As the globalized regime of neoliberal capitalism consolidates its grip on the world, it refines the micropolitics proper to the capitalist system and makes it more perverse. This micropolitics involves the appropriation – what Suely Rolnik calls the “pimping� – of life, as it turns the life drive itself away from creation and cooperation and towards the deadening, destructive practice necessary for capital accumulation. This dynamic is the engine of what Rolnik calls the colonial-capitalistic unconscious regime. She also identifies the conditions necessary to fight against this regime – namely, a reappropriation of the life drive, the energetic basis at the heart of all life forms, human life included, and the principal source of extraction for capitalism. Drawing on examples from across the Americas, including Brazil and the United States, Rolnik examines the circumstances that have given rise to regressive, reactionary governments throughout the world. These circumstances include, at the macro level, an alliance between neoliberalism and extreme conservatism and, at the micro level, a crisis of the hegemonic subject in the face of the emergent empowerment of marginalized communities that practice other modes of subjectivation.    This crucial book by one of the most prominent intellectuals in Latin America today will be of great value to anyone interested in contemporary politics and social struggles.

As the globalized regime of neoliberal capitalism consolidates its grip on the world, it refines the micropolitics proper to the capitalist system and makes it more perverse. This micropolitics involves the appropriation – what Suely Rolnik calls the “pimping� – of life, as it turns the life drive itself away from creation and cooperation and towards the deadening, destructive practice necessary for capital accumulation. This dynamic is the engine of what Rolnik calls the colonial-capitalistic unconscious regime. She also identifies the conditions necessary to fight against this regime – namely, a reappropriation of the life drive, the energetic basis at the heart of all life forms, human life included, and the principal source of extraction for capitalism. Drawing on examples from across the Americas, including Brazil and the United States, Rolnik examines the circumstances that have given rise to regressive, reactionary governments throughout the world. These circumstances include, at the macro level, an alliance between neoliberalism and extreme conservatism and, at the micro level, a crisis of the hegemonic subject in the face of the emergent empowerment of marginalized communities that practice other modes of subjectivation.    This crucial book by one of the most prominent intellectuals in Latin America today will be of great value to anyone interested in contemporary politics and social struggles.

In the decades following World War II, the creation and expansion of massive domestic markets and relatively stable economies allowed for mass consumption on an unprecedented scale, giving rise to the consumer society that exists today. Many avant-garde artists explored the nexus between consumption and aesthetics, questioning how consumerism affects how we perceive the world, place ourselves in it, and make sense of it via perception and emotion. Delirious Consumption focuses on the two largest cultural economies in Latin America, Mexico and Brazil, and analyzes how their artists and writers both embraced and resisted the spirit of development and progress that defines the consumer moment in late capitalism. Sergio Delgado Moya looks specifically at the work of David Alfaro Siqueiros, the Brazilian concrete poets, Octavio Paz, and Lygia Clark to determine how each of them arrived at forms of aesthetic production balanced between high modernism and consumer culture. He finds in their works a provocative positioning vis-à-vis urban commodity capitalism, an ambivalent position that takes an assured but flexible stance against commodification, alienation, and the politics of domination and inequality that defines market economies. In Delgado Moya’s view, these poets and artists appeal to uselessness, nonutility, and noncommunication—all markers of the aesthetic—while drawing on the terms proper to a world of consumption and consumer culture.

In the decades following World War II, the creation and expansion of massive domestic markets and relatively stable economies allowed for mass consumption on an unprecedented scale, giving rise to the consumer society that exists today. Many avant-garde artists explored the nexus between consumption and aesthetics, questioning how consumerism affects how we perceive the world, place ourselves in it, and make sense of it via perception and emotion. Delirious Consumption focuses on the two largest cultural economies in Latin America, Mexico and Brazil, and analyzes how their artists and writers both embraced and resisted the spirit of development and progress that defines the consumer moment in late capitalism. Sergio Delgado Moya looks specifically at the work of David Alfaro Siqueiros, the Brazilian concrete poets, Octavio Paz, and Lygia Clark to determine how each of them arrived at forms of aesthetic production balanced between high modernism and consumer culture. He finds in their works a provocative positioning vis-a-vis urban commodity capitalism, an ambivalent position that takes an assured but flexible stance against commodification, alienation, and the politics of domination and inequality that defines market economies. In Delgado Moya's view, these poets and artists appeal to uselessness, nonutility, and noncommunication-all markers of the aesthetic-while drawing on the terms proper to a world of consumption and consumer culture.