Geophysical measurements, such as the lateral variations in seismic wave velocities that are imaged by seismic tomography, provide the strongest constraints on the structure of the Earth's deep interior. In order to interpret such measurements in terms of mineralogical/compositional models of the Earth's interior, data on the physical and chemical properties of minerals at high pressures and temperatures are essential. Knowledge of thermodynamics, phase equilibria, crystal chemistry, crystallography, rheology, diffusion and heat transport are required to characterize the structure and dynamics of the Earth's deep interior as well as the processes by which the Earth originally differentiated.

Many experimental studies have been made possible only by a range of technical developments in the quest to achieve high pressures and temperatures in the laboratory. At the same time, analytical methods, including X-ray diffraction, a variety of spectroscopic techniques, electron microscopy, ultrasonic interferometry, and methods for rheological investigations have been developed and greatly improved. In recent years, major progress has been made also in the field of computational mineralogy whereby "ab initio" simulations are used to investigate the structural and dynamical properties of condensed matter at an atomistic level.

This volume contains a broad range of contributions that typify and summarize recent progress in the areas of high-pressure mineral physics as well as associated technical developments.

High-pressure mineral physics is a field that is strongly driven by the development of new technology. Fifty years ago, when experimentally achievable pressures were limited to just 25 GPa, little was know about the mineralogy of the Earth's lower mantle. Silicate perovskite, the likely dominant mineral of the deep Earth, was identified only when the high-pressure techniques broke the pressure barrier of 25 GPa in 1970s. However, as the maximum achievable pressure reached beyond one Megabar (100 GPa) and even to the pressure of Earth's core on minute samples, new discoveries increasingly were fostered by the development of new analytical techniques and improvements in sensitivity and precision of existing techniques.

The book consists of six sections which group the papers according to their main topics: a) Elastic and Anelastic Properties; b) Rheology; c) Melt and Glass Properties; d) Structural and Magnetic Properties; e) Diffraction and Spectroscopy; f) Pressure Calibration and Generation. As many papers cover multiple topics, readers may find papers of interest in different sections. All papers are prepared with emphasis on technical details suitable for a technical reference. Many on-line software resources are also listed in as detailed a manner as possible. However, the URL of the software sites may be subject to change without notice.
* State of the art in a very important branch of geophysics, namely the experimental determination of material behavior at the extreme conditions of planetary interiors
* Emphasis on technical details suitable for a technical reference
* Includes many on-line software resources

Stanley Cavell and English Romanticism serves as both introduction to Cavell for Romanticists, and to the larger question of what philosophy means for the reading of literature, as well as to the importance and relevance of Romantic literature to Cavell's thought. Illustrated through close readings of Wordsworth and Shelley, and extended discussions of Emerson and Thoreau as well as Cavell, Duffy proposes a Romanticism of persisting cultural relevance and truly trans-Atlantic scope. The turn to romanticism of America's most distinguished "ordinary-language" philosopher is shown to be tied to the neo-Romantic claim that far from being merely an illustrator of the truths discovered by philosophy, poetry is its equal partner in the instituting of knowledge. This book will be vital reading for anyone interested in Romanticism, Stanley Cavell and the ever-deepening connections between literature and philosophy.

'The Constitution of Shelley's Poetry' is a close philosophical reading of 'Prometheus Unbound' from the perspective of the argument or drama of language played out in its pages. At its heart a four-chapter reading of 'Prometheus Unbound', the book is punctuated with readings of other Shelley works and prefaced with two earlier chapters: one on 'Mont Blanc' and 'Hymn to Intellectual Beauty', the companion poems inaugurating Shelley's poetic maturity; the other on 'Ode to the West Wind' originally published with 'Prometheus Unbound' and here represented as 'signature' Shelley. The book's one most distinguishing feature, from which several others derive, is its bringing the power and pertinence of Stanley Cavell's thought to Shelley's poetry and to his explicitly articulated philosophical interest in language.

The book urges and practises close reading, but it provides philosophical grounds for this ostensibly old-fashioned approach, and it implicitly proposes an understanding of language very different from those now most generally assumed in literary studies. The book's bringing of Cavell's thought to Shelley's poetry would make two related but distinguishable contributions. There is, first of all, the reading of Shelley's poetry, which is new and persuasive both in many of its local moments and in its overall thrust. Second, there is the practical demonstration of the relevance and yield of Cavell's thought for literary studies.

'The Constitution of Shelley's Poetry' is a close philosophical reading of 'Prometheus Unbound' from the perspective of the argument or drama of language played out in its pages. At its heart a four-chapter reading of 'Prometheus Unbound', the book is punctuated with readings of other Shelley works and prefaced with two earlier chapters: one on 'Mont Blanc' and 'Hymn to Intellectual Beauty', the companion poems inaugurating Shelley's poetic maturity; the other on 'Ode to the West Wind' originally published with 'Prometheus Unbound' and here represented as 'signature' Shelley. The book's one most distinguishing feature, from which several others derive, is its bringing the power and pertinence of Stanley Cavell's thought to Shelley's poetry and to his explicitly articulated philosophical interest in language.

The book urges and practises close reading, but it provides philosophical grounds for this ostensibly old-fashioned approach, and it implicitly proposes an understanding of language very different from those now most generally assumed in literary studies. The book's bringing of Cavell's thought to Shelley's poetry would make two related but distinguishable contributions. There is, first of all, the reading of Shelley's poetry, which is new and persuasive both in many of its local moments and in its overall thrust. Second, there is the practical demonstration of the relevance and yield of Cavell's thought for literary studies.

Stanley Cavell and English Romanticism serves as both introduction to Cavell for Romanticists, and to the larger question of what philosophy means for the reading of literature, as well as to the importance and relevance of Romantic literature to Cavell's thought. Illustrated through close readings of Wordsworth and Shelley, and extended discussions of Emerson and Thoreau as well as Cavell, Duffy proposes a Romanticism of persisting cultural relevance and truly trans-Atlantic scope. The turn to romanticism of America's most distinguished "ordinary-language" philosopher is shown to be tied to the neo-Romantic claim that far from being merely an illustrator of the truths discovered by philosophy, poetry is its equal partner in the instituting of knowledge. This book will be vital reading for anyone interested in Romanticism, Stanley Cavell and the ever-deepening connections between literature and philosophy.