Three decades ago, renowned literary expert Robert Alter radically expanded the horizons of biblical scholarship by recasting the Bible as not only a human creation but a work of literary art deserving studied criticism. In "The Art of Biblical Poetry," his companion to the seminal "The Art of Biblical Narrative," Alter takes his analysis beyond narrative craft to investigate the use of Hebrew poetry in the Bible. Updated with a new preface, myriad revisions, and passages from Alter's own critically acclaimed biblical translations, "The Art of Biblical Poetry" is an indispensable tool for understanding the Bible and its poetry.

Acclaimed for its masterful new translation and insightful commentary, The David Story is a fresh, vivid rendition of one of the great works in Western literature. Robert Alter's brilliant translation gives us David, the beautiful, musical hero who slays Goliath and, through his struggles with Saul, advances to the kingship of Israel. But this David is also fully human: an ambitious, calculating man who navigates his life's course with a flawed moral vision. The consequences for him, his family, and his nation are tragic and bloody. Historical personage and full-blooded imagining, David is the creation of a literary artist comparable to the Shakespeare of the history plays.

An intimate portrait illuminating the life and work of Amos Oz, the award-winning Israeli writer and activist   Amos Oz (1939–2018) was one of Israel’s most prolific and prominent writers, as well as a regular contender for the Nobel Prize for Literature. He was the author of dozens of novels, essay collections, and novellas written between 1965 and shortly before his death.   In this first published biography of Oz, the celebrated translator, literary critic, and biblical scholar Robert Alter explores Oz’s relationship with his family, beginning with the suicide of his mother, Fania Klausner, when he was twelve years old, and goes on to review his time in Kibbutz Hulda, which he entered at fourteen following his separation from his father, Arieh Klausner; his family’s right-wing Zionism; his writing career; his activism in support of a pluralistic Israel; and his work as an international lecturer.   In examining Oz’s life and work, Alter brings together testimony from Oz and his circle, as well as close readings of his central works, to present the inner world and public persona of Amos Oz.

A masterpiece of deep learning and fine sensibility, Robert Alter's translation of the Hebrew Bible, now complete, reanimates one of the formative works of our culture. Capturing its brilliantly compact poetry and finely wrought, purposeful prose, Alter renews the Old Testament as a source of literary power and spiritual inspiration. From the family frictions of Genesis and King David's flawed humanity to the serene wisdom of Psalms and Job's incendiary questioning of God's ways, these magnificent works of world literature resonate with a startling immediacy. Featuring Alter's generous commentary, which quietly alerts readers to the literary and historical dimensions of the text, this is the definitive edition of the Hebrew Bible.

Robert Alter sets a new standard in the translation of this formative book of the Hebrew Bible.

Genesis begins with the making of heaven and earth and all life, and ends with the image of a mummy—Joseph's—in a coffin. In between come many of the primal stories in Western culture: Adam and Eve's expulsion from the garden of Eden, Cain's murder of Abel, Noah and the Flood, the destruction of Sodom and Gomorrah, Abraham's binding of Isaac, the covenant of God and Abraham, Isaac's blessing of Jacob in place of Esau, the saga of Joseph and his brothers.

In Robert Alter's brilliant translation, these stories cohere in a powerful narrative of the tortuous relations between fathers and sons, husbands and wives, eldest and younger brothers, God and his chosen people, the people of Israel and their neighbors. Alter's translation honors the meanings and literary strategies of the ancient Hebrew and conveys them in fluent English prose. It recovers a Genesis with the continuity of theme and motif of a wholly conceived and fully realized book. His insightful, fully informed commentary illuminates the book in all its dimensions.

These five late biblical books offer readers a range of pleasures not usually associated with the Bible. They are artful, entertaining literary works-innovative, even startling. Women often stand centre stage. The Song of Songs, a celebration of young love, frankly sensuous, with no reference to God, offers some of the most beautiful love poems of the ancient world. The story of Esther's shrewd triumph is a secular entertainment that mixes farce with sly sexual comedy. The character of Ruth embodies the virtues of loyalty, love and charity in a harmonious world. Enigma replaces harmony in Daniel, whose feverish dreams envision the end of time. And the traditions of prophecy are recast in the tale of a fish that swallows Jonah. Alter's translation restores the original power of these popular books.

Through a distinguished career of critical scholarship and translation, Robert Alter has equipped us to read the Hebrew Bible as a powerful, cohesive work of literature. In this landmark work, Alter's masterly translation and probing commentary combine to give contemporary readers the definitive edition of The Five Books. Winner of the PEN Center USA Literary Award for Translation and the Koret Jewish Book Award for Translation, a Newsweek Top 15 Book, Los Angeles Times Favorite Book, and San Francisco Chronicle Best Book.

A cornerstone of the scriptural canon, the Book of Psalms has been a source of solace and joy for countless readers over millennia. This timeless poetry is beautifully wrought by a scholar whose translation of the Five Books of Moses was hailed as a "godsend" by Seamus Heaney and a "masterpiece" by Robert Fagles. Alter's The Book of Psalms captures the simplicity, the physicality, and the coiled rhythmic power of the Hebrew, restoring the remarkable eloquence of these ancient poems. His learned and insightful commentary illuminates the obscurities of the text.

Here in Robert Alter's bold new translation are some of the most magnificent works in world literature. The astounding poetry in the Book of Job is restored to its powerful ancient meanings and rhythms. The creation account in its Voice from the Whirlwind is beautiful and incendiary. By contrast, a serene fatalism suffuses Ecclesiastes with a quiet beauty, and the pithy maxims of Proverbs impart a worldly wisdom that is satirically shrewd. Each of these books addresses the universal wisdom that the righteous thrive and the wicked suffer in a rational moral order; together they are essential to the ancient canon that is the Hebrew Bible.

From the recipient of the National Jewish Book Award for Lifetime Achievement, a "hugely entertaining and irreverent" (Adam Gopnik, New Yorker) account of the art of translating the Hebrew Bible into English In this brief book, award-winning biblical translator Robert Alter offers a personal and passionate account of what he learned about the art of Bible translation during the two decades he spent completing his own English version of the Hebrew Bible. Showing why the Bible and its meaning can be brought to life in English only by re-creating the subtle and powerful literary style of the original text, Alter discusses the principal aspects of biblical Hebrew that any translator should try to reproduce: word choice, syntax, word play and sound play, rhythm, and dialogue. In the process, he provides an illuminating and accessible introduction to biblical style that also offers insights about the art of translation far beyond the Bible.

A panorama of Hebrew prose presented in an English translation that makes these masterly works available to a wide audience.

The question of the canon has been the subject of debate in academic circles for over fifteen years. Pleasure and Change contains two lectures on this important subject by the distinguished literary critic Sir Frank Kermode. In essays that were originally delivered as Tanner Lectures at Berkeley in November of 2001, Kermode reinterprets the question of canon formation in light of two related and central notions: pleasure and change. He asks how aesthetic pleasure informs what we find valuable, and how this perception changes over time. Kermode also explores the role of chance, observing the connections between canon formation and unintentional and sometimes even random circumstance. Geoffrey Hartmann (Yale University), John Guillory (New York University), and Carey Perloff (director of the American Conservatory Theatre) offer incisive comments on these essays, to which Kermode responds in a lively rejoinder. The volume begins with a helpful introduction by Robert Alter. The result is a stimulating and accessible discussion of a highly significant cultural debate.

Since it was first published nearly three decades ago, "The Art of Biblical Narrative" has radically expanded the horizons of biblical scholarship by recasting the Bible as a work of literary art deserving studied criticism. Renowned critic and translator Robert Alter presents the Hebrew Bible as a cohesive literary work, one whose many authors used innovative devices such as parallelism, contrastive dialogue, and narrative tempo to tell one of the most revolutionary stories of human history: the revelation of a single god.

The simple yet grand language of the King James Bible has pervaded American culture from the beginning - and its powerful eloquence continues to be felt even today. In this book, acclaimed biblical translator and literary critic Robert Alter traces some of the fascinating ways that American novelists - from Melville, Hemingway, and Faulkner to Bellow, Marilynne Robinson, and Cormac McCarthy - have drawn on the rich stylistic resources of the canonical English Bible to fashion their own strongly resonant styles and distinctive visions of reality. Showing the radically different manners in which the words, idioms, syntax, and cadences of this Bible are woven into "Moby-Dick", "Absalom, Absalom!", "The Sun Also Rises", "Seize the Day", "Gilead", and "The Road", Alter reveals the wide variety of stylistic and imaginative possibilities that American novelists have found in Scripture. At the same time, Alter demonstrates the importance of looking closely at the style of literary works, making the case that style is not merely an aesthetic phenomenon but is the very medium through which writers conceive their worlds.

In this illuminating book, one of our foremost literary critics views the much-debated question of the literary canon from an entirely new angle. Robert Alter explores the ways in which a range of iconoclastic twentieth-century authors have put to use the stories, language, and imagery of the paramount canonical text-the Hebrew Bible. Alter makes a compelling case against the prevalent, pejorative notion of the canon as a vehicle of ideological enforcement. He shows instead that canons by nature are surprisingly elastic, providing later writers with imaginative resources even when those same writers rebel against what they conceive as the constraints of the canon. Focusing special attention on Franz Kafka's Amerika, Haim Nahman Bialik's The Dead of the Desert, and James Joyce's Ulysses, Alter brings to bear an unusual perspective, putting into a single frame of discussion three writers from widely different linguistic traditions (German, Hebrew, English) and from disparate cultural settings (Prague, Odessa, Dublin). Alter's close readings of these major modern writers reveal how reference to canonical antecedents can be both surprisingly various and enabling. Examining the diverse modes in which Biblical material becomes interwoven with the fabric of a new work, he also offers new insights into the nature and range of modernism. Critically appreciative rather than polemic in tone, Alter conveys in this thoughtful book a renewed sense of the vitality of literary modernism.

In Imagined Cities, Robert Alter traces the arc of literary development triggered by the runaway growth of urban centers from the early nineteenth century through the first two decades of the twentieth. As new technologies and arrangements of public and private space changed the ways people experienced time and space, the urban panorama became less coherent-a metropolis defying traditional representation and definition, a vast jumble of shifting fragments and glimpses-and writers were compelled to create new methods for conveying the experience of the city. In a series of subtle and convincing interpretations of novels by Flaubert, Dickens, Bely, Woolf, Joyce, and Kafka, Alter reveals the ways the city entered the literary imagination. He shows how writers of diverse imaginative temperaments developed innovative techniques to represent shifts in modern consciousness. Writers sought more than a journalistic representation of city living, he argues, and to convey meaningfully the reality of the metropolis, the city had to be re-created or reimagined.His book probes the literary response to changing realities of the period and contributes significantly to our understanding of the history of the Western imagination.

The "Reader "draws on Oz's entire body of work, loosely grouped into four themes: the kibbutz, the city of Jerusalem, the idea of a "promised land," and his own life story. Included are excerpts from his celebrated novels, among them "Where the Jackals Howl, A Perfect Peace, My Michael, Fima, Black Box, "and "To Know a Woman. "Nonfiction is represented by selections from "Under This Blazing Light, The Slopes of Lebanon, In the Land of Israel, "and Oz's masterpiece, "A Tale of Love and Darkness. "Robert Alter, a noted Hebrew scholar and translator, has provided an illuminating introduction.

The perfect book for the reading group that loves Edith Wharton, Jane Austen, Charles Dickens, and Virginia Woolf.

For all of us who long for the satisfactions of reading engagement that we dont find in surfing the Net, or yearn to revisit the great works of literature with (ahem) the wisdom of age, here is a learned, witty, energetic exploration from one of our premier literary scholars. Robert Alters illumination of the unique power and beauty of reading literature is especially valuable at a time when we are surrounded by electronic texts that distract more than engage, and when the special claims of great literature are disparaged by the high priests of literary theory.

Rediscover the incomparable literary richness and strength of a book that all of us live with an many of us live by. An international team of renowned scholars, assembled by two leading literary critics, offers a book-by-book guide through the Old and New Testaments as well as general essays on the Bible as a whole, providing an enticing reintroduction to a work that has shaped our language and thought for thousands of years.

Traces the life of the nineteenth century French novelist, attempts to portray his complex personality, and analyzes his major works.

Dan Pagis (1930-1986) spent three of his adolescent years in a Nazi camp before arriving in Palestine in 1946. He became one of the most vibrant voices in modern Israeli poetry and is considered a major world poet of his generation. A master scholar of Hebrew literature, Pagis drew fully on classical texts and infused his poetry with a centuries-old mysticism. Yet he also brought an immediacy and colloquialism to Hebrew poetry. In these superbly translated poems, Dan Pagis' voice can be heard celebrating the human spirit.

There may be no place more blessed -- or burdened -- with narrative than Israel. In this country, story and place are inextricable. From stories set in the historical, holy city of Jerusalem to those that take place in the modern, secular city of Tel Aviv, from writing addressing the current "situation" to tales inspired by the timeless desert, this volume of sixteen short stories of Israel's finest new writers, and some of its best-loved ones, captures for the reader one of the world's most fascinating travel destinations. Contributors include Gafi Amir, Yossi Avni, Yosl Birstein, Orly Castel-Bloom, David Ehrlich, David Grossman, Shulamith Hareven, Etgar Kerrett, Yoram Kolerstein, Yitzchak Laor, Amos Oz, Ofra Riesenfeld, Gadi Taub, and A. B. Yehoshua.

In four chapters, Robert Alter explains the prismlike radiance created by the association of three modern masters, Franz Kafka, Walter Benjamin, and Gershom Scholem. The volume pinpoints the intersections of these divergent witnesses to the modern condition of doubt, no-man's-land between traditional religion and modern secular culture. Scholem, the devoted Zionist and master historian of Jewish mysticism, and Benjamin, the Marxist cultural critic, dedicated much of their thought and correspondence to Kafka, the explorer in fiction of radical alienation. Kafka's sense of spiritual complexities was an inspiration to both thinkers in their resistance to the murderous simplification of totalitarian ideology. In "Necessary Angels" Alter uncovers a moment when the future of modernism is revealed in its preoccupation with the past. The angel of the title is first Kafka's: on June 25, 1914, the writer recorded in his diary a dream vision of an angel that turned into the painted wooden figurehead of a ship. In 1940, at the end of his life, Walter Benjamin devoted the ninth of his "These on the Philosophy of History" to a meditation on an angel by the artist Paul Klee, first quoting a poem he had written on that painting. In Benjamin's vision the figure from Klee becomes an angel of history, sucked into the future by the storm of progress, his face looking back to Eden. Benjamin bequesthed the Klee oil painting to Scholem; it hung in the living room of Scholem's home on Abarbanel Street in Jerusalem until 1989, when his widow placed it in the Israel Museum. Alter's focus on the epiphanic force of memory on these three great modernists shows that a complete break with tradition is not essential to modernism. "Necessary Angels" itself continues the necessary discovery of the future in the past.

For many serious readers, Robert Alter writes in his preface, the novel still matters, and I have tried here to suggest some reasons why that should be so. In his wide-ranging discussion, Alter examines the imitation of reality in fiction to find out why mimesis has become problematic yet continues to engage us deeply as readers.

Alter explores very different sorts of novels, from the self-conscious artifices of Sterne and Nabokov to what seem to be more realistic texts, such as those of Dickens, Flaubert, John Fowles, and the early Norman Mailer. Attention is also given to such individual critics as Edmund Wilson and Alfred Kazin and to current critical schools. In Alter's essays, a particular book or movement or juxtaposition of writers provides the occasion for the exploration of a general intellectual issue. The scrutiny of well-chosen passages, the joining of images or themes or ideas, the associative and intuitive processes that lead to the right phrase and the right loop of syntax for the matter at hand-all these come together unexpectedly to illuminate both the text in question and the general issue.

Recent discussions of mimesis in fiction generally proceed from a single thesis. By contrast, "Motives for Fiction" offers an empirical approach, attempting to define mimesis in its various guises by careful critical readings of a heterogeneous sampling of literary texts. Intelligent and good-humored, the book is also old-fashioned enough to wonder whether mimesis might not be a task or responsibility to which much contemporary fiction has not proved entirely adequate.