Awareness to Citizenship, guides environmental educators, teachers, and parents, through the process of helping children to learn about the environment, respect living things, examine issues, make decisions, think critically, and become actively engaged as citizens within a community. The authors draw on a balanced range of experience and case studies to make this an invaluable resource.

Hellraiser meets Black history as the Box of Bones exacts revenge throughout time and space. When Black graduate student Lyndsey begins her dissertation work on a mysterious box that pops up during the most violent and troubled time in Africana history, she has no idea that her research will lead her on a phantasmagorical journey from West Philadelphia riots to Haitian slave uprisings. Wherever Lyndsey finds someone who has seen the Box, chaos ensues. Soon, even her own sanity falls into question. In the end, Lyndsey will have to decide if she really wants to see what's inside the Box of Bones. Described as "Tales from the Crypt Meets Black History," Box of Bones is a supernatural nightmare tour through some of the most violent and horrific episodes in the African Diaspora. Ayize Jama-Everett and John Jennings have assembled a talented group of artists for this ten-issue project, including cover artist, Stacey Robinson (I Am Alfonso Jones), David Brame (MediSIN), Avy Jetter (APB: Artists against Police Brutality), and Tim Fielder (Matty's Rocket).

One hundred years after the Tulsa Race Massacre, Across the Tracks is a celebration and memorial of Greenwood, Oklahoma In Across the Tracks: Remembering Greenwood, Black Wall Street, and the Tulsa Race Massacre, author Alverne Ball and illustrator Stacey Robinson have crafted a love letter to Greenwood, Oklahoma. Also known as Black Wall Street, Greenwood was a community whose importance is often overshadowed by the atrocious massacre that took place there in 1921. Across the Tracks introduces the reader to the businesses and townsfolk who flourished in this unprecedented time of prosperity for Black Americans. We learn about Greenwood and why it is essential to remember the great achievements of the community as well as the tragedy which nearly erased it. However, Ball is careful to recount the eventual recovery of Greenwood. With additional supplementary materials including a detailed preface, timeline, and historical essay, Across the Tracks offers a thorough examination of the rise, fall, and rebirth of Black Wall Street.