This book deals with editing Yeats' poems and is a companion to the revised edition of W.B.Yeats "The Poems - A New Edition". It outlines the complex problems facing an editor of Yeats' poetry and explains the solutions adopted in the new text. Manuscript materials are drawn on extensively, including some which have recently come to light in the Scribner archives at the Univeristy of Texas and at Princeton University. Compared with the first edition of this volume, there is an additional chapter on the order of the poems as well as new information on the Scribner edition and other revisions throughout.;Richard Finneran is the editor of "Yeats: An Annual of Critical and Textual Studies".

This new edition of The Collected Poems of W.B.Yeats includes all of the poems authorised for publication by Yeats in his lifetime. From skilful retellings of ancient Irish myths and legends to passionate meditations on the demands and rewards of youth and old age, these exquisite, occasionally whimsical songs of love, nature and art stand in dramatic contrast to the sombre and angry poems of life in a nation torn by war and uprising. In the rich and recurrent imagery of the rose, the gyre and the tower the reader can trace Yeats's quest to unite intellect and artistry in a single compelling vision. Included in this edition are Yeats's notes complemented by explanatory notes from the esteemed Yeats scholar Richard J.Finneran.

Based on interviews with political decision-makers involved in post-Cold War case studies, this research reassesses the prevalent conclusion in the academic literature, according to which American public opinion has limited influence on military interventions, by including the level of commitment in the study of the decision-making process.

The Collected Poems of W. B. Yeats includes all of the poems authorized by Yeats for inclusion in his standard canon. Breathtaking in range, it encompasses the entire arc of his career, from luminous reworkings of ancient Irish myths and legends to passionate meditations on the demands and rewards of youth and old age, from exquisite, occasionally whimsical songs of love, nature, and art to somber and angry poems of life in a nation torn by war and uprising. In observing the development of rich and recurring images and themes over the course of his body of work, we can trace the quest of this century's greatest poet to unite intellect and artistry in a single magnificent vision.

Revised and corrected, this edition includes Yeats's own notes on his poetry, complemented by explanatory notes from esteemed Yeats scholar Richard J. Finneran. The Collected Poems of W. B. Yeats is the most comprehensive edition of one of the world's most beloved poets available in paperback.

Throughout his long life, William Butler Yeats -- Irish writer and premier lyric poet in English in this century -- produced important works in every literary genre, works of astonishing range, energy, erudition, beauty, and skill. His early poetry is memorable and moving. His poems and plays of middle age address the human condition with language that has entered our vocabulary for cataclysmic personal and world events. The writings of his final years offer wisdom, courage, humor, and sheer technical virtuosity. T. S. Eliot pronounced Yeats "the greatest poet of our time -- certainly the greatest in this language, and so far as I am able to judge, in any language" and "one of the few whose history is the history of their own time, who are a part of the consciousness of an age which cannot be understood without them."

The Yeats Reader is the most comprehensive single volume to display the full range of Yeats's talents. It presents more than one hundred and fifty of his best-known poems -- more than any other compendium -- plus eight plays, a sampling of his prose tales, and excerpts from his published autobiographical and critical writings. In addition, an appendix offers six early texts of poems that Yeats later revised. Also included are selections from the memoirs left unpublished at his death and complete introductions written for a projected collection that never came to fruition. These are supplemented by unobtrusive annotation and a chronology of the life.

Yeats was a protean writer and thinker, and few writers so thoroughly reward a reader's efforts to essay the whole of their canon. This volume is an excellent place to begin that enterprise, to renew an old acquaintance with one of world literature's great voices, or to continue a lifelong interest in the phenomenon of literary genius.

"The Collected Works of W. B. Yeats, Volume VIII: The Irish Dramatic Movement" is part of a fourteen-volume series under the general editorship of eminent Yeats scholars Richard J. Finneran and George Mills Harper. This complete edition includes virtually all of the Nobel laureate's published work, in authoritative texts and with extensive explanatory notes.
Edited by the distinguished Yeats scholars Mary FitzGerald and Richard J. Finneran, "The Irish Dramatic Movement" gathers together -- for the first time -- all of the poet's time-honored essays on drama and the groundbreaking movement that led to the enduring Irish theater of today.
Although the reputation of W. B. Yeats as one of the preeminent writers of the twentieth century rests primarily on his poetry, drama and the theatre were among his abiding concerns. Indeed, in 1917 he wrote, "I need a theatre; I believe myself to be a dramatist." Here in this volume is the collection of all his major dramatic criticism for the years 1899-1919, including previously uncollected material.
A practicing dramatist himself, Yeats had strong convictions about the goals of the Irish theater and the appropriate plays to be produced. The essays in this collection address many topics, from the turbulent early years of what became the Abbey Theatre to the controversies over the plays of John Millington Synge and the relationship between drama and nationalism. Also evident are Yeats's judgments on numerous plays, playwrights, and productions, both in Irish and in English.
FitzGerald and Finneran's volume includes an Introduction and a History of the Text, as well as copious but unobtrusive annotation. "The Irish Dramatic Movement" is an essential volume for both readers of Yeats and students of the early years of twentieth-century theater.

"Early Essays," edited by the internationally esteemed Yeats scholars George Bornstein and Richard J. Finneran, includes the contents of the two most important collections of Yeats's critical prose, "Ideas of Good and Evil" (1903) and "The Cutting of an Agate" (1912, 1919). Among the seminal essays are considerations of Blake, Shakespeare, Shelley, Spenser, and Synge, as well as an extended discussion of the Japanese Noh theatre. The first scholarly edition of these materials, "Early Essays" offers a corrected text and detailed annotation of all allusions. Several appendices include materials from early printings which were later excluded, as well as black and white illustrations. "Early Essays" is essential reading for understanding Yeats's career and the development of modern poetry and criticism