In early 1969, New York City and all it represented was in disarray: politically, criminally, and athletically. But while Simon and Garfunkel lamented the absence of a sports icon like Joe DiMaggio, a modern Lancelot rode forth to lead the New York Mets to heights above and beyond all sports glory. This book tells the complete, unvarnished story of the great Tom Seaver, that rarest of all American heroes, the New York Sports Icon. In a city that produces not mere mortals but sports gods, Seaver represented the last of a breed. His deeds, his times, his town-it was part of a vanishing era, an era of innocence. In 1969, six years after John F. Kennedy's assassination, Seaver and the Mets were the last gasp of idealism before free agency, Watergate, and cynicism. Here is the story of "Tom Terrific" of the "Amazin' Mets," a man worthy of a place alongside DiMaggio, Ruth, Mantle, and Namath in the pantheon of New York idols.

In 1975, after his two Godfather epics, Francis Ford Coppola went to the Philippines to film Apocalypse Now. He scrapped much of the original script, a jingoistic narrative of U.S. Special Forces winning an unwinnable war. Harvey Keitel, originally cast in the lead role, was fired and replaced by Martin Sheen, who had a heart attack. An overweight Marlon Brando, paid a huge salary, did more philosophizing than acting. It rained almost every day and a hurricane wiped out the set. The Philippine government promised the use of helicopters but diverted them at the last minute to fight communist and Muslim separatists. Coppola filmed for four years with no ending in the script. The shoot threatened to be the biggest disaster in movie history. Providing a detailed snapshot of American cinema during the Vietnam War, this book tells the story of how Apocalypse Now became one of the great films of all time.

Nineteen sixty-two-it's been called "the end of innocence," as America witnessed the Cuban Missile Crisis and the following year saw the Kennedy assassination and the early stirrings of Vietnam. In baseball, 1962 was a thrilling season. Five years prior, the Brooklyn Dodgers and New York Giants had migrated west to Los Angeles and San Francisco, respectively, leaving New York to the Yankees. In 1962, those same Giants and Dodgers faced off to see who would advance to the World Series. Waiting to do battle were the Yankees, who were also battling for allegiance in New York with the Mets'debut. The old Subway Series had gone cross-country. Just as it was the end of innocence, it was an end of an era for the Yankees. Winners of eleven World Series titles in twenty years, they would go fifteen years-a record for the modern-era Bombers at the time-until their next championship. They appeared in the next two World Series, but by the end of the decade it was those upstart Mets' amazin' fans. The Dodgers would break through the following year and again in 1965 while the Giants-convinced they'd be back many times- have yet to win a title on the West Coast. Mickey Mantle and Whitey Ford, Willie Mays and Willie McCovey, Sandy Koufax and Don Drysdale, Casey Stengel. Steven Travers details Hollywood's adoration of the Dodgers, San Francisco's battle between inferiority and superiority, and New York, rulers of sport and society, experiencing the beginnings of a changing of the guard. Three cities, five teams, and one great year are all here in "A Tale of Three Cities".