_We read fine things but never feel them to the full until we have gone the same steps as the Author_.' (John Keats to J.H. Reynolds, Teignmouth May 1818) John Keats is one of Britain's best-known and most-loved poets. Despite dying in Rome in 1821, at the age of just 25, his poems continue to inspire a new generation who reinterpret and reinvent the ways in which we consume his work. Apart from his long association with Hampstead, North London, he has not previously been known as a poet of 'place' in the way we associate Wordsworth with the Lake District, for example, and for many years readers considered Keats's work remote from political and social context. Yet Keats was acutely aware of and influenced by his surroundings: Hampstead; Guy's Hospital in London where he trained as a doctor; Teignmouth where he nursed his brother Tom; a walking tour of the Lake District and Scotland; the Isle of Wight; the area around Chichester and in Winchester, where his last great ode, _To Autumn_, was composed. Far from the frail Romantic stereotype, Keats captivated people with his vitality and strength of character. He was also deeply interested in the life around him, commenting in his many letters and his poetry on historic events and the relationship between wealth and poverty. What impact did the places he visited have on him and how have those areas changed over two centuries? How do they celebrate their 'Keats connection'? Suzie Grogan takes on a journey through Keats's life and landscapes, introducing us to his best and most influential work. In many ways a personal journey following a lifetime of study, the reader is offered opportunities to reflect on the impact of poetry and landscape on all our lives. The book is aimed at anyone wanting to know more about the places Keats visited, the times he lived through and the influences they may have had on his poetry. Utilising primary sources such as Keats's letters to friends and family and the very latest biographical and academic work, it offers an accessible way to see Keats through the lens of the places he visited and aims to spark a lasting interest in the real Keats - the poet and the man.

More perhaps than any other composer, Edward Elgar (1857-1934) has gained the status of an 'icon of locality', his music seemingly inextricably linked to the English landscape in which he worked. This, the first full-length study of Elgar's complex interaction with his physical environment, explores how it is that such associations are formed and whether it is any sense true that Elgar alchemized landscape into music. It argues that Elgar stands at the apex of an English tradition, going back to Blake, in which creative artists in all media have identified and warned against the self-harm of environmental degradation and that, following a period in which these ideas were swept away by the swift but shallow tide of Modernism in the decades after the First World War, they have since resurfaced with a new relevance and urgency for twenty-first century society. Written with the non-specialist in mind, yet drawing on the rich resources of post-millennial scholarship on Elgar, as well as geographical studies of place, the book also includes many new insights relating to such aspects of Elgar's output as his use of landscape typology in The Apostles, and his encounter with Modernism in the late chamber music. It also calls on the resources of contemporary social commentary, poetry and, especially, English landscape art to place Elgar and his thought in the broader cultural milieu of his time. A survey of recent recordings is included, in the hope that listeners, both familiar and unfamiliar with Elgar's music, will feel inspired to embark on a voyage of (re)discovery of its endlessly rewarding treasures.

A fresh perspective on the history of the post-war period, and the plight of a traumatised nation. We know that millions of soldiers were scarred by their experiences in the First World War trenches, but what happened after they returned home? Suzie Grogan reveals the First World War's disturbing legacy for soldiers and their families, exploring the myth of a nation of 'broken men' and 'spare women'. In 1922 the British Parliament published a report into the situation of thousands of mentally ill ex-soldiers still in hospital. Suzie Grogan has examined what happened to these men, what sort of treatments were on offer to them, and what reception did they receive from their families and society? Drawing on a variety of original sources, Suzie Grogan combines personal stories with a wider narrative of the war to show the true extent of the trauma experienced by the survivors. She also uncovers fascinating neglected areas, like the surge in spiritualism and the effects of the Zeppelin raids on the Home Front.

Mental illness can affect anyone. No walk of life, career or privilege offers immunity and one in four will experience mental ill health at some point in their lives. Yet the stigma remains and discrimination is still common. This book is an attempt to challenge that stigma and inspire others. The pieces vary widely - from a straightforward account of depression to the heartbreak of a parent at the loss of a child. Poetry and prose combine to offer stories of suffering and pain, but also hope, laughter and life. The authors are mothers, fathers, sons, daughters and friends. They are everyone; all of us. This book could save your life.