A century of American history reflected in the iconic private eye. Steadfast in fighting crime, but operating outside the police force-and sometimes even the law-is the private detective. Driven by his own moral code, he is a shadowy figure in a trench coat standing on a street corner, his face most likely obscured by a tilted fedora, a lit cigarette dangling from his hand. The hard-boiled detective is known by his dark past, private pain, and powers of deduction. He only asks questions-never answers them. In his stories he is both the main character and the narrator. America has had a love affair with the hard-boiled detective since the 1920s, when Prohibition called into question who really stood on the right and wrong side of the law. And nowhere did this hero shine more than in crime fiction. In Detectives in the Shadows, literary and cultural critic Susanna Lee tracks the evolution of this truly American character type-from Race Williams to Philip Marlowe and from Mike Hammer to Jessica Jones. Lee explores how this character type morphs to fit an increasingly troubled world, offering compelling interpretations of The Wire, True Detective, and Jessica Jones. Suddenly, in the present day, the hard-boiled detective wears his-or her-fatigue outwardly, revealing more vulnerability than ever before. But the detective remains resolute in the face of sinister forces, ever the person of honor. For anyone interested in crime fiction and television, or for those wanting to understand America's idolization of the good guy with a gun, Detectives in the Shadows is essential reading.

Marcel Proust's seven-volume masterpiece, In Search of Lost Time (A la recherche du temps perdu), has inspired many superlatives, among them "the greatest novel ever written" and "the greatest novel of the first half of the twentieth century." Swann's Way, the first volume of the Recherche and the most widely read and taught of all the volumes, is the ideal introduction to Proust's inventive genius. This Norton Critical Edition is based on C. K. Scott Moncrieff's translation, which introduced the English-speaking world to Proust and was published during the author's lifetime. It is accompanied by Susanna Lee's introduction, note on the text, and explanatory annotations. Marcel Proust was forty-two years old when Swann's Way was published, but its foundational ideas and general shape had been evolving for decades. "Contexts" includes a 1912 reader's report of the manuscript that exemplifies publishers' complicated reactions to Proust's new form of writing. Also included are three important post-publication reviews of the novel, by Elie-Joseph Bois, Lucien Daudet, and Paul Souday, as well as Andre Arnyvelde's 1913 interview with Proust. The fourteen critical essays and interpretations of Swann's Way in this volume speak to the novel's many facets-from the musical to the artistic to its representations of Judaism and homosexuality. Contributors include Gerard Genette, whose "Metonymy in Proust" appears here in English translation for the first time, along with Gilles Deleuze, Roger Shattuck, Claudia Brodsky, Julia Kristeva, Margaret E. Gray, and Alain de Botton, among others. The edition also includes a Chronology of Proust's Life and Work, a Selected Chronology of French Literature from 1870 to 1929, and a Selected Bibliography.

An extensively revised "Backgrounds and Contexts" section provides geographical and political insights into mid-nineteenth century France and places the novel in the context of contemporary authors and works. A map of 1830s France, political and literary chronologies, an account of the trial of Antoine Berthet, and related writings by Stendhal, Paul Valery, and Jules Janin are included. "Criticism" collects nine essays, seven of which are new to this edition, by Erich Auerbach, Rene Girard, Victor Brombert, Shoshana Felman, Peter Brooks, Sandy Petrey, Alison Finch, Lisa G. Algazi, and Susanna Lee. A Chronology of Stendhal's life and work, also new to the Second Edition, and an updated Selected Bibliography are included.

During the Civil War, William H. Gregg served as William Clarke Quantrill's de facto adjutant from December 1861 until the spring of 1864, making him one of the closest people to the Confederate guerrilla leader. "Quantrill's raiders" were a partisan ranger outfit best known for their brutal guerrilla tactics, which made use of Native American field skills. Whether it was the origins of Quantrill's band, the early warfare along the border, the planning and execution of the raid on Lawrence, Kansas, the Battle of Baxter Springs, or the dissolution of the company in early 1864, Gregg was there as a participant and observer. This book includes his personal account of that era. The book also includes correspondence between Gregg and William E. Connelley, a historian. Connelley was deeply affected by the war and was a staunch Unionist and Republican. Even as much of the country was focusing on reunification, Connelley refused to forgive the South and felt little if any empathy for his Southern peers. Connelley's relationship with Gregg was complicated and exploitive. Their bond appeared mutually beneficial, but Connelley manipulated an old, weak, and naive Gregg, offering to help him publish his memoir in exchange for Gregg's inside information for a biography of Quantrill.

During the Civil War, William H. Gregg served as William Clarke Quantrill's de facto adjutant from December 1861 until the spring of 1864, making him one of the closest people to the Confederate guerrilla leader. "Quantrill's raiders" were a partisan ranger outfit best known for their brutal guerrilla tactics, which made use of Native American field skills. Whether it was the origins of Quantrill's band, the early warfare along the border, the planning and execution of the raid on Lawrence, Kansas, the Battle of Baxter Springs, or the dissolution of the company in early 1864, Gregg was there as a participant and observer. This book includes his personal account of that era. The book also includes correspondence between Gregg and William E. Connelley, a historian. Connelley was deeply affected by the war and was a staunch Unionist and Republican. Even as much of the country was focusing on reunification, Connelley refused to forgive the South and felt little if any empathy for his Southern peers. Connelley's relationship with Gregg was complicated and exploitive. Their bond appeared mutually beneficial, but Connelley manipulated an old, weak, and naive Gregg, offering to help him publish his memoir in exchange for Gregg's inside information for a biography of Quantrill.