"Fungal-Plant Interactions" is a synthesis of fungal physiology, plant pathology and biology for undergraduates and researchers. Interactions between higher plants and fungi at the cellular and biochemical level are covered together with their ecological importance and theories as to their evolution. Interactions between fungi and higher plants are considered at the cellular and whole plant level. The book gives an integrated presentation of aspects of fungal physiology, whole plant physiology, plant physiology and fungal ecology which are so often approached as separate disciplines. A modern treatment of the effects of fungal invasion on host plant physiology and biochemistry is made by reference to current experimental work and the use of new techniques and approaches as examples. The significance of fungal growth habits and life-style is considered in terms of the interaction strategies adopted, from mutualistic to biotrophic and necrotrophic interactions. Current views concerning the ecological importance and evolution of these strategies is discussed.

This volume... consists partly of a selection of technical psycho-analytical studies, partly of papers which either touch upon the bearing of psycho-analysis on the upbringing and education of young children, or link their social and emotional life with their intellectual and practical needs. Most of these essays deal with children; in any case they rest upon the relationship between childhood and adult life, as for example "The Modifications of the Ego", where it can be clearly seen that it is not possible to understand the adult without going back to the feelings, phantasies and experiences of the infant. In "The Criteria of Interpretation" there is very little reference to children, the paper being concerned with psycho-analytic work with adults, but the same implications will be seen there also. In the nature of the case some of the essays are more popular than others, but I hope that none of them will be found so technical as to be devoid of interest to those concerned with the psychological problems of little children. Those previously published have not been changed save for a few minor verbal alterations. They are arranged simply in order of publication (or delivery, if previously unpublished). This edition first Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.

This volume... consists partly of a selection of technical psycho-analytical studies, partly of papers which either touch upon the bearing of psycho-analysis on the upbringing and education of young children, or link their social and emotional life with their intellectual and practical needs. Most of these essays deal with children; in any case they rest upon the relationship between childhood and adult life, as for example "The Modifications of the Ego", where it can be clearly seen that it is not possible to understand the adult without going back to the feelings, phantasies and experiences of the infant. In "The Criteria of Interpretation" there is very little reference to children, the paper being concerned with psycho-analytic work with adults, but the same implications will be seen there also. In the nature of the case some of the essays are more popular than others, but I hope that none of them will be found so technical as to be devoid of interest to those concerned with the psychological problems of little children. Those previously published have not been changed save for a few minor verbal alterations. They are arranged simply in order of publication (or delivery, if previously unpublished). This edition first Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.

Psychoanalysis is a science evidently fore-ordained to growth and expansion, and among those who have extended the scope of both theory and practice Melanie Klein holds a unique place.This book is a survey of the developments in psychoanalytical knowledge resulting from her work. Her main discoveries relate to the very early phases of mental life. She recognized that the world of unconscious feeling and impulse (which we call 'phantasy') is the effective source of all human actions and reactions, modified though they are when translated into actual external behaviour or conscious thought. Although Freud first enunciated this truth, which originates in his fundamental discovery of the unconscious mind of man, he left many problems still unsolved. These have been brought nearer to a solution through Melanie Klein's consistent awareness of the significance of unconscious phantasy. Not only students of psychoanalysis and workers in related medical fields but also practising child-psychologists and the informed lay public will find this book of absorbing interest.

Published in 1948: Parents have many problems. Those dealt with in this are mainly the social and emotional difficulties arising in the development of children in their early years. The material is selected from a much larger bulk of actual letters from parents and nurses which the author answered under the pseudonym of "Ursula Wise" in The Nursery World (published by Benn Bros.)during the years 1929-36.

This introductory text covers all the major groups of microbes with most emphasis being placed on the bacteria and the fungi. The principles and practice of culture techniques are described, including isolation from the natural environment, methods for the safe handling of microbes in the laboratory and dealing with culture obtained from collections.

Psychoanalysis is a science evidently fore-ordained to growth and expansion, and among those who have extended the scope of both theory and practice Melanie Klein holds a unique place.This book is a survey of the developments in psychoanalytical knowledge resulting from her work. Her main discoveries relate to the very early phases of mental life. She recognized that the world of unconscious feeling and impulse (which we call 'phantasy') is the effective source of all human actions and reactions, modified though they are when translated into actual external behaviour or conscious thought. Although Freud first enunciated this truth, which originates in his fundamental discovery of the unconscious mind of man, he left many problems still unsolved. These have been brought nearer to a solution through Melanie Klein's consistent awareness of the significance of unconscious phantasy. Not only students of psychoanalysis and workers in related medical fields but also practising child-psychologists and the informed lay public will find this book of absorbing interest.

In this whip-smart suburban mystery from New York Times bestselling author Susan Isaacs, a retired FBI agent turned Long Island housewife taps into her investigative past when she begins to suspect that her neighbor is harboring criminal secrets. Just a few years ago, Corie Geller was busting terrorists as an agent for the FBI. But at thirty-five, she traded in her badge for the stability of marriage and motherhood. Now Corie is married to the brilliant and remarkably handsome Judge Josh Geller and is the adoptive mother of his lovely 14-year-old daughter. Between cooking meals and playing chauffeur, Corie scouts Arabic fiction for a few literary agencies and, on Wednesdays, has lunch with her fellow Shorehaven freelancers at a so-so French restaurant. Life is, as they say, fine. But at her weekly lunches, Corie senses that something's off. Pete Delaney, a milquetoast package designer, always shows up early, sits in the same spot (often with a different phone in hand), and keeps one eye on the Jeep he parks in the lot across the street. Corie intuitively feels that Pete is hiding something--and as someone who is accustomed to keeping her FBI past from her new neighbors, she should know. But does Pete really have a shady alternate life, or is Corie just imagining things, desperate to add some spark to her humdrum suburban existence? She decides that the only way to find out is to dust off her FBI toolkit and take a deep dive into Pete Delaney's affairs. Always sassy, smart, and wickedly witty, Susan Isaacs is at her formidable best in a novel that is both bitingly wry and ominously thrilling.

This book addresses the challenge that the exceptional diversity of tropical fungi present to taxonomists, biochemists, molecular biologists, ecologists, and pathologists. The significance of the many tropical species and ectomycorrhizal associations in nutrient cycling in rainforests, desert ecosystems and aquatic habitats is considered, together with an evaluation of the potential of such fungi in the production of commercially useful, novel metabolites.

"Fungal-Plant Interactions" is a synthesis of fungal physiology, plant pathology and biology for undergraduates and researchers. Interactions between higher plants and fungi at the cellular and biochemical level are covered together with their ecological importance and theories as to their evolution. Interactions between fungi and higher plants are considered at the cellular and whole plant level. The book gives an integrated presentation of aspects of fungal physiology, whole plant physiology, plant physiology and fungal ecology which are so often approached as separate disciplines. A modern treatment of the effects of fungal invasion on host plant physiology and biochemistry is made by reference to current experimental work and the use of new techniques and approaches as examples. The significance of fungal growth habits and life-style is considered in terms of the interaction strategies adopted, from mutualistic to biotrophic and necrotrophic interactions. Current views concerning the ecological importance and evolution of these strategies is discussed.

Tropical mycology is attracting increasing interest, as the key role of fungi in tropical ecosystems and as pathogens becomes appreciated. This book is the second of two complementary volumes (Volume 1 covers Macromycetes) produced from papers given at the British Mycological Society's symposium held in Liverpool in April 2000. It describes the ecology, biology, economic dimensions and systematics of tropical Macromycetes. Written by experts in their field, the papers have been thoroughly edited and revised.

Just a few years ago, Corie Geller was busting terrorists as an agent for the FBI. But at thirty-five, she traded in her badge for the stability of marriage and motherhood. Between cooking meals and playing chauffeur, Corie scouts Arabic fiction for a few literary agencies and, on Wednesdays, has lunch with her fellow Shorehaven freelancers at a so-so French restaurant. Life is, as they say, fine. But at her weekly lunches, Corie senses that something's off. Pete Delaney, a seemingly bland package designer, always shows up early, sits in the same spot (often with a different phone in hand) and keeps one eye glued to his car. Corie intuitively feels that Pete is hiding something - and as someone who is accustomed to keeping her FBI past from her new neighbours, she should know. But does Pete really have a shady alternate life, or is Corie just desperate to add some spark to her humdrum suburban existence? She decides that the only way to find out is to dust off her FBI toolkit and take a deep dive into Pete Delaney's affairs. Legendary crime writer Susan Isaacs is at her formidable best in a novel that is both bitingly wry and ominously thrilling.

Exhibition catalog for "Dark Humor: Joyce J. Scott and Peter Williams," which took place at the Center for the Arts Gallery at Towson University February 10-April 1, 2017. The artists featured work in a variety of media to examine issues of racism, sexism, identity, difficult historical realities, and contemporary politics through a lens of humor, satire, and irony. The catalog includes essays by J. Susan Isaacs, curator, Nikki A. Greene, and Tiffany Barber.

iona rozeal brown's images simultaneously confront and entice viewers through their complex iconography and superb visuals. In her paintings, prints, drawings, and performance work, brown explores issues of cultural and geographic identity employing both social and aesthetic mash-ups.

This catalogue was written to accompany an exhibition that was first on display at the Delaware Center for the Contemporary Arts and later travelled to Towson University. It addresses the themes of the book as object, subject, and concept. Stretching the definition of book, the exhibition included artist-made books, deconstructed books, and book installations. In an age where the printed book may soon be an anachronism, artists remain fascinated by the subject and materials of the book. The catalogue presents, through the work of more than forty nationally-known artists, various conceptual and formal approaches related to the "book." Essays by Christopher Bartlett, Maiza Hixson, and J. Susan Isaacs.

It was a situation from which half-hour television comedies are made. ""Marcia!" In tonight's episode, Marcia Green's warm and winning and wise and wonderful Jewish family reminds her that she is thirty-five, divorced, and childless."

That's Marcia on her close relations. True, she's one of the best speechwriters around in the tough world of New York's smoke-filled rooms, but her family wants something else for her. No, not that Irish person she's living with. Another doctor, or at least a dentist.

But Marcia claims she's happy, getting plenty of the two things that exhilarate her most: sex and politics. She's not looking for commitment, and certainly not looking for a wealthy Harvard-educated man-about-town who is every mother's dream. Yet as wise mothers everywhere are fond of saying: "you never know."

The brilliant debut that's sold over a million copies-now in trade paperback for the first time
Rediscover the wonderfully funny, deliciously mean (New York Times) novel that launched Susan Isaacs' New York Times bestselling career-and introduced Long Island housewife Judith Singer, her most beloved character. Judith is smart and funny, with a gorgeous husband and wonderful kids. She's also incredibly bored, having put her Ph.D. plans on hold for a life of housekeeping and nose-wiping. So when a local dentist is found murdered, and the police suspect her neighbor, that's all the excuse Judith needs to jump in and begin her own investigation. It seems the deceased periodontist was quite the Don Juan of the PTA, with a habit of taking incriminating photos. In between school runs and making dinner, Judith is drawn deeper into the case-and closer to the sexy police detective in charge.

Just take their relationship. Nick is stunningly handsome, the blue-eyed scion of a blue-blood New York family. Rich, talented, confident, he will become the world's most famous movie star. Jane is delightfully funny, a dark-skinned, dark-haired, half-Jewish, half-German daughter of the Midwest. Smart, gifted, loving, she will become famous in her own right as well...

From the time they first meet in their Social and Intellectual History of the U.S. course at Brown University, it's love at first sight. Coming together from two very different worlds, they will cast off adversity and disapproval to forge a life filled with work, love, and children.

But fame and success come at a high price--their marriage. Just when it seems the promise of their love might be renewed, an accident leaves Jane hovering between life and death. Now, it's not only their union that might not survive, but Jane too...Almost Paradise is vintage Susan Isaacs, a witty, poignant, and engrossing tale of a man, a woman, and a passion wondrous, heartbreaking, and unforgettable.

Call her superficial, but Susie B Anthony Rabinowitz Gersten assumed her marriage was great--and why not? Jonah Gersten, MD, a Park Avenue plastic surgeon, clearly adored her. He was handsome, successful, and a doting dad to their four-year-old triplets. But when Jonah is found dead in the Upper East Side apartment of second-rate "escort" Dorinda Dillon, Susie is overwhelmed with questions left unanswered. It's bad enough to know your husband's been murdered, but even worse when you're universally pitied (and quietly mocked) because of the sleaze factor. None of it makes sense to Susie--not a sexual liaison with someone like Dorinda, not the "better not to discuss it" response from Jonah's partners. With help from her tough-talking, high-style grandma Ethel, who flies in from Miami, she takes on her snooty in-laws, her husband's partners, the NYPD, and the DA as she tries to prove that her wonderful life with Jonah was no lie.

Disillusioned, disenfranchised, and disinterested in anything churchy, Susan E. Isaacs knew of only one thing to do when she hit spiritual rock bottom at age 40. . . . She took God to couples counseling.
In this cuttingly poignant memoir, Susan E. Isaacs chronicles her rocky relationship with the Almighty--from early childhood to midlife crisis--and all the churches where she and God tried to make a home: Pentecostals, Slackers for Jesus, and the uber-intellectuals who turned everything, including the weekly church announcements, into a three-point sermon. Casting herself as the neglected spouse, Susan faces her inner nag and the ridiculous expectations she put on God--some her own, and some from her "crazy in-laws" at church. Originally staged as a solo show in New York and Los Angeles, ANGRY CONVERSATIONS WITH GOD""is a cheeky, heartfelt memoir that, even at its most scandalous, is still an affirmation of faith."

In "Past Perfect, " Susan Isaacs gives us one of her most glorious characters ever: bright, buoyant, and borderline luscious Katie Schottland. Katie seems to have the ideal life: a great husband, a precocious and winning ten-year-old son, and a dream job -- writer for the long-running TV series "Spy Guys." But all is not as splendid as it should be because writing about the espionage business isn't nearly as satisfying as working in it.

Fifteen years earlier, Katie was in the CIA. She loved her job (to say nothing of her boss, the mysterious Benton Mattingly). Yet just as she was sensing she was in line for a promotion, she was fired -- escorted off the premises by two extremely hulking security types. Why? No one would tell her: when you're expelled from the Agency, warm friends immediately become icy ex-colleagues who won't risk their security clearances by talking to you.

Until that day, Katie was where she wanted to be. Coming from a family of Manhattan superachievers, she too had a job she not only adored but a job that made her, in the family tradition, a Someone. Fifteen years later, Katie is still stuck on her firing. Was she set up? Or did she make some terrible mistake that cost lives? She believes that if she could discover why they threw her out, she might be at peace.

On the day she's rushing to get her son off to summer camp, Katie gets a surprise call from former Agency colleague Lisa Golding. "A matter of national importance," says Lisa, who promises to reveal the truth about the firing -- "if" Katie will help her. Lisa was never very good at truth-telling, though she swears she's changed her ways. Katie agrees to speak with her, but before she can, Lisa vanishes.

Maturity and common sense should keep Katie in the bright, normal world of her present life, away from the dark intrigues of the past. But she needs to know. As she takes just a few steps to find out, one ex-spy who might have the answers dies under suspicious circumstances. Another former agent is murdered. Could it be there's a list? If so, is Katie now on it? And who will be the next to go?

In Susan Isaac's most ambitious and dazzling novel to date, we are introduced to Lee White, a criminal defense lawyer practicing on Long Island. Into her life drifts Norman Torkelson, a career con man charged with strangling to death his latest mark. At first, as Lee explains to us, the case seems routine, the evidence overwhelming. Norman - manly, magnetic, and morally reprehensible - is a man who crisscrosses America looking for patsies for his cruel marriage scam: Love 'em, liquidate their assets, leave 'em. Clearly, he murdered Bobette Frisch, the dumpy, sour fiftysomething bar owner who had fallen madly in love with him. But just as Lee is resigning herself to the inevitable "Guilty!" verdict, she begins to have doubts. What, after all, was Norman's motive? Why not do what he had done for the last twenty years: run, and leave behind a broke and brokenhearted victim? Lee starts to wonder if her client is not merely not guilty but covering for the real killer and, in doing so, performing the first selfless act of his life. As the Torkelson case unfolds, a second narrator chimes in to tell us the story behind the story: the tale of Lee's life. Born Lily White, Lee is a smart, pretty, and privileged child coming of age on Long Island. Her parents have little time for her or her younger sister, devoted as they are to the pursuit of shallowness. Her mother, Sylvia, who looks like Lauren Bacall's twin sister with a mild eating disorder, is busy with the exhausting work of keeping up her wardrobe. Her father, Leonard Weissberg - Weiss - and finally White, is consumed by his chi-chi Manhattan fur salon, his model-bookkeeper mistress, and his obsession with the family next door, theold-money, oh-so-social Taylors. When Lee marries Jazz Taylor, the scion of these blue-bloods, her life seems blessed. Suddenly she has her mother's approval, her father's love - and a sublime husband. No matter that she has to give up her dream job in the Manhattan D.A.'s Office to move back to Long Island with him; that's what marriage is, a series of compromises made in the name of love. Isn't it?