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Holiness and hedonism. Lonesomeness and community. Tradition and
progress. Highly regarded commentator on Christianity and popular
culture Rodney Clapp argues that these great tensions form the
bedrock of American history and our current culture. Utilizing the
life and music of Johnny Cash to illustrate these and other
American contradictions, he probes these phenomena with sharp
theological questions--seeking the language and knowledge that will
enable us to reach across political and cultural divides and
encourage a more graceful and constructive negotiation of current
contradictions.
Voted one of Christianity Today's 1997 Books of the Year Christians
feel increasingly useless, argues Rodney Clapp, not because we have
nothing to offer a post-Christian society, but because we are
trying to serve as "sponsoring chaplains" to a civilization that no
longer sees Christianity as necessary to its existence. In our
individualistic, technologically oriented, consumer-based culture,
Christianity has become largely irrelevant. The solution is not to
sentimentally capitulate to the way things are. Nor is it to
retrench in an effort to regain power and influence as the sponsor
of Western civilization. What is needed is for Christians to
reclaim our heritage as a peculiar people, as unapologetic
followers of the Way. Within the larger pluralistic world, we need
to become a sanctified, subversive culture that develops Christian
community as a truly alternative way of life. Christians must learn
to live the story and not just to restate it. Writing inclusively
with considerable verve, Clapp offers a keen analysis of the church
and its ministry as we face a new millennium.
"Scant decades ago most Westerners agreed that . . . Lifelong
monogamy was ideal . . . Mothers should stay home with children . .
. premarital sex was to be discouraged . . . Heterosexuality was
the unquestioned norm . . . popular culture should not corrupt
children. Today not a single one of these expectations is
uncontroversial." So writes Rodney Clapp in assessing the status of
the family in postmodern Western society. In response many
evangelicals have been quick to defend the so-called traditional
family, assuming that it exemplifies the biblical model. Clapp
challenges that assumption, arguing that the "traditional" family
is a reflection more of the nineteenth-century middle-class family
than of any family one can find in Scripture. At the same time, he
recognizes that many modern and postmodern options are not
acceptable to Christians. Returning to the biblical story afresh to
see what it might say to us in the late twentieth and early
twenty-first centuries, Clapp articulates a challenge to both sides
of a critical debate. A book to help us rethink the significance of
the family for the next century.
A message to stir the embers of a dying faith. Given the number of
people who’ve been “saved,” you’d think the world was
becoming a brighter place. It could be, too, if more people would
grasp the joy of losing themselves in service to God and each
other. People like Christoph Blumhardt, who, in his quest to get to
the essentials of faith, burns away the religious trappings of
modern piety like so much chaff. Blumhardt writes with unabashed
fervor, but his passion encourages rather than intimidates. His
witness influenced theological giants like Dietrich Bonhoeffer and
Karl Barth. But Action in Waiting is not theology; it is too blunt,
too earthy, too real. Its “active expectation” of God’s
kingdom shows us that the object of our hope is not relegated to
some afterlife. Today, in our world, it can come into its own –
if only we are ready.
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