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The Collected Works of W.B. Yeats Volume VIII: The Iri (Paperback)
Loot Price: R487
Discovery Miles 4 870
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(11%)
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The Collected Works of W.B. Yeats Volume VIII: The Iri (Paperback)
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List price R548
Loot Price R487
Discovery Miles 4 870
You Save R61 (11%)
Expected to ship within 10 - 15 working days
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"The Collected Works of W. B. Yeats, Volume VIII: The Irish
Dramatic Movement" is part of a fourteen-volume series under the
general editorship of eminent Yeats scholars Richard J. Finneran
and George Mills Harper. This complete edition includes virtually
all of the Nobel laureate's published work, in authoritative texts
and with extensive explanatory notes.
Edited by the distinguished Yeats scholars Mary FitzGerald and
Richard J. Finneran, "The Irish Dramatic Movement" gathers together
-- for the first time -- all of the poet's time-honored essays on
drama and the groundbreaking movement that led to the enduring
Irish theater of today.
Although the reputation of W. B. Yeats as one of the preeminent
writers of the twentieth century rests primarily on his poetry,
drama and the theatre were among his abiding concerns. Indeed, in
1917 he wrote, "I need a theatre; I believe myself to be a
dramatist." Here in this volume is the collection of all his major
dramatic criticism for the years 1899-1919, including previously
uncollected material.
A practicing dramatist himself, Yeats had strong convictions about
the goals of the Irish theater and the appropriate plays to be
produced. The essays in this collection address many topics, from
the turbulent early years of what became the Abbey Theatre to the
controversies over the plays of John Millington Synge and the
relationship between drama and nationalism. Also evident are
Yeats's judgments on numerous plays, playwrights, and productions,
both in Irish and in English.
FitzGerald and Finneran's volume includes an Introduction and a
History of the Text, as well as copious but unobtrusive annotation.
"The Irish Dramatic Movement" is an essential volume for both
readers of Yeats and students of the early years of
twentieth-century theater.
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