With nicknames such as Mob Town and Syphilis City no one would deny that Baltimore has its dark side. Before shows such as The Wire and Homicide: Life on the Streets brought the city's crime rate to national attention, locals entertained themselves with rumors surrounding the mysterious death of writer Edgar Allan Poe and stories Zelda Fitzgerald, wife of author F. Scott Fitzgerald, who spent time in a Baltimore area sanitarium in the 1930s. Tourists make the Inner Harbor one of the most traveled areas in the country, but if they would venture a few streets north to The Block on Baltimore Street they would see an area once famous for its burlesque shows. It is only the locals who would know to continue north on St. Paul to the Owl Bar, a former speakeasy that still proudly displays some of its Prohibition era paraphernalia.

Wicked Baltimore: The Seedy Side of Charm City, details the salacious history of Baltimore and its denizens from the city's earliest history up to through Pro

"Brecht on Performance: Messingkauf and Modelbooks" presents a selection of Brecht's principal writings for directors and theatre practitioners, and is suitable for acting schools, directors, actors, students and teachers of Theatre Studies. Through these texts Brecht provides a general practical approach to acting and to realising texts for the stage that crystallises and makes concrete many of the more theoretical aspects of his other writing.The volume is in two parts. The first features an entirely new commentated edition of Brecht's dialogues and essays about the practice of theatre, known as the "Messingkauf," or "Buying Brass," including the 'Practice Pieces' for actors (rehearsal scenes for classics by Shakespeare and Schiller). The second contains rehearsal and production records from Brecht's work on productions of" Life of Galileo," "Antigone," "Mother Courage" and others.Edited by an international team of Brecht scholars and including an essay by director and teacher Di Trevis examining the practical application of these texts for theatres and actors today, "Brecht on Performance" is a wonderfully rich resource. The text is illustrated with over 30 photographs from the "Modelbooks."

This research review presents a 24-article tour of the topics surrounding the recognition and enforcement of foreign judgments. Written by two leading experts in the field, the review explores different approaches to, and comparative perspectives of, judgment recognition and enforcement. Topics covered include the special issues of the revenue rule and the role of public law, the effects of fraud, the scope of preclusion, and the impact of class actions. The review also looks to the future, considering possible solutions to harmonizing recognition and enforcement and assessing how the development of human rights may impact judgement recognition and enforcement. This review is an essential resource for those studying, researching or practicing in this area.

This challenging volume offers a timely and extensive overview of the current state of archaeology in Israel. Contributed by leading scholars, the essays focus on current problems and cutting-edge issues, ranging from reviews of ongoing excavations to new analytical approaches. Of interest not only to archaeologists, but to social historians as well, the topics include archaeology and social history, archaeology and ethnicity, as well as the overarching issue of how texts and archaeological knowledge are to be combined in the reconstruction of ancient Israel.

Everyone knows that Bertolt Brecht was one of the great 20th-century innovators in theatre - the literary-theatrical equivalent of a Picasso or Stravinsky - and Germany's greatest poet of the last century, but the playwright was also a dazzling writer of stories. Storytelling permeated his art as a dramatist; fundamentally in his plays he was a storyteller. This volume collects the complete short stories written by Brecht, including the prize-winning 'The Monster', and the fragmentary memoir ghost-written by Brecht, 'Life Story of the boxer Samson-Korner'. Brecht scholars Marc Silberman and Shuhsi Kao provide an introduction and editorial notes.Fans of Brecht will find in the 37 stories assembled here the same directness, lack of affectation, and wry humour that characterise his plays. Every lover of short stories will discover an unexpected trove of pleasure in this "mine for short-story addicts" ("Observer").

"When the Berlin Wall opened unexpectedly on November 9, 1989, it marked a rupture of global significance. For Germany's national history the event has become, next to the defeat of 1945, the most significant date in collective memory. For Cold War Europe the Berlin Wall represented a symbol of border crisis and of difference and division. This interdisciplinary volume addresses multiple consequences of the fall of the Wall: looking back at the physical barrier, its demise, and how it has been mediated in film and television; detailing the processes of restoring and revitalizing the city and the country that had been torn asunder; recognizing the new challenges of integrating socially and politically old and new minorities; and identifying how a new European identity may emerge "after the Wall." The anthology is targeted at scholars and advanced students in history, German studies, sociology, art history, and related fields"--

Essentially, the whole of humanity asks the same questions about life and living. What is truth? How do i handle stress? Can i forgive? How do i heal my fears? Now "Simply Being" leads us through the answers in a way that is accessible, timely and absent of religious doctrine and dogma. Spirit's voice is persistant here, teaching all that indeed everyone can easily access and remember the inner wisdom of God's love. "Simply Being" has been assembled as a progressive workbook. It contains 52 weeks of inspired material followed by prompts for insight. These prompts encourage the reader to journal, ask questions and receive their own answers. Additionally, each weekly reading, includes practical exercises for hands on use of the material and affirmations to keep insights fresh daily.Writing this journal each day, the author found herself happier, more peaceful and willing to offer herself and others love, understanding and peace. In the practice of this book's material, she offers the same joy, hope and practical knowledge to whomever crosses its path. Pamela Silberman has been a recreation therapist and group counselor since 1994. She is currently the Executive Director for an international self-development conference for 2008. She has written for "Chicken Soup for the Volunteer's Soul", "Miracles Magazine" and "The Christ Consciousness Journal". Her blog chronicles her experiences.

A] revealing reflection and interpretation upon the development of post-World War II Europe. It offers a vision of imposed borders and boundaries that have become familiar yet remain disturbing; such a dichotomy is explored in various ways in the essays to make a provocative and fascinating book. The book is especially strong in the combination of the empirical and theoretical, treating borders and boundaries at many different levels from the purely physical to the social, cultural and political, as well as the symbolic. It is]...a very welcome addition to the field." . Wendy Pullan, University of Cambridge

The volume is interdisciplinary and broadly conceptualized yet it focuses on some key aspects that give the volume sufficient focus and depth. The quality of the contributions (including the substantive introduction) is consistently high... and] not merely a collection of pieces from various disciplines; instead many contributions speak to one another across individual disciplines, e.g., in a consideration of the ambivalent or contradictory effects of walls and boundaries-culturally, historically, and socially. . Friederike Eigler, Georgetown University

How is it that walls, borders, boundaries-and their material and symbolic architectures of division and exclusion-engender their very opposite? This edited volume explores the crossings, permeations, and constructions of cultural and political borders between peoples and territories, examining how walls, borders, and boundaries signify both interdependence and contact within sites of conflict and separation. Topics addressed range from the geopolitics of Europe's historical and contemporary city walls to conceptual reflections on the intersection of human rights and separating walls, the memory politics generated in historically disputed border areas, theatrical explorations of border crossings, and the mapping of boundaries within migrant communities.

Marc Silberman is Professor of German and Affiliate Professor in Theatre and Drama as well as Film Studies at the University of Wisconsin, Madison. He has published extensively on twentieth and twenty-first century German literature, film, and theater.

Karen E. Till is Lecturer of Cultural Geography at the National University of Ireland Maynooth and co-convener of the 'Mapping Spectral Traces' international network. She is author of "The New Berlin," co-editor of "Textures of Place," and working on a book project, "Wounded Cities." Janet Ward is Professor of History at the University of Oklahoma and author of "Post-Wall Berlin: Borders, Space and Identity" and "Weimar Surfaces: Urban Visual Culture in 1920s Germany." Her current work includes a co-edited collection on (trans)nationalism and the German city, and a book project on urban destruction and reconstruction.

How is it that walls, borders, boundaries-and their material and symbolic architectures of division and exclusion-engender their very opposite? This edited volume explores the crossings, permeations, and constructions of cultural and political borders between peoples and territories, examining how walls, borders, and boundaries signify both interdependence and contact within sites of conflict and separation. Topics addressed range from the geopolitics of Europe's historical and contemporary city walls to conceptual reflections on the intersection of human rights and separating walls, the memory politics generated in historically disputed border areas, theatrical explorations of border crossings, and the mapping of boundaries within migrant communities.

This book outlines a practical, four-question model that school and business leaders can use to engage stakeholder feedback, determine the organization’s DNA, and establish a collective vision for improvement. Stakeholder feedback is analyzed at both the focus- and whole-group level. Results are then woven into the organizational improvement plan. Practical examples of leadership experiences in implementing the four-question model are included as well as the theory behind why these four questions are the right questions to ask. Each chapter ends with a set of reflective questions that leadership teams can utilize individually or in an organizational book study or Professional Learning Community (PLC).

The twentieth century witnessed genocides, ethnic cleansing, forced population expulsions, shifting borders, and other disruptions on an unprecedented scale. This book examines the work of memory and the ethics of healing in post authoritarian societies that have experienced state-perpetrated violence. Focusing on global memorialization practices and local specificities, the contributors explore trans-generational encounters, performances, rituals, and diverse forms of remembrance and reconciliation in the aftermath of violent historical events: WWII, the Holocaust and the fall of the Berlin Wall, Stalinism in post-Soviet Russia and Eastern Europe, collaboration in Vichy France, the Civil War in Spain, and apartheid in South Africa.

New essays by leading scholars giving a new picture of the variety of German expressionist cinema. This volume of fresh essays by leading scholars develops a new approach to expressionist film. For nearly half a century Siegfried Kracauer's From Caligari to Hitler and Lotte Eisner's The Haunted Screen have shapedthe understanding of the cinema of this period. However, fifty years on, there is a growing awareness that a new account is overdue. This attempt to rewrite the story of expressionist cinema begins with a fundamentally new interpretation of Dr. Caligari, and together with fresh views of other expressionist classics, offers new perspectives on important alternative film styles and genres that emerged in films by such eminent directors as Ernst Lubitsch, Joe May, Fritz Lang, Karl Grune, F. W. Murnau, and E. A. Dupont. In pursuing such variety, the book strives for a picture of the cinema in the early years of Weimar that in thematic as well as stylistic terms reflects the vibrant, multifaceted cultural and political developments of the period. The book is a joint venture of the Centre for European Film Studies at the University of Edinburgh, the Institute for Film Studies at the University of Mainz, and the German Film Museum in Frankfurt. The late Dietrich Scheunemann was Professor of German at the University of Edinburgh and wrote and edited several books on German literature and on film and media.

This volume gathers together, for the first time in English translation, Brecht's own writings on the new film and broadcast technologies that revolutionised arts and communication in the early part of the twentieth century This book includes all of Brecht's theoretical writing about film, radio, broadcasting and the new media written between 1919 and 1956 as well as all of his important screenplays produced during the 1920s and 1930s. Screenplays written during this time include an early sound-film adaptation of The Threepenny Opera, and a collaboration with Fritz Lang, Hangmen Also Die. Brecht's writings on the new media document his fascination with it from Weimar Germany to Hollywood and the movie industry.A must for students of Brecht and film studies alike.

This volume focuses on exploring the impact of religion from a social science point of view by presenting the meaning system approach to the contemporary practice of religion, within social personality psychology and related fields; and to show the interdisciplinary, multimethod research being conducted within this framework. Religion as a Meaning System sheds new light on the impact that religion has on individuals in terms of their beliefs, goals, emotions, and behaviors, as well as the influence on interpersonal and intergroup relationship, both nationally and internationally.

In this iconoclastic and provocative work, leading scholars Israel Finkelstein and Neil Asher Silberman draw on recent archaeological research to present a dramatically revised portrait of ancient Israel and its neighbors. They argue that crucial evidence (or a telling lack of evidence) at digs in Israel, Egypt, Jordan, and Lebanon suggests that many of the most famous stories in the Bible -- the wanderings of the patriarchs, the Exodus from Egypt, Joshua's conquest of Canaan, and David and Solomon's vast empire -- reflect the world of the later authors rather than actual historical facts.

Challenging the fundamentalist readings of the scriptures and marshaling the latest archaeological evidence to support its new vision of ancient Israel, The Bible Unearthed offers a fascinating and controversial perspective on when and why the Bible was written and why it possesses such great spiritual and emotional power today.

This much-needed exploration of the cognitive side of social work practice provides a framework for improving social work practice and education.

Bring out the best in yourself, your colleagues, customers, direct reports, and bosses with PeopleSmart. The ten modules in this workbook lead you through numerous activities and exercises, both independently and in groups. These modules allow you to:

• assess skill levels for each of the eight PeopleSmart skills.
• select specific job-related situations in which to improve skills.
• practice and apply three ways to develop each skill.
• develop action plans to further practice each skill.

You?ll gain a greater awareness of interpersonal strengths and weaknesses, inspiration to work on interpersonal fitness, and advice you can use to get started immediately.

The twentieth century witnessed genocides, ethnic cleansing, forced population expulsions, shifting borders, and other disruptions on an unprecedented scale. This book examines the work of memory and the ethics of healing in post authoritarian societies that have experienced state-perpetrated violence.

First English translation of the memoirs of the vaunted theater producer Aufricht, providing an inside account of the late Weimar theater scene in Berlin and much else of interest. This is the first English translation of the memoirs of the great German-Jewish theater producer Ernst Josef Aufricht (in German 1966, rpt. 1998). The title alludes to Brecht and Weill's Threepenny Opera, the premiere of which was produced by Aufricht at his Theater am Schiffbauerdamm in Berlin in 1928, launching Brecht and Weill to worldwide fame. Aufricht's book is most notable for its insider's account of the Berlin theater scene from the great days of the late 1920s and early 30s. Its range, however, from school years and the military to his time as an actor and then producer, the rise of the Nazis, and finally his long years of exile in France and America, gives the picture of a complex individual with a talent for survival and a winningly understated sense of humor. The book will be of interest to an academic audience, but its reflections on a period of momentous artistic and political events will expand its appeal to a wider group: those interested in twentieth-century German history, music and theater history, as well as the general reader. A selection of photographs, some rare and many showing Aufricht's famous productions, enhances this English edition. Benjamin Bloch is a clinical psychologist who studied German and English Literature at Oberlin College. Marc Silberman is Emeritus Professor of German at the University of Wisconsin.