This collection brings together a group of distinguished and original theater historians engaged in rethinking the nature of early modern theater history as a discipline. Whether focusing on the relation between scripts and performance practice, the structure of theatrical companies, the social dimensions of drama, or the archaeology of the stage, all are concerned with basic questions of evidence and interpretation, and offer significant, and often startling, revisions of our view of the early modern theater.

What can the printed texts of plays from Shakespeare's time say about performance? How have printed plays been read and interpreted? This collection of essays considers the evidence of early modern printed plays and their histories of production and reception, examining a wide variety of cases, from early performance to the psychology of Hamlet.

This collection brings together a group of distinguished and original theater historians engaged in rethinking the nature of early modern theater history as a discipline. Whether focusing on the relation between scripts and performance practice, the structure of theatrical companies, the social dimensions of drama, or the archaeology of the stage, all are concerned with basic questions of evidence and interpretation, and offer significant, and often startling, revisions of our view of the early modern theater.