A study of particular aspects of the politics of planning a new town, this book, originally published in 1980, covers events from the inception of Stevenage in 1946 up to 1978. As a case study, the focus is on two expansion schemes, which were intended to extend the designated area of the town, and on the public protest that the two schemes engendered. Emphasis is placed on the structure and action of three groups of people: the ‘urban managers’ – the Stevenage Development Corporation; Stevenage industrialists; and local organisations engaged in protest. The theoretical focus is on the thesis of ‘urban managerialism’: the book examines the constraints placed upon both the structure and action of the Stevenage urban managers over the previous thirty years. In showing how matters work in practice, it directs light on issues of theory which other sociologists of planning, such as Pickvance and Castells, had only discussed in the abstract. The author argues that the experience of Stevenage illustrates a case of urban policy (particularly in housing and employment) being determined by the interests of industry alone, while at the same time pointing to the interrelationship of Stevenage industry and the town’s Development Corporation. He examines the membership, strategies and aims of the various protest groups involved over the years, and casts considerable doubt on the notion that the groups were ‘for democracy’ and ‘against bureaucracy’. Finally, he concludes, controversially, that in Stevenage’s case, public participation and protest were basically irrelevant to the decision-making processes.

Re-released with a new introduction, and to coincide with a film of the same title (directed by the author), Mad To Be Normal is the memoir R. D. Laing never lived to write. In the last two years of Laing's life, he recorded hundreds of hours of conversation with Robert Mullan in which he was determined to be as frank and open as possible, and equally determined to 'put the record straight'. R. D. Laing wrote a number of books during the 1960s which rocked the foundations of conventional psychiatry and galvanized the imagination of millions of ordinary readers. His views were against the grain of conventional psychiatry - his existential approach to madness was controversial, and his work brought into focus matters of individual liberty and the importance of the social context of 'illness'. The greatest accusation he suffered was that he idealised mental misery - something he consistently denied. Mad to be Normal presents Laing's own words, about his work and about his life. It is the most complete record on Laing, by Laing.Entertaining, maddening, surprising, impressive, occasionally scurrilous, and evoking a compelling portrait of the heady and sometimes self-regarding mood of the 1960s and early l970s, this books necessitates a reassessment of Laing and his work; work which is part of a lengthier and on-going process concerned with the routine care of those disturbed in mind.

In 2011, Englishman Robert Mullan began an almost impossible film project: namely, to finance and shoot a film in 3 languages - Lithuanian, Russian, and Polish - neither of which he could read, write, or speak. Mullan realized that the project would entail him shooting with Lithuanian actors, in various cities in Lithuania and Russia, and that he would then be preparing the film with English subtitles. But, Mullan was undeterred. The project had its genesis when, while working in Kaunas as a volunteer university lecturer in psychology, Mullan learned about the relatively unknown Lithuanian artist and composer, Mikalojus Konstantinas Ciurlionis. This man had produced over 300 paintings and sketches, composed over 300 musical pieces (including two symphonic poems), fought for the independence of his small nation from the control of imperial Russia, fell in love with a fellow activist, and then died, tragically, at the young age of 35. And so began the project. Mullan decided to keep a diary, not only to record day-to-day events and thoughts while filming, but also to provide a guide as how not to finance and produce a feature film. The diary includes both amusing and less-funny moments, for example: the crew's encounter with Russian border guards as they entered the country to shoot some scenes in St. Petersburg * the endless problems with the translation of the script * continual arguments with co-producers * the ongoing quest for money and the belief that funds would run out before the completion of the film * an unexpected diagnosis of cancer * magnificent music * startling paintings. The film - Letters to Sofija - was finally completed, edited in London, and shown in Vilnius, Chicago, and London. The film will be distributed internationally. This book documents Mullan's experiences in the making of Letters to Sofia.

Are marriages made in heaven? In reality many people need a little help in the arrangement of such matters, whether from Jewish shadkhans (matchmakers), go-betweens, computer or video-dating agencies, marriage bureaux, Asian arranged marriages, gay dating agencies or personal ads. Originally published in 1984, the author’s clear-sighted look at the mating trade takes some of the mystique away from the subject and is the first serious and detailed account of the ‘third party’ in marriage. Dr Mullan looks at the ‘singles scene’ and the ‘arranged marriage’ historically and cross-culturally, and makes it clear that there is nothing necessarily odd or deviant about the mating trade. It is a business like any other, and as long as people continue to want ‘perfect partners’, marriage, permanent relationships, dates and sex, and while evolving social structures make such demands ever more difficult to meet, the business will thrive. It could even expand and grow, but the author believes that first it will have to clean up its act!

Originally published in 1987, this edition in 1996, Sociologists on Sociology is a unique and sometimes controversial account of the development, disputes and the future of sociology as seen through the eyes of eleven of the world’s leading sociologists at the time. Consisting of interviews with – Anthony Giddens, Robert K. Merton, Howard Becker, Peter Townsend, Ralf Dahrendorf, Peter Worsley, Stuart Hall, John Rex, Michael Mann, Laurie Taylor and Ann Oakley – the book explores such crucial issues as the nature of deviance, the scientific status of sociology, the relationship of Marxism and sociology, the contours of race and class, feminism, relevance of ethnomethodology and the procedures of participant observation. The contributions of such figures as Goffman, Mills, Parsons, Weber and Foucault are assessed, and in clear and concise language the contributors discuss their own theoretical interests and empirical work in the field. Students and practitioners of the social sciences will find the book a fascinating and a uniquely direct insight into the thoughts of sociology’s leading figures and a remarkable cumulative assessment of the state of the discipline itself.

Originally published in 1996, ethnic minorities in the UK made up over 5% of the population yet were hardly represented in the hundreds of hours of terrestrial broadcast television each week. The blatant racism of The Black and White Minstrel Show was over, but more subtle forms of racism were piped into our living rooms in an endless stream of white-dominated programming. ‘Comedies’ and soaps presented non-whites as a sort of joke humanity – stereotypical, simple and amusingly childish. Serious programmes swelled on the negative aspects of ethnicity: race as a problem, cultural clashes and language barriers. Above all – not white equals not normal. For many years critics of popular television argued that such imbalance was harmful. The lack of positive non-white TV role models for children to identify with was leading to growing alienation and disaffection. Ethnic minorities increasingly defined themselves in opposition to white institutions. They were turning towards separate channels – narrow-casting – provided to meet their own TV needs. Based on both extensive survey research and interviews with actual viewers, Not a Pretty Picture investigates the whole issue of TV and ethnic minority viewers at the time: their viewing choices, their criticisms, their feeling about the way they are portrayed. The conclusions are damning: for most of Britain’s ethnic minority communities TV was a white medium, predominantly controlled by whites, portraying white culture and denying non-whites a voice. Not a Pretty Picture, however, provides a voice for these views and a valuable insight into the way ethnic minorities see TV. Today it can be read in its historical context, to see how far we have come, as well as what still needs to be done.

A study of particular aspects of the politics of planning a new town, this book, originally published in 1980, covers events from the inception of Stevenage in 1946 up to 1978. As a case study, the focus is on two expansion schemes, which were intended to extend the designated area of the town, and on the public protest that the two schemes engendered. Emphasis is placed on the structure and action of three groups of people: the 'urban managers' - the Stevenage Development Corporation; Stevenage industrialists; and local organisations engaged in protest. The theoretical focus is on the thesis of 'urban managerialism': the book examines the constraints placed upon both the structure and action of the Stevenage urban managers over the previous thirty years. In showing how matters work in practice, it directs light on issues of theory which other sociologists of planning, such as Pickvance and Castells, had only discussed in the abstract. The author argues that the experience of Stevenage illustrates a case of urban policy (particularly in housing and employment) being determined by the interests of industry alone, while at the same time pointing to the interrelationship of Stevenage industry and the town's Development Corporation. He examines the membership, strategies and aims of the various protest groups involved over the years, and casts considerable doubt on the notion that the groups were 'for democracy' and 'against bureaucracy'. Finally, he concludes, controversially, that in Stevenage's case, public participation and protest were basically irrelevant to the decision-making processes.

Are marriages made in heaven? In reality many people need a little help in the arrangement of such matters, whether from Jewish shadkhans (matchmakers), go-betweens, computer or video-dating agencies, marriage bureaux, Asian arranged marriages, gay dating agencies or personal ads. Originally published in 1984, the author's clear-sighted look at the mating trade takes some of the mystique away from the subject and is the first serious and detailed account of the 'third party' in marriage. Dr Mullan looks at the 'singles scene' and the 'arranged marriage' historically and cross-culturally, and makes it clear that there is nothing necessarily odd or deviant about the mating trade. It is a business like any other, and as long as people continue to want 'perfect partners', marriage, permanent relationships, dates and sex, and while evolving social structures make such demands ever more difficult to meet, the business will thrive. It could even expand and grow, but the author believes that first it will have to clean up its act!

Originally published in 1987, this edition in 1996, Sociologists on Sociology is a unique and sometimes controversial account of the development, disputes and the future of sociology as seen through the eyes of eleven of the world's leading sociologists at the time. Consisting of interviews with - Anthony Giddens, Robert K. Merton, Howard Becker, Peter Townsend, Ralf Dahrendorf, Peter Worsley, Stuart Hall, John Rex, Michael Mann, Laurie Taylor and Ann Oakley - the book explores such crucial issues as the nature of deviance, the scientific status of sociology, the relationship of Marxism and sociology, the contours of race and class, feminism, relevance of ethnomethodology and the procedures of participant observation. The contributions of such figures as Goffman, Mills, Parsons, Weber and Foucault are assessed, and in clear and concise language the contributors discuss their own theoretical interests and empirical work in the field. Students and practitioners of the social sciences will find the book a fascinating and a uniquely direct insight into the thoughts of sociology's leading figures and a remarkable cumulative assessment of the state of the discipline itself.

Originally published in 1996, ethnic minorities in the UK made up over 5% of the population yet were hardly represented in the hundreds of hours of terrestrial broadcast television each week. The blatant racism of The Black and White Minstrel Show was over, but more subtle forms of racism were piped into our living rooms in an endless stream of white-dominated programming. 'Comedies' and soaps presented non-whites as a sort of joke humanity - stereotypical, simple and amusingly childish. Serious programmes swelled on the negative aspects of ethnicity: race as a problem, cultural clashes and language barriers. Above all - not white equals not normal. For many years critics of popular television argued that such imbalance was harmful. The lack of positive non-white TV role models for children to identify with was leading to growing alienation and disaffection. Ethnic minorities increasingly defined themselves in opposition to white institutions. They were turning towards separate channels - narrow-casting - provided to meet their own TV needs. Based on both extensive survey research and interviews with actual viewers, Not a Pretty Picture investigates the whole issue of TV and ethnic minority viewers at the time: their viewing choices, their criticisms, their feeling about the way they are portrayed. The conclusions are damning: for most of Britain's ethnic minority communities TV was a white medium, predominantly controlled by whites, portraying white culture and denying non-whites a voice. Not a Pretty Picture, however, provides a voice for these views and a valuable insight into the way ethnic minorities see TV. Today it can be read in its historical context, to see how far we have come, as well as what still needs to be done.

This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.

This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.

This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.

   Why do people go to zoos? Is the role of zoos to entertain or to educate?         In this provocative book, the authors demonstrate that zoos tell us as         much about humans as they do about animals and suggest that while animals         may not need zoos, urban societies seem to.       A new introduction takes note of dramatic changes in the perceived role         of zoos that have occurred since the book's original publication.       "Bob Mullan and Garry Marvin delve into the assumptions about animals         that are embedded in our culture. . . . A thought-provoking glimpse of         our own ideas about the exotic, the foreign." -- Tess Lemmon, BBC         Wildlife Magazine       "A thoughtful and entertaining guided tour." -- David White,         New Society       "[An] unusual and intriguing combination of historical survey, psychological         enquiry, and compendium of fascinating facts." -- Evening Standard