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Showing 1 - 5 of 5 matches in All Departments
When a rash of suicides tears through Cambridge University, DI
Mark Joesbury recruits DC Lacey Flint to go undercover as a student
to investigate. Although each student's death appears to be a
suicide, the psychological histories, social networks, and online
activities of the students involved share remarkable similarities,
and the London police are not convinced that the victims acted
alone. They believe that someone might be preying on lonely and
insecure students and either encouraging them to take their own
lives or actually luring them to their deaths. As long as Lacey can
play the role of a vulnerable young woman, she may be able to stop
these deaths, but is it just a role for her? With her fragile past,
is she drawing out the killers, or is she herself being drawn into
a deadly game where she's a perfect victim?
Like everyone reading the newspapers these days, 10-year-old
Barney Roberts knows the killer will strike again soon. The victim
will be another boy, just like him. The body will be drained of
blood, and left somewhere on a Thames beach. There will be no clues
for London detectives Dana Tulloch and Mark Joesbury to find. There
will be no warning about who will be next. There will be no real
reason for Barney's friend and neighbor, Lacey Flint, on leave from
her job as a London police detective, to become involved...and no
chance that she can stay away. With the clock ticking, the violence
escalating, and young lives at stake, Lacey and Barney both know
they can't afford a single wrong step if they hope to make it
through alive.
The Fletchers' beautiful new house is everything they dreamed it would be. Built between two churches in Heptonclough, a small village on the moors that time forgot, it ought to be paradise for this young family of five, but they barely have a chance to settle in before they find that they're anything but welcome. Someone seems to be trying to drive them away--at first with silly pranks but then with threats that become increasingly dangerous, especially to the oldest child, ten-year-old Tom Fletcher, who begins to believe that someone is always watching him. The adults in Tom's life are trying to help, including his parents; the vicar next door, younger and more dashing than you'd expect a vicar to be; and a therapist, Evi Oliver, who believes him more than she wants to. But there are other clues that something isn't quite right in Heptonclough, including the mysterious accidental deaths of three toddlers over the last ten years. It is not until Tom's siblings, two-year-old Milly and five-year-old Joe, go missing in turn that the little village's evil secret turns the Fletchers' dreams into a nightmare. With "Sacrifice," "Awakening," and now "Blood Harvest," S. J. Bolton displays time and time again her remarkable talent as a beguiling storyteller, a master of thrills, and the mistress of her own brand of modern gothic tale.
In this masterful debut that starts off as a mystery and becomes
much more, Tora Hamilton is an outsider at her new home on the
rocky, windswept Shetland Islands, a hundred miles from the
northeastern tip of Scotland. Though her husband grew up here, it's
the first time he's been back in twenty years. Digging in the peat
on their new property, Tora unearths a human body, at first glance
a centuries-old bog body, interesting but not uncommon. But
realizing that the body is in fact much newer, that the woman's
heart has been cut out, and that she was killed within a few days
of bearing a child, Tora, herself an obstetrician, becomes obsessed
with finding out what happened to her--even when the police, her
colleagues, and eventually her husband warn her against getting
involved.
Clara Benning, a veterinary surgeon in charge of a wildlife
hospital in a small English village, is young and intelligent, but
nearly a recluse. Disfigured by a childhood accident, she generally
prefers the company of animals to people. But when a local man dies
following a supposed snakebite, Clara's expertise is needed. She's
chilled to learn that the victim's postmortem shows a higher
concentration of venom than could ever be found in a single
snake--and that therefore the killer must be human.
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