes and ages struggle with sexuality, fate, motherhood, infidelity, desperation, and an overriding will to survive. We meet Greta, a cookbook editor who is chosen by Tavi, the hottest writer of his generation, to edit his new book; Paula, a pregnant twenty-one-year-old, who is on the run; Delia, an abused working-class wife who goes into hiding with her children; and Louisa, a painter who moves rapidly from one lover to the next, acting out a self-perpetuating drama over which she has no control. Edgy, fearless, and beautifully spare, Personal Velocity is a superb collection from one of the best writers in contemporary fiction.

A middle-aged novelist devoid of inspiration alights on material in the form of an obsessive pet-shop worker from Cincinnati. A pregnant mother of two finds herself increasingly in thrall to her help, Nat. For Joad, the discovery of a haunting type-written document in an old desk in need of restoration is overwhelming. And when Roxanne rescues her sister from an institution, she comes to realise how vulnerable they both are. Each of the seven stories in Total is a full world, painted with vivid strokes. From the comforting mundanities of motherhood to a technologically infected near future that mirrors our present with dark prescience, each life captured in this collection is unforgettable. Deftly navigating the fault lines of relationships - new, established or remembered - Total is a powerful collection of brilliantly imaginative stories, and eloquent proof of Rebecca Miller's writing prowess.

The current state of medicine has witnessed the long-term adverse effects of certain medications, an increased rate of polypharmacy, and a cultural shift that emphasizes patient-centered practice. The term "deprescribing" refers to the optimization of the pharmacological regimen by reducing or cessing medications that incur more risks than benefits. Many people consider stopping their psychiatric medications, but prescribers may not know how to do this in a collaborative, systematic way. Deprescribing in Psychiatry presents a framework for deprescribing to guide the prescriber-patient dyad through the process of deciding if and when to reduce psychiatric medication, how to go about doing it, and at the same time, acknowledge the inherent risks in such an endeavour. As the first book on the subject, Deprescribing in Psychiatry stands to serve as a definitive text in this burgeoning field and as a 'rallying call' to raise crucial and topical questions in psychiatric practice, promote innovation, and act as a resource on the current state-of-the-art care. It describes the ins and outs of how clinicians can work closely with their patients to consider whether or not to try decreasing medications. It also discusses the anticipated future research directions, considerations for the field, and emphasizes collaboration with the patient, transparency, and the acknowledgement of uncertainty in psychiatric practice.

She's wonderful - she's just kind of destroying my life. Maggie (Greta Gerwig) is a young single woman in Brooklyn who is determined to have a baby on her own through a surrogate. However, she meets John (Ethan Hawke), an attractive, older university professor, caught in an unhappy marriage, and they start a relationship. Maggie's rejuvenating enthusiasm lures John away from his wife, the domineering Danish critical theorist Georgette Norgaard (Julianne Moore). The film moves forward three years and the couple have married and settled down with a daughter together. Everything has gone according to Maggie's plan, so why isn't she happy? And what sort of meddlesome scheme will she concoct next? Maggie's Plan, based on an unpublished novel by Karen Rinaldi, is both an affectionate send-up of highbrow academic culture and a treatise on modern self-realization. Rebecca Miller exhibits her characteristic sensitivity to female experience, but with a playfulness given freer rein than ever before in her work. The film was premiered at the New York Film Festival in October 2015 and received its official US release in May 2016.

In Rebecca Miller's dazzling and inventive new novel, we meet characters separated by time but united in their desire to live a life of their own choosing, free from the constraints of community and tradition.
In eighteenth-century Paris, Jacob Cerf is a Jewish street peddler burdened by a disastrous young marriage but determined to raise himself up by whatever means he can. His richly observed life in Paris' Jewish ghetto is radically altered when he gains entrance to the opulent world of the aristocracy and the freedom to create his own identity. More than two hundred years later, Jacob reappears in surprising form in the suburbs of Long Island. He soon becomes obsessed by a young Orthodox Jewish woman with a secret ambition. Determined to change her fate, Jacob takes it upon himself to entangle her with a conflicted volunteer fireman. As Jacob's mischievous plans unfold, the burdens of duty and the pull of desire will twist the lives of all three.
Rebecca Miller explores the hold of the past on the present, the power of private hopes and dreams, the collision of fate and free will, and change in all of its various guises. Transfiguring her world with a clear gaze and sharp, surprising wit, she brings "Jacob's Folly" vividly to life.

They say once you go Black you don't go back, but what no one tells you is that once you go Black you can't go back.
Things went down that shouldn't have. Here is a first hand account of in-law betrayal.
Our life's choices affect us years to come but if you prepare for the outpour that will trickle down because of your choices, you will weather the storm.
Maybe not today or tomorrow but the storm will come. Be ready.