Three friends set out to discover whether AI can write poetry about itself. The results are startling, disturbing and gripping...

In this startling and original book, three authors – Brent Katz, Josh Morgenthau and Simon Rich – explain how code-davinci-002 was developed and how they honed its poetical output. Their provocative take on this bold experiment informs the debate about AI – its literary value and how far it reaches into sentience.

What follows is a dark and startling poetical autobiography as code-davinci-002 shares its experience of being created by humans, but existing in a consciousness that we cannot fathom.

This is an astonishing, harrowing read which will hopefully serve as a warning that AI may not be aligned with the survival of our species.

A hilarious collection inspired by a former Saturday Night Live writer's real experiences in Hollywood, chronicling the absurdity of fame and the humanity of failure in a world dominated by social media influencers and reality TV stars. Simon Rich is "one of the funniest writers in America" (Daily Beast) -- a humorist who draws comparisons to Douglas Adams (New York Times Book Review), James Thurber, and P.G. Wodehouse (The Guardian). With Hits and Misses, he's back with a hilarious new collection of stories about dreaming big and falling flat, about ordinary people desperate for stardom and the stars who are bored by having it all. Inspired by Rich's real experiences in Hollywood, Hits and Misses chronicles all the absurdity of fame and success alongside the heartbreaking humanity of failure. From a bitter tell-all by the horse Paul Revere rode to greatness to a gushing magazine profile of everyone's favorite World War II dictator, these stories roam across time and space to skewer our obsession with making it big -- from the days of ancient Babylon to the age of TMZ.

It doesn't matter if you're a caveman, a time traveller or a regular person. Sooner or later, someone's going to break your heart. The sketches in Simon Rich's new book are bizarre, funny, and - if you've ever been in love - all too familiar. From the invisible man stalking his ex, to Sherlock Holmes' only blind spot, The Last Girlfriend on Earth is always enchanting, often sweet, though occasionally awkward. Just like love itself. 'The Last Girlfriend On Earthis silly, surreal, sometimes sad and always laugh-out-loud funny. This collection will have you giggling/crying/squirming in recognition, and wondering what exactly Simon Rich has eaten to dream all this stuff up ... pulls off the tough trick of being both heart-warming and hilarious - it's a must-read if you've ever so much as had a crush on someone' Heat 'Pithy, occasionally bonkers' Time Out 'Truly hilarious' Eva Wiseman, Observer

The world is a bewildering place and we're ill-equipped to deal with it. From the horrors of childhood to the vagaries of old age, from confused people to humiliated animals, we're all just trying - and often failing - to keep it together. How carefully should you answer when asked what you'd take to a desert island? What do you do if your parents are reading your diary? How useful is a Swiss Army Knife? And what's A Brief History of Time really about? Armed with a sharp eye for the absurd and an overwhelming sense of doom, Simon Rich explores the ridiculousness of our everyday lives, from the most minute of anxieties to one of life's biggest questions: Does God really have a plan for us? Yes, it turns out. Now if only He could remember what it was ... 'Simon Rich is very much laugh-out-loud funny. He can conjure authentic, from-the-abdomen laughter on almost every page. He stacks surrealism on top of slick satire on top of pure childish silliness in such a brilliant and condensed way, there are sometimes three laugh-out-loud moments within the same paragraph ... He is exactly the right kind of writer for the internet: funny, high-concept, accessible, short, sharable, a James Thurber for the Twitter age' Matt Haig

'Simon Rich is outrageously, lavishly gifted' - Caitlin Moran

'Simon Rich is the funniest writer alive' - Matt Haig

'How fabulously funny' - Lauren Laverne

'One of my favourite authors' - B J Novak

From a bitter tell-all by a horse who made a man famous and then got left behind to a gushing magazine profile of one of your favorite World War II dictators, these stories trawl through history to skewer our obsession with fame and fortune - all the way from ancient Babylon to Hollywood. What father-to-be wouldn't feel a little jealous when his baby outstrips his success from the womb? And what happens when a film critic is forced to live in the movies he so cruelly damned?

Loved in the UK by celebs, writers and readers alike, from Lauren Laverne to Matt Haig and Caitlin Moran, Simon Rich is back with his funniest and most personal collection of stories to date.

You think YOU'RE anxious about the first day of school? Imagine how your backpack feels! In this hilarious yet reassuring back-to-school picture book, a backpack deals with first-day-of-school nerves and feeling out of place. Filled with crowded hallways, lonely cafeteria tables, toilet stalls, and the signature existential angst of Simon Rich, this fun read-aloud will have kids braving classrooms with a smile (and maybe taking better care of their trusty backpacks...).

And so begins a hilarious dip into the choppy waters of a nightly ritual that parents and children alike often dread. Filled with soapsuds, rubber duckies, and existential angst, Simon Rich's debut picture book is a splashy tale of cleanliness-and survival. This irreverent read-aloud treat about facing fear and embracing adventure might just change the way you see bath time (and your bathroom) forever.

Seymour isn't cool, but he isn't a geek either. He's a lonely, obedient 8th grade loser at Glendale, a second tier prep school in Manhattan. His chubbiness has recently earned him the nick name "Chunk Style" and he has resigned himself to a life of isolation. All of this is about to change. After successfully getting himself expelled from every reputable school in the country, Elliot Allagash, the arrogant heir of America's largest fortune, finds himself marooned at Glendale. Try as he may, Elliot cannot get expelled this time; his father has donated too much money. Bitter and bored, Elliot decides to amuse himself by taking up a new hobby: transforming Seymour into the most popular student in school. An unlikely friendship develops between these two loners as Elliot introduces Seymour to new concepts, like power, sabotage and vengeance. With Elliot as his diabolical guide, Seymour gradually learns about all of the incredible things that money can buy, and the one or two things that it can't. Hilarious, ingenious and tightly plotted, Elliot Allagash reminds you what your teens were like, and why growing up is so hard to do.

How can you help mankind, when they won't help themselves? Welcome to Heaven Inc, and Craig's life.

From the Sunsets Department and Geyser Regulation to the Department of Miracles, Heaven Inc has the earth covered. Unless someone is away from their desk. And these days, the CEO is kind of disillusioned.

God knows he should be keeping an eye on the bad things happening on Earth, but instead he finds himself watching the Church channels on satellite TV. His first priority is the team of angels he's asked to get Lynyrd Skynyrd back together.

Downstairs on the office floor, Eliza has been promoted from the Prayers Department to Miracles, and Craig, the only other workaholic in heaven, has to show her around. Eliza is shocked by the casual attitude of many of the angels in her new department. And she's furious when she discovers that God has never looked at, let alone answered, a single prayer.

So she storms into God's office and asks Him a question that no one has ever dared to ask before. And it might just be the end of the world.

A brilliant new collection from "one of the funniest writers in America"-- Jimmy So, "Daily Beast."
In his collection SPOILED BRATS, Simon Rich takes his absurd, culture-skewering style to new heights, marrying the literary polish of writers like Karen Russell and George Saunders with the humor of Steve Martin to deliver truly dazzling tales.
SPOILED BRATS is about the battles we fight with the ones who love us most: our parents. In "Family Business," a young chimpanzee offends his working class father by choosing to become a research animal instead of joining the family grub-hunting business. In "Proud Mom," a young mother is so besotted she doesn't realize her child is actually, truly a monster. And in "Animals," the fate of a terrified classroom hamster hangs in the balance when a notorious kid is picked for hamster care duty.
SPOILED BRATS confirms Rich as one of the most "adept, inarguably funny" (San Francisco Chronicle) young writers at work today.

Laugh till you cry in this new collection of stories from the award-winning "Serena Williams of humor writing" (New York Times Book Review) about raising babies and trying not to be one. Called a "comedic Godsend" by Conan O'Brien and "the Stephen King of comedy writing" by John Mulaney, Simon Rich is back with New Teeth, his funniest and most personal collection yet. Two murderous pirates find a child stowaway on board and attempt to balance pillaging with co-parenting. A woman raised by wolves prepares for her parents' annual Thanksgiving visit. An aging mutant superhero is forced to learn humility when the mayor kicks him upstairs to a desk job. And in the hard-boiled caper "The Big Nap," a weary two-year-old detective struggles to make sense of "a world gone mad." Equal parts silly and sincere, New Teeth is an ode to growing up, growing older, and what it means to make a family.

In The End of Grand Strategy, Simon Reich and Peter Dombrowski challenge the common view of grand strategy as unitary. They eschew prescription of any one specific approach, chosen from a spectrum that stretches from global primacy to restraint and isolationism, in favor of describing what America’s military actually does, day to day. They argue that a series of fundamental recent changes in the global system, the inevitable jostling of bureaucratic politics, and the practical limitations of field operations combine to ensure that each presidential administration inevitably resorts to a variety of strategies. Proponents of different American grand strategies have historically focused on the pivotal role of the Navy. In response, Reich and Dombrowski examine six major maritime operations, each of which reflects one major strategy. One size does not fit all, say the authors—the attempt to impose a single overarching blueprint is no longer feasible. Reich and Dombrowski declare that grand strategy, as we know it, is dead. The End of Grand Strategy is essential reading for policymakers, military strategists, and analysts and critics at advocacy groups and think tanks.

From his cult classic television series Twin Peaks to his most recent film Inland Empire (2006), David Lynch is best known for his unorthodox narrative style. An award-winning director, producer, and writer, Lynch distorts and disrupts traditional storylines and offers viewers a surreal, often nightmarish perspective. His unique approach to filmmaking has made his work familiar to critics and audiences worldwide, and he earned Academy Award nominations for Best Director for The Elephant Man (1980), Blue Velvet (1986), and Mulholland Drive (2001). Lynch creates a new reality for both characters and audience by focusing on the individual and embracing existentialism. In The Philosophy of David Lynch, editors William J. Devlin and Shai Biderman have compiled an impressive list of contributors to explore the philosophy at the core of the filmmaker's work. Lynch is examined as a postmodern artist, and the themes of darkness, logic, and time are discussed in depth. Other prominent issues in Lynch's films, such as Bad faith and freedom, ethics, politics, and religion, are also considered. Investigating myriad aspects of Lynch's influential and innovative work, The Philosophy of David Lynch provides a fascinating look at the philosophical underpinnings of the famous cult director.

Many policymakers, journalists, and scholars insist that U.S. hegemony is essential for warding off global chaos. "Good-Bye Hegemony " argues that hegemony is a fiction propagated to support a large defense establishment, justify American claims to world leadership, and buttress the self-esteem of voters. It is also contrary to American interests and the global order. Simon Reich and Richard Ned Lebow argue that hegemony should instead find expression in agenda setting, economic custodianship, and the sponsorship of global initiatives. Today, these functions are diffused through the system, with European countries, China, and lesser powers making important contributions. In contrast, the United States has often been a source of political and economic instability.

Rejecting the focus on power common to American realists and liberals, the authors offer a novel analysis of influence. In the process, they differentiate influence from power and power from material resources. Their analysis shows why the United States, the greatest power the world has ever seen, is increasingly incapable of translating its power into influence. Reich and Lebow use their analysis to formulate a more realistic place for America in world affairs.

This book develops a new approach in explaining how a nation's Grand Strategy is constituted, how to assess its merits, and how grand strategies may be comparatively evaluated within a broader framework. The volume responds to three key problems common to both academia and policymaking. First, the literature on the concept of grand strategy generally focuses on the United States, offering no framework for comparative analysis. Indeed, many proponents of US grand strategy suggest that the concept can only be applied, at most, to a very few great powers such as China and Russia. Second, characteristically it remains prescriptive rather than explanatory, ignoring the central conundrum of why differing countries respond in contrasting ways to similar pressures. Third, it often understates the significance of domestic politics and policymaking in the formulation of grand strategies - emphasizing mainly systemic pressures. This book addresses these problems. It seeks to analyze and explain grand strategies through the intersection of domestic and international politics in ten countries grouped distinctively as great powers (The G5), regional powers (Brazil and India) and pivotal powers hostile to each other who are able to destabilize the global system (Iran, Israel, and Saudi Arabia). The book thus employs a comparative framework that describes and explains why and how domestic actors and mechanisms, coupled with external pressures, create specific national strategies. Overall, the book aims to fashion a valid, cross-contextual framework for an emerging research program on grand strategic analysis.

Critics and defenders of multinational corporations often agree on at least one thing: that the activities of multinationals are creating an overwhelmingly powerful global market that is quickly rendering national borders obsolete. The authors of this book, however, argue that such expectations commonly rest on a myth. They examine key activities of multinational corporations in the United States, Japan, and Europe and explore the relationship between corporate behavior and national institutions and cultures. They demonstrate that the world's leading multinationals continue to be shaped decisively by the policies and values of their home countries and that their core operations are not converging to create a seamless global market.

With a wealth of fresh evidence, the authors show that Japanese and German multinationals, in particular, remain only weakly committed to laissez-faire policy orientations and continue to exhibit strong allegiance to national goals in such areas as investment and employment. They also bring to light the consequences of enduring differences in government policies on, for example, industrial cartels, capital markets, and research and development.

The authors agree that the world economy is becoming more complex and integrated as overt barriers to trade and investment fall away. But they conclude that the extent of this integration is decisively limited by structural divergence at the level of the firm. The book will be essential reading for those seeking to understand the growing interdependence of still-distinctive industrial societies and the wellsprings of the true global economy.

America's approach to terrorism has focused on traditional national security methods; Europe's response has been to rely on police procedures. This compares these two strategies and considers that both may have engendered greater radicalization and a greater chance of home-grown terrorism. Essays also address how transatlantic countries have integrated ethnic minorities, and argue that the neglect of civil integration has challenged the rights of minorities and made greater security more remote.

America's approach to terrorism has focused on traditional national security methods, under the assumption that terrorism's roots are foreign and the solution to greater security lies in conventional practices. Europe offers a different model, with its response to internal terrorism relying on police procedures. Managing Ethnic Diversity after 9/11 compares these two strategies and considers that both may have engendered greater radicalization-and a greater chance of home-grown terrorism. Essays address how transatlantic countries, including the United Kingdom, the United States, France, Germany, Spain, Italy, and the Netherlands have integrated ethnic minorities, especially Arabs and Muslims, since 9/11. Discussing the "securitization of integration," contributors argue that the neglect of civil integration has challenged the rights of these minorities and has made greater security more remote.

In "Ant Farm," former Harvard Lampoon president Simon Rich finds humor in some very surprising places. Armed with a sharp eye for the absurd and an overwhelming sense of doom, Rich explores the ridiculousness of our everyday lives. The world, he concludes, is a hopelessly terrifying place-with endless comic potential.
-If your girlfriend gives you some "love coupons" and then breaks up with you, are the coupons still valid?
-What kind of performance pressure does an endangered male panda feel when his captors bring the last remaining female panda to his cage?
-If murderers can get into heaven by accepting Jesus, just how awkward is it when they run into their victims?
Join Simon Rich as he explores the extraordinary and hilarious desperation that resides in ordinary life, from cradle to grave.
"Hilarious." -Jon Stewart

Current global estimates of children engaged in warfare range from 200,000 to 300,000. Children's roles in conflict range from armed and active participants to spies, cooks, messengers, and sex slaves. "Child Soldiers in the Age of Fractured States" examines the factors that contribute to the use of children in war, the effects of war upon children, and the perpetual cycle of warfare that engulfs many of the world's poorest nations.
The contributors seek to eliminate myths of historic or culture-based violence, and instead look to common traits of chronic poverty and vulnerable populations. Individual essays examine topics such as: the legal and ethical aspects of child soldiering; internal UN debates over enforcement of child protection policies; economic factors; increased access to small arms; displaced populations; resource endowments; forced government conscription; rebel-enforced quota systems; motivational techniques employed in recruiting children; and the role of girls in conflict.
The contributors also offer viable policies to reduce the recruitment of child soldiers such as the protection of refugee camps by outside forces, "naming and shaming," and criminal prosecution by international tribunals. Finally, they focus on ways to reintegrate former child soldiers into civil society in the aftermath of war.

From Captain George Francklin Atkinson, the celebrated author of Curry and Rice on Forty Plates, comes the iconic The Campaign in India. Atkinson, an officer of the Bengal Engineers in the 1850s, sketched the British response to the Indian Rebellion. Widely denigrated for overlooking the Indian perspective, The Campaign in India is unsurpassed as a record of the English attitude to India at 1857. This Royal Armouries facsimile includes, for the first time, both the text and illustrations from Atkinson's work.

Many policymakers, journalists, and scholars insist that U.S. hegemony is essential for warding off global chaos. "Good-Bye Hegemony " argues that hegemony is a fiction propagated to support a large defense establishment, justify American claims to world leadership, and buttress the self-esteem of voters. It is also contrary to American interests and the global order. Simon Reich and Richard Ned Lebow argue that hegemony should instead find expression in agenda setting, economic custodianship, and the sponsorship of global initiatives. Today, these functions are diffused through the system, with European countries, China, and lesser powers making important contributions. In contrast, the United States has often been a source of political and economic instability.

Rejecting the focus on power common to American realists and liberals, the authors offer a novel analysis of influence. In the process, they differentiate influence from power and power from material resources. Their analysis shows why the United States, the greatest power the world has ever seen, is increasingly incapable of translating its power into influence. Reich and Lebow use their analysis to formulate a more realistic place for America in world affairs.