Being a historian of Germany and of the German-Jews in modern times, the author has written numerous essays on the history and historiography of Antisemitism in this country. Some of them are rather well-known, such as the essay on "Antisemitism as a Cultural Code", and others were printed in peripheral journals and Festschrifts or were never published in English. Since the phenomenon of Jew-hating is now once again an issue discussed by scholars and non-scholars alike, both in Europe and in the United States, and especially since it now arouses particular interest in the context of the Palestinian fight against Israel, it seems timely to re-publish these essays in a slightly revised form, and attach to them an extended introduction as well as a follow-up essay at the end, updating old notions, reformulating some and adding commentary on controversies that are being conducted today regarding the term Antisemitism, its various contexts and the phenomenon it signifies. Freshly looking at Antisemitism in Germany before, during and after National-Socialism seems to be needed at this point in time.

The ferocity of the Nazi attack upon the Jews took many by surprise. Volkov argues that a new look at both the nature of antisemitism and at the complexity of modern Jewish life in Germany is required in order to provide an explanation. While antisemitism had a number of functions in pre-Nazi German society, it most particularly served as a cultural code, a sign of belonging to a particular political and cultural milieu. Surprisingly, it only had a limited effect on the lives of the Jews themselves. By the end of the nineteenth century, their integration was well advanced. Many of them enjoyed prosperity, prestige, and the pleasures of metropolitan life. This book stresses the dialectical nature of assimilation, the lead of the Jews in the processes of modernization, and, finally, their continuous efforts to 'invent' a modern Judaism that would fit their new social and cultural position.

Antimodernism, a popular movement growing out of fear and hostility toward an emerging new world, became a central ideological trend in late nineteenth-century Europe. Shulamit Volkov explains its development in Germany by providing a biography of one group--the urban master artisans--whose political attitudes came to be dominated by antimodernist feelings. As small, independently employed practitioners of traditional crafts, the master artisans possessed a special social identity. The author focuses on their character as a group, their public behavior, and the formation of their ideas and political allegiance. She contends that between 1873 and 1898--a period often called the "Great Depression"--this group underwent a crucial change in attitude reflecting a growing sense of social isolation and political homelessness. To understand the complexities of their outlook, Shulamit Volkov considers changes in their economic and social position during industrialization and the Great Depression, comparing the German experience with that of England. Her analysis of economic, social, cultural, and political history uncovers the forces that led to the emergence of popular antimodernism and helped attract part of the German populace to prefascist ideas. Originally published in 1978. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The ferocity of the Nazi attack upon the Jews took many by surprise. Volkov argues that a new look at both the nature of antisemitism and at the complexity of modern Jewish life in Germany is required in order to provide an explanation. While antisemitism had a number of functions in pre-Nazi German society, it most particularly served as a cultural code, a sign of belonging to a particular political and cultural milieu. Surprisingly, it only had a limited effect on the lives of the Jews themselves. By the end of the nineteenth century, their integration was well advanced. Many of them enjoyed prosperity, prestige, and the pleasures of metropolitan life. This book stresses the dialectical nature of assimilation, the lead of the Jews in the processes of modernization, and, finally, their continuous efforts to 'invent' a modern Judaism that would fit their new social and cultural position.

Der Autorin gelingt mit diesem Werk das, was sie selbst im Vorwort als "das schier Unmogliche" bezeichnet: Sie entwirft im enzyklopadischen Uberblick eine Skizze der gesamten Geschichte des deutschen Judentums von der Aufklarung bis zum Ende des alten Regimes in Deutschland. Im zweiten Teil analysiert sie die Historiografie dieser Zeit mit all ihrer methodologischen und ideologischen Komplexitat. Im dritten Teil finden sich die wichtigsten weiterfuhrenden Titel zu diesem Thema."

Antimodernism, a popular movement growing out of fear and hostility toward an emerging new world, became a central ideological trend in late nineteenth-century Europe. Shulamit Volkov explains its development in Germany by providing a biography of one group--the urban master artisans--whose political attitudes came to be dominated by antimodernist feelings. As small, independently employed practitioners of traditional crafts, the master artisans possessed a special social identity. The author focuses on their character as a group, their public behavior, and the formation of their ideas and political allegiance. She contends that between 1873 and 1898--a period often called the "Great Depression"--this group underwent a crucial change in attitude reflecting a growing sense of social isolation and political homelessness. To understand the complexities of their outlook, Shulamit Volkov considers changes in their economic and social position during industrialization and the Great Depression, comparing the German experience with that of England. Her analysis of economic, social, cultural, and political history uncovers the forces that led to the emergence of popular antimodernism and helped attract part of the German populace to prefascist ideas. Originally published in 1978. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.