Gradually receiving legal rights from the eighteenth century onwards, Jews in Germany and Austria adapted to their surrounding culture with success but also with increasing strain as antisemitism gathered pace. Ritchie Robertson offers a cogent examination of this dual process and investigates how its tensions were articulated in a range of literary works, by both Jews and Gentile authors, from the Enlightenment to the 1930s.

New essays examine 20th-c. Austrian literature in relation to history, politics, and popular culture. 20th-century Austrian literature boasts many outstanding writers: Schnitzler, Musil, Rilke, Kraus, Celan, Canetti, Bernhard, Jelinek. These and others feature in broader accounts of German literature, but it is desirable to see how the Austrian literary scene -- and Austrian society itself -- shaped their writing. This volume thus surveys Austrian writers of drama, prose fiction, and lyric poetry; relates them to the distinctive history of modern Austria,a democratic republic that was overtaken by civil war and authoritarian rule, absorbed into Nazi Germany, and re-established as a neutral state; and examines their response to controversial events such as the collusion with Nazism, the Waldheim affair, and the rise of Haider and the extreme right. In addition to confronting controversy in the relations between literature, history, and politics, the volume examines popular culture in line with current trends. Contributors: Judith Beniston, Janet Stewart, Andrew Barker, Murray Hall, Anthony Bushell, Dagmar Lorenz, Juliane Vogel, Jonathan Long, Joseph McVeigh, Allyson Fiddler. Katrin Kohl is Lecturer in German and a Fellow of Jesus College, and Ritchie Robertson is Taylor Professor of German and a Fellow of The Queen's College, both at the University of Oxford.

In essays that examine particular non-canonical works and writers in their wider cultural context, this volume "repopulates" the German Enlightenment. German literature and thought flourished in the eighteenth century, when a culture considered a European backwater came to assert worldwide significance. This was an age in which repeated attempts to reform German literary and philosophical culture were made - often only to be overtaken within a few decades. It ushered in generations of exceptionally gifted poets and thinkers including Klopstock, Lessing, Goethe, Kant, and Schiller, whose names still dominate our understanding of the German Enlightenment. Yet the period also brought with it new means of accessing and disseminating culture and a rapid increase in cultural production. The leading lights of eighteenth-century German culture operated against the backdrop of a yet more diverse and vivid cast of literary and philosophical figures since consigned to the second tier of German culture. Through essays that examine particular non-canonical works and writers in their wider cultural context, this collection repopulates the German Enlightenment with these largely forgotten movements, writers, and literary circles. It offers new insights into the development of genres such as thenovel, the fable, and the historical drama, and assesses the dynamics that led to individual authors, circles, and schools of thought being left behind in their time and passed over or inadequately understood to this day. Contributors: Johannes Birgfeld, Stephanie Blum, Julia Bohnengel, Kristin Eichhorn, Sarah Vandegrift Eldridge, Jonathan Blake Fine, J. C. Lees, Leonard von Morze, Ellen Pilsworth, Joanna Raisbeck, Ritchie Robertson, Michael Wood. Michael Wood is British Academy Postdoctoral Fellow in German at the University of Edinburgh. Johannes Birgfeld teaches Modern German Literature at the University of the Saarland.

Key dimensions of Thomas Mann's writing and life are explored in this collection of specially commissioned essays. In addition to introductory chapters on all the main works of fiction and the essays and diaries, there are four chapters examining Mann's oeuvre in relation to major themes. A final chapter looks at the pitfalls of translating Mann into English. The essays are well supported by supplementary material including a chronology of the period and detailed guides to further reading.

Key dimensions of Thomas Mann's writing and life are explored in this collection of specially commissioned essays. In addition to introductory chapters on all the main works of fiction and the essays and diaries, there are four chapters examining Mann's oeuvre in relation to major themes. A final chapter looks at the pitfalls of translating Mann into English. The essays are well supported by supplementary material including a chronology of the period and detailed guides to further reading.

Hoffmann is among the greatest and most popular of the German Romantics. This selection, while stressing the variety of his work, puts in the foreground those tales in which the real and the supernatural are brought into contact and conflict. The humour of these tales is a result of the incongruity of supernatural beings at large in an ostentatiously everyday world. They include The Golden Pot, recognized as Hoffmann's masterpiece by himself and posterity; its spine-chilling companion tale, The Sandman, which Offenbach drew on for his opera Tales of Hoffmann, and which Freud examines in his essay `The Uncanny'; two longer and more elaborate fantasies, set respectively in Germany and Italy; and the late story, My Cousin's Corner Window, which shows the powers of the imagination being applied to everyday urban life, and marks a transition in European literature generally from Romanticism to Realism. Ritchie Robertson's detailed introduction places the stories in their intellectual and historical context and explores their compelling narrative complexities. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

New, wide-ranging essays on the controversial poet, who was both a harbinger of Modernism and a critic of modernity. Stefan George (1868-1933) is along with Hugo von Hofmannsthal and Rainer Maria Rilke one of the pre-eminent German poets of the twentieth century. He also had an important, albeit controversial and provocative role in German cultural history. It is generally agreed that he played a significant part in the transition of German literature to Modernism, particularly in poetry. At the same time he was an outspoken critic of modernity. He believed that only anall-encompassing cultural renewal could save modern man. Although George is often linked with the l'art pour l'art movement, and although his artistic consciousness was formed by European aestheticism, his poetry and the writings that emerged from the poets and intellectuals he gathered around him in the George Circle are above all a scathing commentary on the political, social, and cultural situation in Germany at the turn of the century. George, who was imbued with the idea of the poet as a prophet and priest, saw himself as the Messiah of a New Hellenism and a New Reich led by an intellectual and aesthetic elite consisting of men who were bonded together through their allegiance to a charismatic leader. Some of the values that George proclaimed, among them a glorification of power, of heroism and self-sacrifice, were seized upon by the National Socialists, and subsequently his writings andthose of his circle were considered by some to be proto-fascist. It did not help his reputation that after the Second World War much of the criticism of his works was practiced by uncritical, hagiographic George worshippers. In recent years, however, there has been a renewed and unbiased interest among scholars and critics in George and his circle. The wide-ranging and original essays in this volume explore anew George's poetry and his contribution to Modernism, the relation between his vision of a New Reich and fascist ideology, and his importance as a cultural critic. Jens Rieckmann is Professor of German at the University of California, Irvine.

New essays by leading scholars on the most perplexing of modern writers, Franz Kafka. No other 20th-century writer of German-language literature has been as fully accepted into the canon of world literature as Franz Kafka. The unsettlingly, enigmatically surreal world of Kafka's novels and stories continues to fascinate readers and critics of each new generation, who in turn continue to find new readings. One thing has become clear: although all theories attempt to appropriate Kafka, there is no one key to his work. The challenge to criticshas been to present a strong point of view while taking account of previous Kafka research, a challenge that has been met by the contributors to this volume. Contributors: James Rolleston, Clayton Koelb, Walter H. Sokel, Judith Ryan, Russel A. Berman, Ritchie Robertson, Henry Sussman, Stanley Corngold, Bianca Theisen, Rolf J. Goebel, Richard T. Gray, Ruth V. Gross, Sander L. Gilman, John Zilcosky, Mark Harman James Rolleston is Professor Emeritus of German at Duke University.

This is a study of mock-epic poetry in English, French, and German from the 1720s to the 1840s. While mock-heroic poetry is a parodistic counterpart to serious epic, mock-epic poetry starts by parodying epic but moves on to much wider and richer literary explorations; it relies heavily on intertextual allusion to other works, on narratorial irony, on the sympathetic and sometimes libertine presentation of sexual relations, and on a range of satirical devices. It includes well-known texts (Pope's Dunciad, Byron's Don Juan, Heine's Atta Troll) and others which are little known (Ratschky's Melchior Striregel, Parny's La Guerre des Dieux). It owes a marked debt to Italian romance epic (especially Ariosto). The study places these texts in the literary context of the decline of serious epic, which helped mock epic to flourish, and of the 'Querelle des Anciens et des Modernes' which questioned the authority of Homer's and Virgil's epics; and it relates their substance to contemporary debates about questions of religion and gender.

New essays examine 20th-c. Austrian literature in relation to history, politics, and popular culture. 20th-century Austrian literature boasts many outstanding writers: Schnitzler, Musil, Rilke, Kraus, Celan, Canetti, Bernhard, Jelinek. These and others feature in broader accounts of German literature, but it is desirable to see how the Austrian literary scene -- and Austrian society itself -- shaped their writing. This volume thus surveys Austrian writers of drama, prose fiction, and lyric poetry; relates them to the distinctive history of modern Austria,a democratic republic that was overtaken by civil war and authoritarian rule, absorbed into Nazi Germany, and re-established as a neutral state; and examines their response to controversial events such as the collusion with Nazism, the Waldheim affair, and the rise of Haider and the extreme right. In addition to confronting controversy in the relations between literature, history, and politics, the volume examines popular culture in line with current trends. Contributors: Judith Beniston, Janet Stewart, Andrew Barker, Murray Hall, Anthony Bushell, Dagmar Lorenz, Juliane Vogel, Jonathan Long, Joseph McVeigh, Allyson Fiddler. Katrin Kohl is Lecturer in German and a Fellow of Jesus College, and Ritchie Robertson is Taylor Professor of German Language and Literature and a Fellow of The Queen's College, both at the University of Oxford.

Gradually receiving legal rights from the eighteenth century onwards, Jews in Germany and Austria adapted to their surrounding culture with success but also with increasing strain as antisemitism gathered pace. Ritchie Robertson offers a cogent examination of this dual process and investigates how its tensions were articulated in a range of literary works, by both Jews and Gentile authors, from the Enlightenment to the 1930s.

One hundred years ago Sigmund Freud published The Interpretations of Dreams, a book that, like Darwin's The Origin of Species, revolutionized our understanding of human nature. Now this groundbreaking new translation--the first to be based on the original text published in November 1899--brings us a more readable, more accurate, and more coherent picture of Freud's masterpiece.
The first edition of The Interpretation of Dreams is much shorter than its subsequent editions; each time the text was reissued, from 1909 onwards, Freud added to it. The most significant, and in many ways the most unfortunate addition, is a 50-page section devoted to the kind of mechanical reading of dream symbolism--long objects equal male genitalia, etc.--that has gained popular currency and partially obscured Freud's more profound insights into dreams. In the original version presented here, Freud's emphasis falls more clearly on the use of words in dreams and on the difficulty of deciphering them. Without the strata of later additions, readers will find here a clearer development of Freud's central ideas--of dream as wish-fulfillment, of the dream's manifest and latent content, of the retelling of dreams as a continuation of the dreamwork, and much more. Joyce Crick's translation is lighter and faster-moving than previous versions, enhancing the sense of dialogue with the reader, one of Freud's stylistic strengths, and allowing us to follow Freud's theory as it evolved through difficult cases, apparently intractable counter-examples, and fascinating analyses of Freud's own dreams.
The restoration of Freud's classic is a major event, giving us in a sense a new work by one of this century' most startling, original, and influential thinkers.
About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

'I loathe what I did, but what I loathe even more is your virtue.' Seventeen-year-old Effi Briest is steered by her parents into marriage with an ambitious bureaucrat, twenty years her senior. He takes her from her home to a remote provincial town on the Baltic coast of Prussia where she is isolated, bored, and prey to superstitious fears. She drifts into a half-hearted affair with a manipulative, womanizing officer, which ends when her husband is transferred to Berlin. Years later, events are triggered that will have profound consequences for Effi and her family. Effi Briest (1895) is recognized as one of the masterpieces by Theodor Fontane, Germany's premier realist novelist, and one of the great novels of marital relations together with Madame Bovary and Anna Karenina. It presents life among the conservative Prussian aristocracy with irony and gentle humour, and opposes the rigid and antiquated morality of the time by treating its heroine with sympathy and keen psychological insight. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Kafka published two collections of short stories in his lifetime, A Country Doctor: Little Tales (1919) and A Hunger Artist: Four Stories (1924). Both collections are included in their entirety in this edition, which also contains other uncollected stories and a selection of posthumously published works that have become part of the Kafka canon. Enigmatic, satirical, often bleakly humorous, these stories approach human experience at a tangent: a singing mouse, an ape, an inquisitive dog, and a paranoid burrowing creature are among the protagonists, as well as the professional hunger artist. The tales are among Kafka's best-known, haunting and compelling satires on the human condition, on art and artists, and on life itself, which complement his major fictions. Translated by the award-winning Joyce Crick, the book includes an invaluable introduction, notes, and other editorial material by renowned Kafka scholar Ritchie Robertson. There is also a Biographical Preface, an up-to-date bibliography, and a chronology of Kafka's life. This volume completes an Oxford World's Classics set of five Kafka works, in distinctive complementary cover designs.
About the Series For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

A perceptive introduction to the mind of one of German's greatest writers, in a new translation for the first time in 150 years 'The best German book there is' Nietzsche By the turn of the nineteenth century, the poet, novelist and thinker Johann Wolfgang von Goethe was one of the most famous people in the world. In 1823 he became friend and mentor to the young writer Johann Eckermann, who, for the last nine years of Goethe's life, recorded their wide-ranging conversations on art, literature, science and philosophy. This rich portrait of Germany's literary elder statesman, now in its first new translation for over 150 years, gives a fascinating glimpse into a great mind as well as 'many insights and invaluable lessons about life.' Translated by Allan Blunden with an Introduction by Ritchie Robertson

'Someone must have been telling tales about Josef K. for one morning, without having done anything wrong, he was arrested.' A successful professional man wakes up one morning to find himself under arrest for an offence which is never explained. The mysterious court which conducts his trial is outwardly co-operative, but capable of horrific violence. Faced with this ambiguous authority, Josef K. gradually succumbs to its psychological pressure. He consults various advisers without escaping his fate. Was there some way out that he failed to see? Kafka's unfinished novel has been read as a study of political power, a pessimistic religious parable, or a crime novel where the accused man is himself the problem. One of the iconic figures of modern world literature, Kafka writes about universal problems of guilt, responsibility, and freedom; he offers no solutions, but provokes his readers to arrive at meanings of their own. This new edition includes the fragmentary chapters that were omitted from the main text, in a translation that is both natural and exact, and an introduction that illuminates the novel and its author. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

In this concise yet comprehensive critical biography, Ritchie Robertson examines the work of Friedrich Nietzsche within the context of his life. The book traces Nietzsche’s development from outstanding classical scholar to cultural critic, who measured Imperial Germany by the standards of ancient Greece. It follows him thence to prophet (in the persona of Zarathustra) and savage polemicist against modern liberal values, offering a ‘philosophy of the future’. Robertson argues that Nietzsche’s middle-period writings offer a subtle and searching analysis of his culture, more rewarding than the strident and often-controversial later works. The book also assesses Nietzsche’s claim to be continuing the Enlightenment, and shows that he valued reason, evidence and fact, without which his historical case against Christianity would make no sense.

It is one of the most memorable first lines in all of literature: "When Gregor Samsa woke one morning from uneasy dreams, he found himself transformed into some kind of monstrous vermin." So begins Kafka's famous short story, The Metamorphosis. Kafka considered publishing it with two of the stories included here in a volume to be called Punishments. The Judgment explores an enigmatic power struggle between a father and son, while In the Penal Colony examines questions of power, justice, punishment, and the meaning of pain in a colonial setting. These three stories are flanked by two very different works. Meditation, the first book Kafka published, consists of light, whimsical, often poignant mood-pictures, while the autobiographical Letter to his Father analyzes his difficult relationship with his father in devastating detail. This new translation by Joyce Crick pays particular attention to the nuances of Kafka's style, and the Introduction and notes by Ritchie Robertson provide guidance to this most enigmatic and rewarding of writers. There is also a Biographical Preface, an up-to-date bibliography, and a chronology of Kafka's life.
About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

In 1878 the Victorian critic Matthew Arnold wrote: 'Goethe is the greatest poet of modern times... because having a very considerable gift for poetry, he was at the same time, in the width, depth, and richness of his criticism of life, by far our greatest modern man.' In this Very Short Introduction Ritchie Robertson covers the life and work of Johann Wolfgang von Goethe (1749-1832): scientist, administrator, artist, art critic and supreme literary writer in a vast variety of genres. Looking at Goethe's poetry, novels and drama pieces, as well as his travel writing, autobiography, and essays on art and aesthetics, Robertson analyses some of the key themes in his works: love, nature, religion and tragedy. Dispelling the misconception of Goethe as a sedate Victorian sage, Robertson shows how much of his art was rooted in turbulent personal conflicts, and draws on recent research to present a complete portrait of the scientific work and political activity which accompanied Goethe's writings. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

Kafka wrote Das Urteil, his first major work of literature, in a single night in the autumn of 1912. It was for him a breakthrough, and closely connected with it was the awakening of his interest in Jewish culture. This is a general study of Kafka, which explores the literary and historical context of his writings, and links them with his emergent sense of Jewish identity. What is emphasized throughout is Kafka's concern with contemporary society - his distrust of its secular, humanitarian ideals - and his desire for a new kind of community, based on religion.

Kafka's last novel, The Castle is set in a remote village covered almost permanently in snow and dominated by a castle and its staff of dictatorial, sexually predatory bureaucrats. The novel breaks new ground in exploring the relation between the individual and power, asking why the villagers so readily submit to an authority which may exist only in their collective imagination. Published only after Kafka's death, The Castle appeared in the same decade as modernist masterpieces by Eliot, Joyce, Woolf, Mann and Proust, and is among the central works of modern literature. This new translation by prize-winning translator Anthea Bell follows the German text established by critical scholarship, and mentions manuscript variants in the notes. The detailed introduction by Ritchie Robertson, a leading Kafka scholar, explores the many meanings of this famously enigmatic novel, providing guidance without reducing the reader's freedom to make sense of this fascinating novel. In addition, the edition includes a Biographical Preface which places Kafka within the context of his time, plus an up-to-date bibliography and chronology of Kafka's life.
About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

Entering New York harbor, the young immigrant Karl Rossmann sees the Statue of Liberty, "her arm with the sword stretched upward." This forbidding introduction sets the tone for Kafka's narrative about an innocent European astray in an ultra-modern America that is both a fantasy and an object of social satire. Full of incident and blackly humorous, Kafka's first novel portrays American civilization with horrified fascination, in a biting satire which gives fresh meaning to the term "Kafkaesque." Ritchie Robertson's sensitive and natural translation is both faithful to Kafka's style and highly readable. Moreover, this is the only edition to provide a full introduction and explanatory notes. The introduction explains why Kafka set the novel in America, a country he had never visited, what his sources of information were, and how he distorts his fictional America for satirical purposes. The notes incorporate the most recent Kafka scholarship to illuminate difficult parts of the text. In addition, a Biographical Preface provides an account of Kafka's life. The book also includes an up-to-date bibliography and a chronology.
About the Series For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

Isaiah Berlin (1909-97) was recognized as Britain's most distinguished historian of ideas. Many of his essays discussed thinkers of what this book calls the 'long Enlightenment' (from Vico in the eighteenth century to Marx and Mill in the nineteenth, with Machiavelli as a precursor). Yet he is particularly associated with the concept of the 'Counter-Enlightenment', comprising those thinkers (Herder, Hamann, and even Kant) who in Berlin's view reacted against the Enlightenment's naive rationalism, scientism and progressivism, its assumption that human beings were basically homogeneous and could be rendered happy by the remorseless application of scientific reason. Berlin's 'Counter-Enlightenment' has received critical attention, but no-one has yet analysed the understanding of the Enlightenment on which it rests. Isaiah Berlin and the Enlightenment explores the development of Berlin's conception of the Enlightenment, noting its curious narrowness, its ambivalence, and its indebtedness to a specific German intellectual tradition. Contributors to the book examine his comments on individual writers, showing how they were inflected by his questionable assumptions, and arguing that some of the writers he assigned to the 'Counter-Enlightenment' have closer affinities to the Enlightenment than he recognized. By locating Berlin in the history of Enlightenment studies, this book also makes a contribution to defining the historical place of his work and to evaluating his intellectual legacy.