***WINNER OF THE MAN BOOKER PRIZE 2014*** Forever after, there were for them only two sorts of men: the men who were on the Line, and the rest of humanity, who were not. In the despair of a Japanese POW camp on the Burma Death Railway, surgeon Dorrigo Evans is haunted by his love affair with his uncle's young wife two years earlier. Struggling to save the men under his command from starvation, from cholera, from beatings, he receives a letter that will change his life forever. This is a story about the many forms of love and death, of war and truth, as one man comes of age, prospers, only to discover all that he has lost.

This volume breaks tradition with previous studies of the unemployed in Britain. It offers a history highlighting the active political nature of the unemployed, rather than a depiction of them as passive victims of the system whose existence signals economic decline and social injustice. Beginning with the first appearance of the jobless as a political group in 1884, Richard Flanagan reduces large amounts of available information on their activities-- outlining the major points that define the nature of the politics of the unemployed, discussing their troubled leadership, and documenting the government's response to their efforts through the end of the National Unemployment Workers' Movement in 1939. Curious as to why much of the information about Britain's unemployed has been overlooked, Flanagan lifts the literature on the subject out of what he considers to be a largely fictionalized view by presenting a factual, historically relevant account examining the unemployed in relation to their society, past and present, and how they were able to overcome their diversity at certain times of crisis to form a single political voice and gain some control over their lives. The study reaches beyond the immediate subject, as its conclusions reflect upon the connection between unemployment and any industrialized society, the viability of certain solutions to the conflicts between classes, and most importantly, the political influence that even the most disadvantaged can exert if encouraged to take an active role in their future.

As heard on BBC Radio 4's 'Book at Bedtime': the blistering story of a ghostwriter haunted by his demonic subject, the Man Booker Prize winner turns to lies, crime and literature with devastating effect A young and penniless writer, Kif Kehlmann, is rung in the middle of the night by the notorious con man and corporate criminal, Siegfried Heidl. About to go to trial for defrauding the banks of $700 million, Heidl proposes a deal: $10,000 for Kehlmann to ghostwrite his memoir in six weeks. Kehlmann accepts but begins to fear that he is being corrupted by Heidl. As the deadline draws closer, he becomes ever more unsure if he is ghostwriting a memoir, or if Heidl is rewriting him-his life, his future. Everything that was certain grows uncertain as he begins to wonder: who is Siegfried Heidl-and who is Kif Kehlmann? By turns compelling, comic and chilling, First Person is a haunting journey into the heart of our age.

Winner of the Commonwealth Prize New York Times Book Review--Notable Fiction 2002 Entertainment Weekly--Best Fiction of 2002 Los Angeles Times Book Review--Best of the Best 2002 Washington Post Book World--Raves 2002 Chicago Tribune--Favorite Books of 2002 Christian Science Monitor--Best Books 2002 Publishers Weekly--Best Books of 2002 The Cleveland Plain Dealer--Year's Best Books Minneapolis Star Tribune--Standout Books of 2002 Once upon a time, when the earth was still young, before the fish in the sea and all the living things on land began to be destroyed, a man named William Buelow Gould was sentenced to life imprisonment at the most feared penal colony in the British Empire, and there ordered to paint a book of fish. He fell in love with the black mistress of the warder and discovered too late that to love is not safe; he attempted to keep a record of the strange reality he saw in prison, only to realize that history is not written by those who are ruled. Acclaimed as a masterpiece around the world, Gould's Book of Fish is at once a marvelously imagined epic of nineteenth-century Australia and a contemporary fable, a tale of horror, and a celebration of love, all transformed by a convict painter into pictures of fish.

'Striking...brilliantly done' The Times An ember storm of a novel, this is Booker Prize-winning novelist Richard Flanagan at his most moving-and astonishing-best. Anna's aged mother is dying - if her three children would just allow it. Forced by their pity to stay alive, she increasingly escapes through her hospital window into visions of horror and delight. When Anna's finger vanishes and a few months later her knee disappears, Anna too feels the pull of the window. She begins to see that all around her others are similarly vanishing, but no one else notices. All Anna can do is keep her mother alive. But the window keeps opening wider, taking Anna and the reader ever deeper into a strangely beautiful novel about hope, love and orange-bellied parrots. 'One of our greatest living novelists' Washington Post

From the internationally acclaimed author of Gould's Book of Fish comes an astonishing new novel, a riveting portrayal of a society driven by fear. What would you do if you turned on the television and saw you were the most wanted terrorist in the country? Gina Davies is about to find out when, after a night spent with an attractive stranger, she becomes a prime suspect in the investigation of an attempted terrorist attack. In The Unknown Terrorist, one of the most brilliant writers working in the English language today turns his attention to the most timely of subjects -- what our leaders tell us about the threats against us, and how we cope with living in fear. Chilling, impossible to put down, and all too familiar, The Unknown Terrorist is a relentless tour de force that paints a devastating picture of a contemporary society gone haywire, where the ceaseless drumbeat of terror alert levels, newsbreaks, and fear of the unknown pushes a nation ever closer to the breaking point.

Death of a River Guide was called "haunting and ambitious" by The New York Times Book Review and "a remarkable achievement" by The Washington Post Book World. It confirms Richard Flanagan's place among the world's most remarkable voices. Aljaz Cosini is leading a group of tourists on a raft tour down Tasmania's wild Franklin River when his greatest fear is realized -- a tourist falls overboard. An ordinary man with many regrets, Aljaz rises to an uncharacteristic heroism, and offers his own life in trade. Trapped under a rapid and drowning, Aljaz is beset with visions both horrible and fabulous. He sees Couta Ho, the beautiful, spirited woman he loved, and witnesses his uncle Reg having his teeth pulled and sold to pay for a ripple-iron house. He sees cities grow from the wild rain forest and a tree burst into flower in midwinter over his grandfather's forest grave. As the entirety of Tasmanian life -- flora and fauna -- sings him home, Aljaz arrives at a world where dreaming reasserts its power over thinking, where his family tree branches into stories of all human families, stories that ground him in the land and reveal the soul history of his country. "A triumphant tour de force, a novel that succeeds brilliantly in its audacious design...." -- Philip Gerard, The Raleigh News & Observer "An enormous, intricate, intimate tapestry not only of the wilderness, but also of a family, an expansive tribal community." -- Michael Pakenham, The Baltimore Sun "Ricard Flanagan's second novel makes good on a truly soaring ambition and flirts with literary greatness." -- Robert Cohen, Chicago Tribune

An ember storm of a novel, this is Booker Prize-winning novelist Richard Flanagan at his most moving―and astonishing―best.

In a world of perennial fire and growing extinctions, Anna’s aged mother is dying―if her three children would just allow it. Condemned by their pity to living she increasingly escapes through her hospital window into visions of horror and delight.

When Anna’s finger vanishes and a few months later her knee disappears, Anna too feels the pull of the window. She begins to see that all around her others are similarly vanishing, but no one else notices. All Anna can do is keep her mother alive. But the window keeps opening wider, taking Anna and the reader ever deeper into a strangely beautiful novel about hope and love and orange-bellied parrots.

FROM THE WINNER OF THE MAN BOOKER PRIZE 2014 Mathinna, an Aboriginal girl from Van Diemen's Land, is adopted by nineteenth-century explorer, Sir John Franklin, and his wife, Lady Jane. Franklin is confident that shining the light of reason on Mathinna will lift her out of savagery and desire. But when Franklin dies on an Arctic expedition, Lady Jane writes to Charles Dickens, asking him to defend Franklin's reputation amid rumours of his crew lapsing into cannibalism. Dickens responds by staging a play in which he takes the leading role as Franklin, his symbol of reason's triumph, only to fall in love with an eighteen-year-old actress. As reason gives way to wanting, the frontier between civilisation and barbarity dissolves, and Mathinna, now a teenage prostitute, goes drinking on a fatal night.

FROM THE WINNER OF THE MAN BOOKER PRIZE 2014 After a one-night stand with an attractive stranger, pole-dancer Gina Davies finds herself prime suspect in an attempted terrorist attack on Sydney. Hunted by the police, her face stares back at her on the unremitting 24/7 news cycle. She is soon running away from her dreams for a better life and witnessing every truth turn into a betrayal. The Unknown Terrorist is a startlingly prescient novel that drums with the cadences of city life; where fear invades individual lives, pushing one woman ever closer to breaking point.

FROM THE WINNER OF THE MAN BOOKER PRIZE 2014 In the winter of 1954, in a construction camp in the remote Tasmanian highlands, when Sonja Buloh was three years old and her father was drinking too much, her mother disappeared into a blizzard never to return. Thirty-five years later, Sonja returns to the place of her childhood to visit her drunkard father. The shadows of the past begin to intrude ever more forcefully into the present, changing forever his living death and her ordered life.

An ember storm of a novel, this is Booker Prize-winning novelist Richard Flanagan at his most moving-and astonishing-best. In a world of perennial fire and growing extinctions, Anna's aged mother is dying-if her three children would just allow it. Condemned by their pity to living she increasingly escapes through her hospital window into visions of horror and delight. When Anna's finger vanishes and a few months later her knee disappears, Anna too feels the pull of the window. She begins to see that all around her others are similarly vanishing, but no one else notices. All Anna can do is keep her mother alive. But the window keeps opening wider, taking Anna and the reader ever deeper into a strangely beautiful novel about hope and love and orange-bellied parrots.

FROM THE WINNER OF THE MAN BOOKER PRIZE 2014 Once upon a time that was called 1828, before all fishes in the sea and all living things on the land were destroyed, there was a man named William Buelow Gould, a white convict who fell in love with a black woman and discovered too late that to love is not safe. Silly Billy Gould, invader of Australia, liar, murderer and forger, condemned to the most feared penal colony in the British Empire and there ordered to paint a book of fish.

Young and penniless, Kif Kehlmann, is rung in the middle of the night by notorious con man and corporate criminal, Siegfried Heidl. About to go to trial for defrauding the banks of $700 million, Heidl proposes a deal: $10,000 for Kehlmann to ghostwrite his memoir in six weeks. Kehlmann accepts but soon begins to fear that he is being corrupted by Heidl. Is he ghostwriting a memoir, or is Heidl is rewriting him? As the deadline draws closer everything that is certain grows uncertain as he begins to wonder: who is Ziggy Heidl - and who is Kif Kehlmann?

A sweeping novel of world war, migration, and the search for new beginnings in a new land, The Sound of One Hand Clapping was both critically acclaimed and a best-seller in Australia. It is a virtuoso performance from an Australian who is emerging as one of our most talented new storytellers.

It was 1954, in a construction camp for a hydroelectric dam in the remote Tasmanian highlands, where Bojan Buloh had brought his family to start a new life away from Slovenia, the privations of war, and refugee settlements. One night, Bojan's wife walked off into a blizzard, never to return -- leaving Bojan to drink too much to quiet his ghosts, and to care for his theer-year-old daughter Sonja alone. Thirty-five years later, Sonja returns to Tasmania and a father haunted by memories of the European war and other, more recent horrors. As the shadows of the past begin to intrude ever more forcefully into the present, Sonja's empty life and her father's living death are to change forever. The Sound of One Hand Clapping is about the barbarism of an old world left behind, about the harshness of a new country, and the destiny of those in a land beyond hope who seek to redeem themselves through love.