"One of our most original social thinkers," according to the New York Times, Robert Nisbet offers a new approach to sociology. He shows that sociology is indeed an art form, one that has a strong kinship with literature, painting, Romantic history, and philosophy in the nineteenth century, the age in which sociology came into full stature. Sociology as an Art Form is an introduction for the initiated and the uninitiated in so-ciology. Nisbet explains the degree to which sociology draws from the same creative impulses, themes and styles (rooted in history), and actual modes of representa-tion found in the arts. He shows how the founding sociologists such as Marx, Weber, Durkheim, and Simmel constructed portraits (of the bourgeois, the worker, and the intellectual) and landscapes (of the masses, the poor, the factory system), all reflecting and contribut-ing to identical portraits and landscapes found in the literature and art of the period. In addition to marking the similarities between sociologists' and artists' efforts to depict motion or movement, Nisbet emphasizes the relation of sociology to the fin de siecle in art and literature, with examples such as alienation, anomie, and degeneration. He creates an elegant, brilliantly reasoned appraisal of sociology's contribution to modern culture. This book will be of interest to sociologists, artists, and anyone interested in how the fields relate to one another.

This classic volume deals with a crucial contemporary social issue: the conflict between traditionalism and modernism. Nisbet considers such subjects as power, community, culture, and the university. He deals directly with the values of authority, tradition, hierarchy, and community on the one hand, and individualism, secularism, and revolt on the other. Nisbet's underlying argument is that there is a close historical relationship between the distribution of power in democratic society and the displacement of social class, kinship, neighborhood, and the church. The book challenges concerned Americans to understand and address the basic conflicts confronting contemporary society. In his introduction, Robert G. Perrin shows how the chapters in this volume reflect Nisbet's sociological vision exemplified throughout his career. Perrin notes that when these writings first appeared, they stimulated and informed debate on a broad range of topics such as value conflict, leadership, community, sociology, social class, technology, and the university. They also foreshadowed works yet to come in Nisbet's long and distinguished intellectual journey. Originally published in 1968, Tradition and Revolt was greeted with thoughtful reviews in leading sociology journals. Writing in the American Journal of Sociology, Joseph R. Gusfield called it "so welcome a publication," one containing "remarkable contributions to the analysis of modern society." Nisbet's vision of Western social life as shaped by the struggle between the dialectically opposed values of tradition and modernity illuminates contemporary issues. Tradition and Revolt will be of particular value to sociologists, cultural historians, and political theorists. Robert A. Nisbet (1913-1996) was Albert Schweitzer Professor Emeritus of the Humanities at Columbia University, and before that, dean of the School of Humanities at the University of California at Riverside. Among his many books are History of the Idea of Progress, The Sociological Tradition, The Degradation of the Academic Dogma, and Teachers and Scholars, all available from Transaction. Robert G. Perrin is professor of sociology and director of graduate studies at the University of Tennessee.

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The idea of progress from the Enlightenment to postmodernism is still very much with us. In intellectual discourse, journals, popular magazines, and radio and talk shows, the debate between those who are "progressivists" and those who are "declinists" is as spirited as it was in the late seventeenth century. In History of the Idea of Progress, Robert Nisbet traces the idea of progress from its origins in Greek, Roman, and medieval civilizations to modern times. It is a masterful frame of reference for understanding the present world. Nisbet asserts there are two fundamental building blocks necessary to Western doctrines of human advancement: the idea of growth, and the idea of necessity. He sees Christianity as a key element in both secular and spiritual evolution, for it conveys all the ingredients of the modern idea of progress: the advancement of the human race in time, a single time frame for all the peoples and epochs of the past and present, the conception of time as linear, and the envisagement of the future as having a Utopian end. In his new introduction, Nisbet shows why the idea of progress remains of critical importance to studies of social evolution and natural history. He provides a contemporary basis for many disciplines, including sociology, economics, philosophy, religion, politics, and science. History of the Idea of Progress continues to be a major resource for scholars in all these areas.

The primary purpose of Metaphor and History is to explain the sources and contexts of the Western idea of social development. Nisbet explores the concept of social change across the whole range of Western culture, from ancient Greece to the present day. He does not see the idea of social development as a nineteenth century phenomenon or a by-product of the idea of biological evolution.Instead, Nisbet finds the metaphor of organic growth and the analogy of the life cycle--among the oldest in the history of human thought--embedded in the pronouncements of sages, historians, and social scientists from Heraclitus and Aristotle to Comte, Marx, Spengler, Toynbee, Berdyaev, and Sorokin. He relates the classic Greek metaphor of growth, applied to society; the Christian epic, with its substance in the fusion of Hebrew and Greek ideas; and ideas of progress, natural history, evolution, and sociological functionalism.This book may be considered the "biography of a metaphor" of social development, one that has persisted through two and a half millennia of Western European history. A sociologist's view of history, this is a work at once of synthesis and of exploration of the premises and foundations of social evolution and social change.

The essential concerns of conservatism are the same as those that motivated Nisbet's first and most influential book, The Quest for Community. In fact, Conservatism unites virtually all of Nisbet's work. In it, Nisbet deals with the political causes of the manifold forms of alienation that underwrite the human quest for community. The sovereign political state is more than a legal relationship of a superstructure of power, it is inseparable from its successive penetrations of man's economic, religious, kinship and local allegiances, and its revolutionary dislocations of established centers of power.Nisbet holds that although political philosophers are often conceived in terms of their views of the individual and the state, a more useful approach adds the factor of social groups or communities mediating between the individual and the state. Such groups comprise "society" the protection of which is the "sole object" of the conservative tradition, according to Nisbet. This conservative ideology arose in the West as a reaction to the French Revolution and its perceived impact upon traditional society. Edmund Burke was the first spokesman of the new ideology. In this book, Nisbet argues that modern conservatism throughout the West can be seen as a widening of Burke's indictment not only of the French Revolution, but of the larger revolution we have come to call modernity.From Edmund Burke and his contemporaries such as Bonald, de Maistre, Haller, and Savigny, down to T.S. Eliot, Christopher Dawson, Michael Oakeshott, Irving Babbit, Paul Elmer More, and Russell Kirk, the essential themes of political conservatism remained the same. They are centered upon history, tradition, property, authority, liberty and religion, and attack equally the political collectivism and radical individualism that have the same irrational outcomes. Nisbet makes the point that, at present, conservatism is also in a crisis, one created in large measure by mixing in the political arena economic liberalism and welfare state socialism - a lethal mix for conservative politics.

The University of California at Berkeley is today best known as a great research center and popularly remembered as a locus of campus unrest in the 1960s. This memoir by the eminent sociologist and historian of ideas Robert Nisbet views Berkeley from a different perspective. Teachers and Scholars is a fascinating picture of Berkeley as it was a half a century ago in its move to become the most important center of learning west of the Mississippi. Nisbet recounts his years there as student and teacher, and offers vivid portraits of Berkeley's professors and personalities. Between the Great Depression and entry into World War II, Berkeley was a unique window on a Western world in turmoil. All the ideologies of the time-liberalism, socialism, populism, and fascism-impinged on the life of the campus. In Nisbet's view, the thirties was the last decade of "the old Berkeley"-a school that conceived its primary mission as that of teaching. Although research was expected of every faculty member, its chief importance was widely held to be in its elevating effect on undergraduate instruction. In the shift from teaching to research, some have argued that Berkeley has lost community and consensus while others claim that the university has only enriched itself. Nisbet finds much to respect and criticize in both views. His vision permits him to compare and contrast the Berkley experience with other schools such as Harvard, Chicago, and Stanford. Rich in intellectual and social history, Teachers and Scholars is vitally pertinent to the educational questions and controversies of our own time.

The primary purpose of "Metaphor and History" is to explain the sources and contexts of the Western idea of social development. Nisbet explores the concept of social change across the whole range of Western culture, from ancient Greece to the present day. He does not see the idea of social development as a nineteenth century phenomenon or a by-product of the idea of biological evolution.

Instead, Nisbet finds the metaphor of organic growth and the analogy of the life cycle--among the oldest in the history of human thought--embedded in the pronouncements of sages, historians, and social scientists from Heraclitus and Aristotle to Comte, Marx, Spengler, Toynbee, Berdyaev, and Sorokin. He relates the classic Greek metaphor of growth, applied to society; the Christian epic, with its substance in the fusion of Hebrew and Greek ideas; and ideas of progress, natural history, evolution, and sociological functionalism.

This book may be considered the "biography of a metaphor" of social development, one that has persisted through two and a half millennia of Western European history. A sociologist's view of history, this is a work at once of synthesis and of exploration of the premises and foundations of social evolution and social change.

"One of our most original social thinkers," according to the New York Times, Robert Nisbet offers a new approach to sociology. He shows that sociology is indeed an art form, one that has a strong kinship with literature, painting, Romantic history, and philosophy in the nineteenth century, the age in which sociology came into full stature. Sociology as an Art Form is an introduction for the initiated and the uninitiated in sociology. Nisbet explains the degree to which sociology draws from the same creative impulses, themes and styles (rooted in history), and actual modes of representation found in the arts. He shows how the founding sociologists such as Marx, Weber, Durkheim, and Simmel constructed portraits (of the bourgeois, the worker, and the intellectual) and landscapes (of the masses, the poor, the factory system), all reflecting and contributing to identical portraits and landscapes found in the literature and art of the period. In addition to marking the similarities between sociologists' and artists' efforts to depict motion or movement, Nisbet emphasizes the relation of sociology to the fin de sicle in art and literature, with examples such as alienation, anomie, and degeneration. He creates an elegant, brilliantly reasoned appraisal of sociology's contribution to modern culture. This book will be of interest to sociologists, artists, and anyone interested in how the fields relate to one another. Robert Nisbet (1913-1996) was Albert Schweitzer Professor in the Humanities at Columbia University and before that, dean of the College of Letters and Science at the University of California at Riverside. Among his many books are Tradition and Revolt, The Degradation of Academic Dogma, History of the Idea of Progress, The Sociological Tradition, and Teachers and Scholars, all available from Transaction. Paul Gottfried is professor of political science at Elizabethtown College. He is author of After Liberalism, The Search for Historical Meaning and Conservative Millenarians among other works.

The essential concerns of conservatism are the same as those that motivated Nisbet's first and most influential book, "The Quest for Community." In fact, "Conservatism" unites virtually all of Nisbet's work. In it, Nisbet deals with the political causes of the manifold forms of alienation that underwrite the human quest for community. The sovereign political state is more than a legal relationship of a superstructure of power, it is inseparable from its successive penetrations of man's economic, religious, kinship and local allegiances, and its revolutionary dislocations of established centers of power.

Nisbet holds that although political philosophers are often conceived in terms of their views of the individual and the state, a more useful approach adds the factor of social groups or communities mediating between the individual and the state. Such groups comprise "society" the protection of which is the "sole object" of the conservative tradition, according to Nisbet. This conservative ideology arose in the West as a reaction to the French Revolution and its perceived impact upon traditional society. Edmund Burke was the first spokesman of the new ideology. In this book, Nisbet argues that modern conservatism throughout the West can be seen as a widening of Burke's indictment not only of the French Revolution, but of the larger revolution we have come to call modernity.

From Edmund Burke and his contemporaries such as Bonald, de Maistre, Haller, and Savigny, down to T.S. Eliot, Christopher Dawson, Michael Oakeshott, Irving Babbit, Paul Elmer More, and Russell Kirk, the essential themes of political conservatism remained the same. They are centered upon history, tradition, property, authority, liberty and religion, and attack equally the political collectivism and radical individualism that have the same irrational outcomes. Nisbet makes the point that, at present, conservatism is also in a crisis, one created in large measure by mixing in the political arena economic liberalism and welfare state socialism - a lethal mix for conservative politics.

This classic volume deals with a crucial contemporary social issue: the conflict between traditionalism and modernism. Nisbet considers such subjects as power, community, culture, and the university. He deals directly with the values of authority, tradition, hierarchy, and community on the one hand, and individualism, secularism, and revolt on the other. Nisbet's underlying argument is that there is a close historical relationship between the distribution of power in democratic society and the displacement of social class, kinship, neighborhood, and the church. The book challenges concerned Americans to understand and address the basic conflicts confronting contemporary society.
In his introduction, Robert G. Perrin shows how the chapters in this volume reflect Nisbet's sociological vision exemplified throughout his career. Perrin notes that when these writings first appeared, they stimulated and informed debate on a broad range of topics such as value conflict, leadership, community, sociology, social class, technology, and the university. They also foreshadowed works yet to come in Nisbet's long and distinguished intellectual journey.
Originally published in 1968, "Tradition and Revolt" was greeted with thoughtful reviews in leading sociology journals. Writing in the" American Journal of Sociology," Joseph R. Gusfield called it "so welcome a publication," one containing "remarkable contributions to the analysis of modern society." Nisbet's vision of Western social life as shaped by the struggle between the dialectically opposed values of tradition and modernity illuminates contemporary issues. "Tradition and Revolt" will be of particular value to sociologists, cultural historians, and political theorists.
"Robert A. Nisbet" (1913-1996) was Albert Schweitzer Professor Emeritus of the Humanities at Columbia University, and before that, dean of the School of Humanities at the University of California at Riverside. Among his many books are "History of the Idea of Progress, The Sociological Tradition, The Degradation of the Academic Dogma, and Teachers and Scholars," all available from Transaction.
"Robert G. Perrin" is professor of sociology and director of graduate studies at the University of Tennessee.

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The idea of progress from the Enlightenment to postmodernism is still very much with us. In intellectual discourse, journals, popular magazines, and radio and talk shows, the debate between those who are "progressivists" and those who are "declinists" is as spirited as it was in the late seventeenth century. In History of the Idea of Progress, Robert Nisbet traces the idea of progress from its origins in Greek, Roman, and medieval civilizations to modern times. It is a masterful frame of reference for understanding the present world.

Nisbet asserts there are two fundamental building blocks necessary to Western doctrines of human advancement: the idea of growth, and the idea of necessity. He sees Christianity as a key element in both secular and spiritual evolution, for it conveys all the ingredients of the modern idea of progress: the advancement of the human race in time, a single time frame for all the peoples and epochs of the past and present, the conception of time as linear, and the envisagement of the future as having a Utopian end.

In his new introduction, Nisbet shows why the idea of progress remains of critical importance to studies of social evolution and natural history. He provides a contemporary basis for many disciplines, including sociology, economics, philosophy, religion, politics, and science. History of the Idea of Progress continues to be a major resource for scholars in all these areas.

This text was first published in 1975, shortly after the resignation of President Richard Nixon, which revealed, according to Robert Nisbet, the extreme and corrupt manifestation of a democratic royalism that has its roots in several preceding administrations. Nisbet argues that the political community in the West had broken down after two centuries of ascendancy. He believes that the West has entered a twilight age that will be characterized by political and cultural crises similar to those that preceded the fall of Rome. He foresees the displacement of traditional, liberal society by centralized, collectivized power - what he terms the war society, driven by the rising power and expense of a hugely scaled military. Nisbet offers no prophecy of inevitable decline; rather, he means to call attention to the problem of finding the means generating a social order within which the individual can live and derive a spirit of initiative.

"The Present Age" challenges readers to reexamine the role of the United States in the world since World War I. Nisbet criticizes Americans for isolationism at home, discusses the gutting of educational standards, the decay of education, the presence of government in all facets of life, the diminished connection to community, and the prominence of economic arrangements driving everyday life in America.
This work is deeply indebted to the analyses of Tocqueville and Bryce regarding the threats that bureaucracy, centralization, and creeping conformity pose to liberty and individual independence in the western world. "The Present Age" relates a tragedy--the unprecedented militarization of American life in the decades after 1914, as the result of the necessary resistance to National Socialist and Communist totalitarianism that fed into and reinforced the profound tendencies toward centralization within modern society.
Robert Nisbet (1913-1996), former professor of sociology at Columbia University, is the author of "Sociology as an Art Form; The Social Philosophers; Prejudices: A Philosophical Dictionary; The Sociological Tradition; History of the Idea of Progress;" and "Twilight of Authority," also published by Liberty Fund.