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This book is a discussion of key documents that explain the
development, current status, and relevance of the international law
governing the initiation of military hostilities. International Law
and the Use of Force: A Documentary and Reference Guide brings to
life a crucial body of law, explaining its historical origins, the
core rules and principles of the regime embodied in the Charter of
the United Nations, and contentious aspects of that law in the
contemporary world. In light of the intensified interest in the
question of justified or unjustified use of force, this timely
resource introduces and analyzes over 40 documents relating to the
legality of the initiation of military hostilities. The volume
presents competing assessments of the legality of key uses of force
and explains mainstream positions on important issues such as
national right to self-defense, anticipatory and preemptive
self-defense, terrorism, aggression, and the role of the UN
Security Council. The book concludes by assessing whether the
international law that seeks to limit the number of wars has in
fact made the world a more peaceful place.
This volume gathers personal recollections by fifteen eminent
historians of the American South. Coming from distinctive
backgrounds, traveling diverse career paths, and practicing
different kinds of history, the contributors exemplify the field's
richness on many levels. As they reflect on why they joined the
profession and chose their particular research specialties, these
historians write eloquently of family and upbringing, teachers and
mentors, defining events and serendipitous opportunities. The
struggle for civil rights was the defining experience for several
contributors. Peter H. Wood remembers how black fans of the St.
Louis Cardinals erupted in applause for the Dodgers' Jackie
Robinson. ""I realized for the first time,"" writes Wood, ""that
there must be something even bigger than hometown loyalties
dividing Americans."" Gender equality is another frequent concern
in the essays. Anne Firor Scott tells of her advisor's ridicule
when childbirth twice delayed Scott's dissertation: ""With great
effort I managed to write two chapters, but Professor Handlin was
moved to inquire whether I planned to have a baby every chapter.""
Yet another prominent theme is the reconciliation of the
professional and the personal, as when Bill C. Malone traces his
scholarly interests back to ""the memories of growing up poor on an
East Texas cotton farm and finding escape and diversion in the
sounds of hillbilly music."" Always candid and often witty, each
essay is a road map through the intellectual terrain of southern
history as practiced during the last half of the twentieth century.
My poetry are pieces of time that are captured like a snapshot. My
intention is to share with a reader the insight of a different
mind, heart, and soul. Those Reflections, Illuminations, and
Perceptions connect with my deep feelings, inner thoughts, and
utmost emotions to give a unique voice unheard of a place in
poetry. The end result is a new beginning to an artistic stylish
twist, my book called "R.I.P. Poetry Collection." I love words and
I hope you do too. Also, I have included some of my original
artwork in the back of the book. Enjoy
Exploring Shell's remarkable archive of advertising art, this book
is the first to present a comprehensive overview of the company's
artistic heritage. Examinations of the historical, political and
social contexts of Shell art and advertising enable the authors to
assess the work's broader cultural significance. By delving into
the ways in which Shell's publicity was conceived, commissioned,
produced and disseminated, the particular contributions made by
artists and designers including Paul Nash, Graham Sutherland, Ben
Nicholson and Edward McKnight Kauffer, are highlighted, while
broader questions such as Shell's position within contemporary
debates regarding the aesthetics and proper purpose of 'Commercial
Art' are explored. Drawing primarily on Shell's extensive poster
collection, as well as other contemporary sources, Shell Art &
Advertising provides valuable insights into the development of
commercial art in the UK. Featuring a wealth of fascinating images,
this original publication will appeal to cultural historians, as
well as fans of Modern British Art.
Georgia is one of the most corrupt and crime-ridden nations of the
former Soviet Union. In the Soviet period, Georgians played a major
role in organized crime groups and the shadow economy operating
throughout the Soviet Union, and in the post-Soviet period, Georgia
continues to be important source of international crime and
corruption. Important changes have been made since the Rose
Revolution in Georgia to address the organized crime and pervasive
corruption.
This book, based on extensive original research, surveys the
most enduring aspects of organized crime and corruption in Georgia
and the most important reforms since the Rose Revolution. Endemic
crime and corruption had a devastating effect on government and
everyday life in Georgia, spurring widespread popular discontent
that culminated with the Rose Revolution in 2003. Some of the hopes
of the Rose Revolution have been realized, though major challenges
lie ahead as Georgia confronts deep-seated crime and corruption
issues that will remain central to political, economic, and social
life in the years to come.
Georgia is one of the most corrupt and crime-ridden nations of the
former Soviet Union. In the Soviet period, Georgians played a major
role in organized crime groups and the shadow economy operating
throughout the Soviet Union, and in the post-Soviet period, Georgia
continues to be important source of international crime and
corruption. Important changes have been made since the Rose
Revolution in Georgia to address the organized crime and pervasive
corruption. This book, based on extensive original research,
surveys the most enduring aspects of organized crime and corruption
in Georgia and the most important reforms since the Rose
Revolution. Endemic crime and corruption had a devastating effect
on government and everyday life in Georgia, spurring widespread
popular discontent that culminated with the Rose Revolution in
2003. Some of the hopes of the Rose Revolution have been realized,
though major challenges lie ahead as Georgia confronts deep-seated
crime and corruption issues that will remain central to political,
economic, and social life in the years to come.
The story of public relations in Britain was shaped by the economic
hardships of the inter-war years. It was a profession established
by a group of liberal-minded officials, whose manner and methods
would heavily influence post war organisations such as UNESCO.
Central to the startling story of Britain's early public relations
pioneers is Sir Stephen Tallents, the inaugural President of the
Institute of Public Relations. Tallents was a public sector
entrepreneur who lent his patronage to John Grierson's documentary
film movement, the BBC Overseas Service, the development of
Listener Research and the staging of the Festival of Britain. His
intellectual imprint lingers on everything from the jubilee
telephone kiosk to the V for Victory movement, from Night Mail to
the Greater London Plan. A portrait of how the social, economic and
media revolutions of the early the twentieth century reshaped
national life, Public relations and the making of modern Britain
reveals a country struggling to cope with austerity and crisis that
is at once very different from, and yet surprisingly similar to,
our own. The book includes a reprint of Tallents' influential
pamphlet, The projection of England (1932). This book will interest
students and scholars of modern British culture, media studies,
history and politics. -- .
What unleashed the forces of global capitalism which continue to
shape the world that we live in? Economists and economic historians
variously point to innovations in logistics and trade, the
emergence of a new set of business-friendly values and the
emergence of new forms of applied knowledge in early modernity to
solve this riddle. This book focuses on the moving image as a
factor of economic development. In a series of in-depth cases
studies at the intersection of film and media studies, science and
technology studies and economic and social history, Films That Work
Harder: The Circulations of Industrial Film presents an in-depth,
global perspective on the dynamic relationship between film,
industrial organization and economic development. Bringing together
new research from leading scholars from Europe, Asia, Australia and
North America, this book combines the state of the art in the field
with an agenda for a future research.
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