Since long before the age of celebrity activism, literary authors have used their public profiles and cultural capital to draw attention to a wide range of socio-political concerns. This book is the first to explore – through history, criticism and creative interventions – the relationship between authorship, political activism and celebrity culture across historical periods, cultures, literatures and media. It brings together scholars, industry stakeholders and prominent writer-activists to engage in a conversation on literary fame and public authority. These scholarly essays, interviews, conversations and opinion pieces interrogate the topos of the artist as prophet and acute critic of the zeitgeist; analyse the ideological dimension of literary celebrity; and highlight the fault lines between public and private authorial selves, ‘pure’ art, political commitment and marketplace imperatives. In case studies ranging from the 18th century to present-day controversies, authors illuminate the complex relationship between literature, politics, celebrity culture and market activism, bringing together vivid current debates on the function and responsibility of literature in increasingly fractured societies.

An intriguing case study on how popular images of Oceania, mediated through a developing culture of celebrity, contributed to the formation of British identity both domestically and as a nascent imperial power in the eighteenth century. At the end of the eighteenth century metropolitan Britain was entranced by stories emanating from the furthest edge of its nascent empire. In the experience of eighteenth-century Britain, Oceania was both a real place, evidencedby the journals of adventurers like Joseph Banks, the voyage books of Captain James Cook and the growing collection of artefacts and curiosities in the British Museum, and a realm of fantasy reflected in theatre, fashion and the new phenomenon of mass print. In this innovative study Ruth Scobie shows how these multiple images of Oceania were filtered to a wider British public through the gradual emergence of a new idea of fame - commodified, commercial, scandalous - which bore in some respects a striking resemblance to modern celebrity culture and which made figures such as Banks and Cook, Fletcher Christian and his fellow mutineers on Pitcairn Island into public icons. Bringing together literary texts, works of popular culture, visual art and theatrical performance, Scobie argues that the idea of Oceania functioned variously as reflection, ideal and parody both in very local debates over the problemsof contemporary fame and in wider considerations of national identity, race and empire. RUTH SCOBIE is a Stipendiary Lecturer at Mansfield College, University of Oxford.

Mary Wollstonecraft's 1792 Vindication of the Rights of Women is an incendiary attack on the place of women in 18th-century society. Often considered to be the earliest widely-circulated work of feminism, the book is a powerful example of what can be achieved by creative thinkers - people who refuse to be bound by the standard ways of thinking, or to see things through the same lenses that everyone else uses. In the case of the Vindication, Wollstonecraft's independent thinking went directly against the standard assumptions of the age regarding women. During the seventeenth century and earlier, it was an entirely standard point of view to consider women as, largely speaking, uneducable. They were widely considered to be men's inferiors, incapable of rational thought. They not only did not need a rational education - it was assumed that they could not benefit from one. Wollstonecraft, in contrast, argued that women's apparent triviality was a direct consequence of society failing to educate them. If they were not men's equals, it was the fault of a society that refused to treat them as such. So radical was her message that it would take until the 20th century for her views to become truly accepted.

Mary Wollstonecraft’s 1792 Vindication of the Rights of Women is an incendiary attack on the place of women in 18th-century society.

Often considered to be the earliest widely-circulated work of feminism, the book is a powerful example of what can be achieved by creative thinkers – people who refuse to be bound by the standard ways of thinking, or to see things through the same lenses that everyone else uses. In the case of the Vindication, Wollstonecraft’s independent thinking went directly against the standard assumptions of the age regarding women.

During the seventeenth century and earlier, it was an entirely standard point of view to consider women as, largely speaking, uneducable. They were widely considered to be men’s inferiors, incapable of rational thought. They not only did not need a rational education – it was assumed that they could not benefit from one. Wollstonecraft, in contrast, argued that women’s apparent triviality was a direct consequence of society failing to educate them. If they were not men’s equals, it was the fault of a society that refused to treat them as such. So radical was her message that it would take until the 20th century for her views to become truly accepted.