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Singin' in the Rain, The Sound of Music, Camelot--love them or love
to hate them, movie musicals have been a major part of all our
lives. They're so glitzy and catchy that it seems impossible that
they could have ever gone any other way. But the ease in which they
unfold on the screen is deceptive. Dorothy's dream of finding a
land "Somewhere Over the Rainbow" was nearly cut, and even a film
as great as The Band Wagon was, at the time, a major flop.
In Dangerous Rhythm: Why Movie Musicals Matter, award winning
historian Richard Barrios explores movie musicals from those first
hits, The Jazz Singer and Broadway Melody, to present-day Oscar
winners Chicago and Les Miserables. History, film analysis, and a
touch of backstage gossip combine to make Dangerous Rhythm a
compelling look at musicals and the powerful, complex bond they
forge with their audiences. Going behind the scenes, Barrios
uncovers the rocky relationship between Broadway and Hollywood, the
unpublicized off-camera struggles of directors, stars, and
producers, and all the various ways by which some films became our
most indelible cultural touchstones -- and others ended up as train
wrecks.
Not content to leave any format untouched, Barrios examines
animated musicals and popular music with insight and enthusiasm.
Cartoons have been intimately connected with musicals since
Steamboat Willie. Disney's short Silly Symphonies grew into the
instant classic Snow White, which paved the way for that modern
masterpiece, South Park: Bigger, Longer, & Uncut. Without movie
musicals, Barrios argues, MTV would have never existed. On the flip
side, without MTV we might have been spared Evita.
Informed, energetic, and humorous, Dangerous Rhythm is both an
impressive piece of scholarship and a joy to read."
Rapacious dykes, self-loathing closet cases, hustlers, ambiguous
sophisticates, and sadomasochistic rich kids: most of what America
thought it knew about gay people it learned at the movies. A fresh
and revelatory look at sexuality in the Great Age of movie making,
i Screened Out /i shows how much gay and lesbian lives have shaped
the Big Screen. Spanning popular American cinema from the 1900s
until today, distinguished film historian Richard Barrios presents
a rich, compulsively readable analysis of how Hollywood has used
and depicted gays and the mixed signals it has given us: Marlene in
a top hat, Cary Grant in a negligee, a pansy cowboy in i The Dude
Wrangler /i . Such iconoclastic images, Barrios argues, send
powerful messages about tragedy and obsession, but also about
freedom and compassion, even empowerment. br br Mining studio
records, scripts, drafts (including cut scenes), censor notes,
reviews, and recollections of viewers, Barrios paints our fullest
picture yet of how gays and lesbians were portrayed by the dream
factory, warning that we shouldn't congratulate ourselves quite so
much on the progress movies - and the real world -- have made since
Stonewall. br br Captivating, myth-breaking, and funny, i Screened
Out /i is for all film aficionados and for anyone who has sat in a
dark movie theater and drawn strength and a sense of identity from
what they saw on screen, no matter how fleeting or coded.
Rapacious dykes, self-loathing closet cases, hustlers, ambiguous sophisticates, and sadomasochistic rich kids: most of what America thought it knew about gay people it learned at the movies. A fresh and revelatory look at sexuality in the Great Age of movie making, Screened Out shows how much gay and lesbian lives have shaped the Big Screen. Spanning popular American cinema from the 1900s until today, distinguished film historian Richard Barrios presents a rich, compulsively readable analysis of how Hollywood has used and depicted gays and the mixed signals it has given us: Marlene in a top hat, Cary Grant in a negligee. Such iconoclastic images, Barrios argues, send powerful messages about tragedy and obsession, but also about freedom and compassion, even empowerment. Mining studio records, scripts, drafts (including cut scenes), censor notes, reviews, and recollections of viewers, Barrios paints our fullest picture yet of how gays and lesbians were portrayed by the dream factory, warning that we shouldn't congratulate ourselves quite so much on the progress movies - and the real world -- have made since Stonewall.
Related link: www.mediastudiesarena.com
A captivating full account of a vital, exciting, and turbulent
cultural moment: the making of ground-breaking classic West Side
Story (1961).A major hit on Broadway, on film West Side Story
became immortal. Unforgettable songs, an urgent love story,
audacious choreography in real New York locations: West Side Story
was a movie different from anything that had come before, but this
cinematic victory came at a price.The film's enormous budget and
complicated logistics made it a difficult production, and massive
overruns in both cost and schedule led to tension between
co-directors Robert Wise and Jerome Robbins. The result was Robbins
being fired midway through the filming, a termination devastating
to the film's star, Natalie Wood, who was also shattered upon
discovering that she would not be permitted to do her own
singing.Over nearly six decades, West Side Story has endured, past
its off-screen dramas, as a classic. What other film makes such
intrinsically powerful and brilliant use of dance? How many have
been so emotionally meaningful, as set to Leonard Bernstein's music
and Stephen Sondheim's lyrics? Plus, given its Shakespearean roots
(Romeo and Juliet), how often is any film -- let alone a musical --
so simultaneously timeless and current? Small wonder that the film
continues to be a favorite.The production and impact of this
classic have been recounted, so far, only in vestiges. As written
by film historian Richard Barrios, this book is a captivating
account of a crucial and exciting cultural moment. West Side Story
was a triumph that appeared to be very much of its time; over the
years, and especially in this text, it has shown itself to be
eternal.
Singin' in the Rain, The Sound of Music, Camelot-love them or love
to hate them, movie musicals have been a major part of all our
lives. They're so glitzy and catchy that it seems impossible that
they could have ever gone any other way. But the ease in which they
unfold on the screen is deceptive. Dorothy's dream of finding a
land "Somewhere Over the Rainbow" was nearly cut, and even a film
as great as The Band Wagon was, at the time, a major flop. In
Dangerous Rhythm: Why Movie Musicals Matter, award winning
historian Richard Barrios explores movie musicals from those first
hits, The Jazz Singer and Broadway Melody, to present-day Oscar
winners Chicago and Les Miserables. History, film analysis, and a
touch of backstage gossip combine to make Dangerous Rhythm a
compelling look at musicals and the powerful, complex bond they
forge with their audiences. Going behind the scenes, Barrios
uncovers the rocky relationship between Broadway and Hollywood, the
unpublicized off-camera struggles of directors, stars, and
producers, and all the various ways by which some films became our
most indelible cultural touchstones - and others ended up as train
wrecks. Not content to leave any format untouched, Barrios examines
animated musicals and popular music with insight and enthusiasm.
Cartoons have been intimately connected with musicals since
Steamboat Willie. Disney's short Silly Symphonies grew into the
instant classic Snow White, which paved the way for that modern
masterpiece, South Park: Bigger, Longer, & Uncut. Without movie
musicals, Barrios argues, MTV would have never existed. On the flip
side, without MTV we might have been spared Evita. Informed,
energetic, and humorous, Dangerous Rhythm is both an impressive
piece of scholarship and a joy to read.
Drawing on meticulous research, sharp wit, and insightful analysis,
Richard Barrios illuminates the origins of the movie musical in
this extensively revised and updated edition of his highly
acclaimed A Song in the Dark. From Warner Bros. and Jolson, to the
Oscar-winning Broadway Melody and beyond, here is the whole funny
and peculiar history of these films, their creators, and their
audiences. Ranging from the smash hits of The Singing Fool and
Sunny Side Up to bizarre flops like Golden Dawn and Cecil B.
DeMille's Madam Satan, they form a body of work unlike anything
else in the history of popular entertainment. Here too are
legendary performers, directors, and composers: from Fannie Brice,
James Cagney, and Mae West, to Busby Berkeley, George and Ira
Gershwin, Richard Rodgers, Oscar Hammerstein, and countless others.
With many new rare photographs, some not published in nearly 80
years, this new edition traces the rise and fall, and rise again,
of this quintessential piece of the American experience.
Marilyn Monroe has been gone for over sixty years, and yet people
are still talking about her. What, exactly, is the spell she casts
on so many? Stunning, exciting to watch, incredibly famous, Monroe
lived a very public life and died young, with a sad suddenness. All
of this is true, and yet there is so much more to her story. On
Marilyn Monroe: An Opinionated Guide looks past the sensation to
the real legacy -her richly varied body of work. Both during her
life and following her death, Monroe was dismissed as more of a
phenomenon than an actor, often an object of ridicule instead of a
performer whose work could be taken seriously. Even when films such
as The Seven Year Itch and Some Like It Hot saw immense success,
Monroe seldom got her due as the inventive and accomplished
performer she was. The truth that lay behind the dazzling surface
was that she was one of the hardest working of actors. Rigorously
applying both skillful technique and an inherent charisma, she was
able to create truly unforgettable performances. In this lively
guide, Richard Barrios looks beyond the ballyhoo and legend at
Monroe's best-known films, and some that even today remain obscure.
Besides her films, it also addresses the work she did on television
and the stage, as well as her underrated abilities as a vocalist.
Both an informative study and a perceptive critical assessment, On
Marilyn Monroe: An Opinionated Guide gives this brilliant performer
the attention she desired-that of an artist whose work deserves
both examination and celebration.
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