Bringing together two parallel and occasionally intersecting disciplines - the environmental and medical humanities - this field-defining handbook reveals our ecological predicament to be a simultaneous threat to human health. The book: * Represents the first collection to bring the environmental humanities and medical humanities into conversation in a systematic way * Features contributions from a wide range of interdisciplinary perspectives including literary studies, environmental ethics and philosophy, cultural history and sociology * Adopts a truly global approach, examining contexts including, but not limited to, North America, the UK, Africa, Latin America, South Asia, Turkey and East Asia * Touches on issues and approaches such as narrative medicine, ecoprecarity, toxicity, mental health, and contaminated environments. Showcasing and surveying a rich spectrum of issues and methodologies, this book looks not only at where research currently is at the intersection of these two important fields, but also at where it is going.

With twelve original essays that characterize truly international ecocriticisms, New International Voices in Ecocriticism presents a compendium of ecocritical approaches, including ecocritical theory, ecopoetics, ecocritical analyses of literary, cultural, and musical texts (especially those not commonly studied in mainstream ecocriticism), and new critical vistas on human-nonhuman relations, postcolonial subjects, material selves, gender, and queer ecologies. It develops new perspectives on literature, culture, and the environment. The essays, written by contributors from the United States, Canada, Germany, Turkey, Spain, China, India, and South Africa, cover novels, drama, autobiography, music, and poetry, mixing traditional and popular forms. Popular culture and the production and circulation of cultural imaginaries feature prominently in this volume-how people view their world and the manner in which they share their perspectives, including the way these perspectives challenge each other globally and locally. In this sense the book also probes borders, border transgression, and border permeability. By offering diverse ecocritical approaches, the essays affirm the significance and necessity of international perspectives in environmental humanities, and thus offer unique responses to environmental problems and that, in some sense, affect many beginning and established scholars.

Ecoambiguity, Community, and Development takes stock of cultural and environmental contexts in many different regions of the world by exploring literature and film. Artists and scholars working in the social ecology, environmental justice, and postcolonial arenas have long recognized that as soon as we tug on a thread of "ecodegradation," we generally find it linked to some form of cultural oppression. The reverse is also often true. In the spirit of postcolonial ecocriticism, the studies collected by Scott Slovic, R. Swarnalatha, and Vidya Sarveswaran emphasize the impossibility of disentangling environmental and cultural problems. While not all the authors explicitly invoke Karen Thornber's term "ecoambiguity" or the concepts and terminology of postcolonial ecocriticism, their articles frequently bring to light various ironies. For example, the fact that Ukrainian environmental experience in the twenty-first century is defined by one of the world's most infamous industrial disasters, the Chernobyl nuclear accident of 1986, yet Ukrainian culture, like many throughout the world, actually cherishes a profound, even animistic, attachment to the wonders of nature. The repetition of this and other paradoxes in human cultural responses to the more-than-human world reinforces our sense of the congruities and idiosyncrasies of human culture. Every human culture, regardless of its condition of economic and industrial development, has produced its own version of "environmental literature and art"-but the nuances of this work reflect that culture's precise social and geophysical circumstances. In various ways, these stories of community and development from across the planet converge and diverge, as told and explained by distinguished scholars, many of whom come from the cultures represented in these articles.

The phrase "literature and environment" only achieved popularity in recent decades, yet writers dating back to the explorers of the 1500s--and later such 19th-century Romanticists as Thoreau--have long been addressing environmental issues through literary expression. This volume introduces students and educators to the field by tracing the evolution of environmental writing in the United States. Chapters written by distinguished scholars offer new perspectives on important environmental issues, guiding readers through 11 carefully selected literary works. Each chapter provides brief biographical information on the author, discussions of the work's structural, thematic, and stylistic components, and insights into the historical context that relates the work to relevant environmental issues. Each chapter concludes with information on works cited. The analyzed works cover a wide spectrum of literature and span nearly 100 years. Included are early writings, such as Mary Austin's 1903 The Land of Little Rain, and famous groundbreaking works, such as Rachel Carson's Silent Spring (1962) and Gary Snyder's Turtle Island (1974). Also included are frequently assigned works of special interest to students, such as The Monkey Wrench Gang (1975), The Earthsea Trilogy (1977), and Ceremony (1977). A list of selected further suggested readings completes the volume. Students of literature, as well as educators looking for new ways to present social issues, will find many ideas and much inspiration in this volume.

Ecodisaster Imaginaries in India: Essays in Critical Perspectives is a volume of critical essays that discuss and debate the literary and cultural representations of ecological/environmental disaster in India from the perspectives that are integral to postcolonial disaster studies and the environmental humanities. The essays offer theoretically informed readings of environmental fiction, nonfiction, and poetry among other contemporary literary genres that open our eyes to today’s burning issues of global warming, climate change, pollution of air and water bodies, deforestation, and species extinction. The volume addresses the staunch ecological consciousness reflected in Rabindranath Tagore’s writings from the early twentieth century, indigenous responses to ecodisaster, and the portrayal of ecodisaster in selected Indian movies which raise questions of human rights violations in the face of manmade disaster and environmental crisis.

An Island in the Stream, a collaboration between Cuban and American writers and scholars, is a diverse collection of ecocritical and literary responses to the natural environment in Cuba and to Cuban environmental culture. The chapters explore Cuba's vibrant cultural history with particular attention to literature and the visual and performing arts, which are viewed through such lenses as ecofeminism, postcolonial ecocriticism, multiculturalism, and the nuclear imaginary, among others. American environmentalists have long viewed modern Cuba as a model of progressive environmental thinking. In the 1990s, the Cuban government made sustainability a centerpiece of national policy initiatives. This book explores some of the historical foundations of contemporary sustainability efforts in Cuba, while also describing the current environmental situation in that part of the world. From Jose Marti to Excilia Saldana, from Antonio Nunez Jimenez to Lydia Cabrera, the chapters here aim to provide a starting point for others who wish to learn about Cuban environmental thought. The conjunction of scholarly and creative work is a gesture toward the interdependence of humanities research and artistic expression, both of which seek to encourage environmental and cultural mindfulness and sensitivity.

Throughout the world, people spend much of their time with animal companions of various kinds, frequently with cats and dogs. What meanings do we make of these relationships? In the ecocritical collection Reading cats and Dogs, a diverse array of scholars considers the philosophy, literature, and film devoted to human relationships with companion species. In addition to illuminating famous animal stories by Beatrix Potter, Jack London, Italo Svevo, and Michael Ondaatje, readers are introduced to the dog poems of Shuntaro Tanikawa, a Turkish documentary on stray cats as neighborhood companions, and the representation of diverse animal companions in Cameroonian novels. Focusing on "Stray and Feral Companions," "The Usefulness of Companion Animals," and "Problematizing Companion Animals," Reading Cats and Dogs aims both to confirm and topple readers' assumptions about the fellow travelers with whom we share our lives, our streets and fields, and our planet. Fifteen contributors from various countries reveal the aesthetic, ethical, and psychological complexities of our multispecies relationships, demonstrating the richness of ecocritical animal studies.

This new book is the second volume in a two-volume "mini-series" devoted to representing diverse and innovative ecocritical voices from throughout the world, particularly from developing nations (the first volume, Ecoambiguity, Community, and Development, appeared in 2014). The vast majority of existing ecocritical studies, even those which espouse the "postcolonial ecocritical" perspective, operate within a first-world sensibility, speaking on behalf of subalternized human communities and degraded landscapes without actually eliciting the voices of the impacted communities. We have sought in Ecocriticism of the Global South to allow scholars from (or intimately familiar with) underrepresented regions to "write back" to the world's centers of political and military and economic power, expressing views of the intersections of nature and culture from the perspective of developing countries. This approach highlights what activist and writer Vandana Shiva has described as the relationship between "ecology and the politics of survival," showing both commonalities and local idiosyncrasies by juxtaposing such countries as China and Northern Ireland, New Zealand and Cameroon. The two volumes of the Ecocriticism of the Global South Series point to the need for further cultivation of the environmental humanities in regions of the world that are, essentially, the front line of the human struggle to invent sustainable and just civilizations on an imperiled planet.

With twelve original essays that characterize truly international ecocriticisms, New International Voices in Ecocriticism presents a compendium of ecocritical approaches, including ecocritical theory, ecopoetics, ecocritical analyses of literary, cultural, and musical texts (especially those not commonly studied in mainstream ecocriticism), and new critical vistas on human-nonhuman relations, postcolonial subjects, material selves, gender, and queer ecologies. It develops new perspectives on literature, culture, and the environment. The essays, written by contributors from the United States, Canada, Germany, Turkey, Spain, China, India, and South Africa, cover novels, drama, autobiography, music, and poetry, mixing traditional and popular forms. Popular culture and the production and circulation of cultural imaginaries feature prominently in this volume-how people view their world and the manner in which they share their perspectives, including the way these perspectives challenge each other globally and locally. In this sense the book also probes borders, border transgression, and border permeability. By offering diverse ecocritical approaches, the essays affirm the significance and necessity of international perspectives in environmental humanities, and thus offer unique responses to environmental problems and that, in some sense, affect many beginning and established scholars.

Ecoambiguity, Community, and Development takes stock of cultural and environmental contexts in many different regions of the world by exploring literature and film. Artists and scholars working in the social ecology, environmental justice, and postcolonial arenas have long recognized that as soon as we tug on a thread of "ecodegradation," we generally find it linked to some form of cultural oppression. The reverse is also often true. In the spirit of postcolonial ecocriticism, the studies collected by Scott Slovic, R. Swarnalatha, and Vidya Sarveswaran emphasize the impossibility of disentangling environmental and cultural problems. While not all the authors explicitly invoke Karen Thornber's term "ecoambiguity" or the concepts and terminology of postcolonial ecocriticism, their articles frequently bring to light various ironies. For example, the fact that Ukrainian environmental experience in the twenty-first century is defined by one of the world's most infamous industrial disasters, the Chernobyl nuclear accident of 1986, yet Ukrainian culture, like many throughout the world, actually cherishes a profound, even animistic, attachment to the wonders of nature. The repetition of this and other paradoxes in human cultural responses to the more-than-human world reinforces our sense of the congruities and idiosyncrasies of human culture. Every human culture, regardless of its condition of economic and industrial development, has produced its own version of "environmental literature and art"-but the nuances of this work reflect that culture's precise social and geophysical circumstances. In various ways, these stories of community and development from across the planet converge and diverge, as told and explained by distinguished scholars, many of whom come from the cultures represented in these articles.

The vast majority of existing ecocritical studies, even those which espouse the "postcolonial ecocritical" perspective, operate within a first-world sensibility, speaking on behalf of subalternized human communities and degraded landscapes without actually eliciting the voices of the impacted communities. Ecocriticism of the Global South seeks to allow scholars from (or intimately familiar with) underrepresented regions to "write back" to the world's centers of political and military and economic power, expressing views of the intersections of nature and culture from the perspective of developing countries. This approach highlights what activist and writer Vandana Shiva has described as the relationship between "ecology and the politics of survival," showing both commonalities and local idiosyncrasies by juxtaposing such countries as China and Northern Ireland, New Zealand and Cameroon. Much like Ecoambiguity, Community, and Development, this new book is devoted to representing diverse and innovative ecocritical voices from throughout the world, particularly from developing nations. The two volumes complement each other by pointing out the need for further cultivation of the environmental humanities in regions of the world that are, essentially, the front line of the human struggle to invent sustainable and just civilizations on an imperiled planet.

An Island in the Stream, a collaboration between Cuban and American writers and scholars, is a diverse collection of ecocritical and literary responses to the natural environment in Cuba and to Cuban environmental culture. The essays explore Cuba's vibrant cultural history with particular attention to literature and the visual and performing arts, which are viewed through such lenses as ecofeminism, postcolonial ecocriticism, multiculturalism, and the nuclear imaginary, among others. American environmentalists have long viewed modern Cuba as a model of progressive environmental thinking. In the 1990s, the Cuban government made sustainability a centerpiece of national policy initiatives. This book explores some of the historical foundations of contemporary sustainability efforts in Cuba, while also describing the contemporary environmental situation in that part of the world. From Jose Marti to Excilia Saldana, from Antonio Nunez Jimenez to Lydia Cabrera, the articles here aim to provide a starting point for others who wish to learn about Cuban environmental thought. The conjunction of scholarly and creative work is a gesture toward the interdependence of humanities research and artistic expression, both of which seek to encourage environmental and cultural mindfulness and sensitivity.

Ecocriticism is a mode of interdisciplinary critical inquiry into the relationship between cultural production, society, and the environment. The field advocates for the more-than-human realm as well as for underprivileged human and non-human groups and their perspectives. Taiwan is one of the earliest centers for promoting ecocriticism outside the West and has continued to play a central role in shaping ecocriticism in East Asia. This is the first English anthology dedicated to the vibrant development of ecocriticism in Taiwan. It provides a window to Taiwan's important contributions to international ecocriticism, especially an emerging "vernacular" trend in the field emphasizing the significance of local perspectives and styles, including non-western vocabularies, aesthetics, cosmologies, and political ideologies. Taiwan's unique history, geographic location, geology, and subtropical climate generate locale-specific, vernacular thinking about island ecology and environmental history, as well as global environmental issues such as climate change, dioxin pollution, species extinction, energy decisions, pollution, and environmental injustice. In hindsight, Taiwan's industrial modernization no longer appears as a success narrative among Asia's "Four Little Dragons," but as a cautionary tale revealing the brute force entrepreneurial exploitation of the land and the people. In this light, this volume can be seen as a critical response to Taiwan's postcolonial, capitalist-industrial modernity, as manifested in the scholars' readings of Taiwan's "mountain and river," ocean, animal, and aboriginal (non)fictional narratives, environmental documentaries, and art installations. This volume is endowed with a mixture of ecocosmopolitan and indigenous sensitivities. Though dominated by the Han Chinese ethnic group and its Confucian ideology, Taiwan is a place of complicated ethnic identities and affiliations. The succession of changing colonial and political regimes, made even more complex by the island's sixteen aboriginal groups and several diasporic subcultures (South Asian immigrants, Western expatriates, and diverse immigrants from the Chinese mainland), has led to an ongoing quest for political and cultural identity. This complexity urges Taiwan-based ecoscholars to pay attention to the diasporic, comparative, and intercultural dimensions of local specificity, either based on their own diasporic experience or the cosmopolitan features of the Taiwanese texts they scrutinize. This cosmopolitan-vernacular dynamic is a key contribution Taiwan has to offer current ecocritical scholarship.

This volume focuses on the interface of the Anthropocene, sustainability, ecological aesthetics, multispecies relationality, and the environment as reflected in literature and culture. The work examines how writers have addressed ecological crises and environmental challenges that transcend national, cultural, political, social, and linguistic borders. The volume demonstrates how, as the environmental humanities developed and emerged as a critical discipline, it generated a diverse range of interdisciplinary fields of study, such as ecographics, ecodesign, ecocinema, ecotheology, ecofeminism, ethnobotany, ecolinguistics and bioregionalism, and formed valuable, interdisciplinary networks of critique and advocacy-and its contemporary expansion is exceptionally salient to social, political, and public issues today.

This lively collection of essays explores the vital role of beauty in the human experience of place, interactions with other species, and contemplation of our own embodied lives. Devoting attention to themes such as global climate change, animal subjectivity, environmental justice and activism, and human moral responsibility for the environment, these contributions demonstrate that beauty is not only a meaningful dimension of our experience, but also a powerful strategy for inspiring cultural transformation. Taken as a whole, they underscore the ongoing relevance of aesthetics to the ecocritical project and the concern for beauty that motivates effective social and political engagement.

This lively collection of essays explores the vital role of beauty in the human experience of place, interactions with other species, and contemplation of our own embodied lives. Devoting attention to themes such as global climate change, animal subjectivity, environmental justice and activism, and human moral responsibility for the environment, these contributions demonstrate that beauty is not only a meaningful dimension of our experience, but also a powerful strategy for inspiring cultural transformation. Taken as a whole, they underscore the ongoing relevance of aesthetics to the ecocritical project and the concern for beauty that motivates effective social and political engagement.

Ecocriticism and environmental communication studies have for many years co-existed as parallel disciplines, occasionally crossing paths but typically operating in separate academic spheres. These fields are now rapidly converging, and this handbook aims to reinforce the common concerns and methodologies of the sibling disciplines. The Routledge Handbook of Ecocriticism and Environmental Communication charts the history of the relationship between ecocriticism and environmental communication studies, while also highlighting key new paradigms in information studies, diverse examples of practical applications of environmental communication and textual analysis, and the patterns and challenges of environmental communication in non-Western societies. Contributors to this book include literary, film and religious studies scholars, communication studies specialists, environmental historians, practicing journalists, art critics, linguists, ethnographers, sociologists, literary theorists, and others, but all focus their discussions on key issues in textual representations of human-nature relationships and on the challenges and possibilities of environmental communication. The handbook is designed to map existing trends in both ecocriticism and environmental communication and to predict future directions. This handbook will be an essential reference for teachers, students, and practitioners of environmental literature, film, journalism, communication, and rhetoric, and well as the broader meta-discipline of environmental humanities.

While browsing a Stonington, Maine, bookstore, Brooke Williams and Terry Tempest Williams discovered a rare copy of an exquisite autobiography by nineteenth-century British nature writer Richard Jefferies, who develops his understanding of a "soul-life" while wandering the wild countryside of Wiltshire, England. Brooke and Terry, like John Fowles, Henry Miller, and Rachel Carson before, were inspired by the prescient words of this visionary writer, who describes ineffable feelings of being at one with nature. In an introduction and essays set alongside Jefferies' writing, the Williams share their personal pilgrimage to Wiltshire to understand this man of "cosmic consciousness" and how their exploration of Jefferies deepened their own relationship while illuminating dilemmas of modernity, the intrinsic need for wildness, and what it means to be human in the twenty-first century.

Terry Tempest Williams is the author of fourteen books including "Refuge: An Unnatural History of Family and Place" and "When Women Were Birds." Recipient of numerous fellowships and awards, she teaches at Dartmouth and the University of Utah where she is the Annie Clark Tanner scholar in the environmental humanities graduate program. Her work has been anthologized and translated worldwide.

Brooke Williams has spent thirty years advocating for wildness, most recently with the Southern Utah Wilderness Alliance and as executive director of the Murie Center in Moose, Wyoming. He is the author of four books including "Halflives: Reconciling Work and Wildness," and dozens of articles. Brooke and Terry have been married since 1975. They live with their dogs in Jackson, Wyoming, and Castle Valley, Utah.
Praise for Terry Tempest Williams' "When Women Were Birds"
"Williams displays a Whitmanesque embrace of the world and its contradictions...As the pages accumulate, her voice grows in majesty and power until it become a full-fledged aria." --"San Francisco Chronicle"
Praise for Brooke Williams' "Halflives: Reconciling Work and Wildness"
..".a compact yet breathtaking treatise." --"Publishers Weekly"

Energy scholar Vaclav Smil wrote in 2003, "Tug at any human use of energy and you will find its effects cascading throughout society." Too often public discussions of energy-related issues become gridlocked in debates concerning cost, environmental degradation, and the plausibility (or implausibility) of innovative technologies. But the topic of energy is much broader and deeper than these debates typically reveal. The literature of energy bears this out-and takes the notion further, revealing in vivid stories and images how energy permeates the fundamental nature of existence. Readings in this collection encompass a wide array of topics, from addiction to oil to life "off the grid," from the power of the atom to the power of bicycle technology. Presenting a wide array of poetry, fiction, nonfiction, and interviews-ranging from George Eliot's nineteenth-century novel Mill on the Floss to Sandra Steingraber's recent writing on the subject of fracking-this first-of-its-kind anthology aims to capture the interest of the general reader as well as to serve as a potential textbook for college-level writing classes or environmental studies classes that aspire to place the technical subject of energy into a broader cultural context.

Nature and Literary Studies supplies a broad and accessible overview of one of the most important and contested keywords in modern literary studies. Drawing together the work of leading scholars of a variety of critical approaches, historical periods, and cultural traditions, the book examines nature's philosophical, theological, and scientific origins in literature, as well as how literary representations of this concept evolved in response to colonialism, industrialization, and new forms of scientific knowledge. Surveying nature's diverse applications in twenty-first-century literary studies and critical theory, the volume seeks to reconcile nature's ideological baggage with its fundamental role in fostering appreciation of nonhuman being and agency. Including chapters on wilderness, pastoral, gender studies, critical race theory, and digital literature, the book is a key resource for students and professors seeking to understand nature's role in the environmental humanities.

The arid American Southwest is host to numerous organisms described as desert-loving, or xerophilous. Extending this term to include the regions writers and the works that mirror their love of desert places, Tom Lynch presents the first systematically ecocritical study of its multicultural literature. By revaluing nature and by shifting literary analysis from an anthropocentric focus to an ecocentric one, ""Xerophilia"" demonstrates how a bioregional orientation opens new ways of thinking about the relationship between literature and place. Applying such diverse approaches as environmental justice theory, phenomenology, border studies, ethnography, entomology, conservation biology, environmental history, and ecoaesthetics, Lynch demonstrates how a rooted literature can be symbiotic with the world that enables and sustains it. Analyzing works in a variety of genres by writers such as Leslie Marmon Silko, Terry Tempest Williams, Edward Abbey, Ray Gonzales, Charles Bowden, Susan Tweit, Gary Paul Nabhan, Pat Mora, Ann Zwinger, and Janice Emily Bowers, this study reveals how southwestern writers, in their powerful role as community storytellers, contribute to a sustainable bioregional culture that persuades inhabitants to live imaginatively, intellectually, and morally in the arid bioregions of the American Southwest. '[W]hether I notice or not, the landscape suffuses my body. Intermingled scents enter my lungs with each breath: dust, rock, juniper, turpentine bush, mountain mahogany, the heady mix of volatile oils of the creosote bush, and the ever-so-subtle odor of blue sky. Though less often articulated, all of my senses, not just vision, are engaged; the phenomena of this world circulate through me, and I through them. The landscape caresses as I pass through...On my feet again, I hobble from stiffness, throw my pack on, and, leaning on my sotol stalk for balance, begin to pick my way zigzag down the long rocky slope. I am in love with this landscape. I am, indeed, a devoted xerophile' - from the introduction.