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"GENADMIN: THEORIZING WPA IDENTITIES IN THE TWENTY-FIRST CENTURY
makes an important contribution to writing studies in general by
showing how the identification of writing program administration as
scholarly and creative (not merely administrative) invites new ways
to think about and theorize composition's place in the field and in
institutional structures. GENADMIN also contributes to WPA
scholarship by opening a rich and textured discussion of a very
specific moment in which WPA work becomes a focus for graduate
studies in the field. . . . GENADMIN speaks with equal importance
to junior and senior WPAs, to the people who train graduate
students for WPA work, and to those who hire new WPAs." -Nancy C.
DeJoy, Michigan State University GENADMIN: THEORIZING WPA
IDENTITIES IN THE TWENTY-FIRST CENTURY examines identity formation
in a generation of rhetoric and composition professionals who have
had explicit preparation in scholarly dimensions of writing program
work. GENADMIN disrupts histories and narratives that posit writing
program administration as managerial, where the most one can hope
for is to become a hero who successfully champions writing rather
than a victim of an untenable job. The authors draw on composition
and rhetorical theory, WPA experiences and scholarship, and
contemporary philosophy to offer writing program administration as
an epistemology and a discourse for change. GENADMIN repositions
WPAs as agents and reclaims writing program administration as a
positive professional commitment that looks toward, rather than
simply stems from, current challenges in higher education. An
Afterword by Jeanne Gunner, Joseph Harris, Dennis Lynch, and Martha
Townsend continues the important conversation, setting the stage
for future discussion of the issues raised in this groundbreaking
account of a new generation of writing program administrators.
COLIN CHARLTON is Associate Professor of Rhetoric and Composition
and coordinator of developmental reading/writing at the University
of Texas-Pan American. JONIKKA CHARLTON is Associate Professor of
Rhetoric and Composition and coordinator of first-year writing at
the University of Texas-Pan American. TAREZ SAMRA GRABAN is
Assistant Professor of English and coordinator of multilingual
writing at Indiana University. KATHLEEN J. RYAN is Associate
Professor of English and Director of Composition at the University
of Montana. AMY FERDINANDT STOLLEY is Assistant Professor of
English and Writing Program Director at Saint Xavier University.
Disruptive pedagogies for archival research In a cultural moment
when institutional repositories carry valuable secrets to the
present and past, this collection argues for the critical,
intellectual, and social value of archival instruction. Graban and
Hayden and 37 other contributors examine how undergraduate and
graduate courses in rhetoric, history, community literacy, and
professional writing can successfully engage students in archival
research in its many forms, and successfully model mutually
beneficial relationships between archivists, instructors, and
community organizations.Combining new and established voices from
related fields, each of the book's three sections includes a range
of form-disrupting pedagogies. Section I focuses on how approaching
the archive primarily as textfosters habits of mind essential for
creating and using archives, for critiquing or inventing
knowledge-making practices, and for being good stewards of private
and public collections. Section II argues for conducting archival
projects as collaboration through experiential learning and for
developing a preservationist consciousness through disciplined
research. Section III details praxis for revealing, critiquing, and
intervening in historic racial omissions and gaps in the archives
in which we all work. Ultimately, contributors explore archives as
sites of activism while also raising important questions that
persist in rhetoric and composition scholarship, such as how to
decolonize research methodologies, how to conduct teaching and
research that promote social justice, and how to shift archival
consciousness toward more engaged notions of democracy. This
collection highlights innovative classroom and curricular course
models for teaching with and through the archives in rhetoric and
composition and beyond.
"GENADMIN: THEORIZING WPA IDENTITIES IN THE TWENTY-FIRST CENTURY
makes an important contribution to writing studies in general by
showing how the identification of writing program administration as
scholarly and creative (not merely administrative) invites new ways
to think about and theorize composition's place in the field and in
institutional structures. GENADMIN also contributes to WPA
scholarship by opening a rich and textured discussion of a very
specific moment in which WPA work becomes a focus for graduate
studies in the field. . . . GENADMIN speaks with equal importance
to junior and senior WPAs, to the people who train graduate
students for WPA work, and to those who hire new WPAs." -Nancy C.
DeJoy, Michigan State University GENADMIN: THEORIZING WPA
IDENTITIES IN THE TWENTY-FIRST CENTURY examines identity formation
in a generation of rhetoric and composition professionals who have
had explicit preparation in scholarly dimensions of writing program
work. GENADMIN disrupts histories and narratives that posit writing
program administration as managerial, where the most one can hope
for is to become a hero who successfully champions writing rather
than a victim of an untenable job. The authors draw on composition
and rhetorical theory, WPA experiences and scholarship, and
contemporary philosophy to offer writing program administration as
an epistemology and a discourse for change. GENADMIN repositions
WPAs as agents and reclaims writing program administration as a
positive professional commitment that looks toward, rather than
simply stems from, current challenges in higher education. An
Afterword by Jeanne Gunner, Joseph Harris, Dennis Lynch, and Martha
Townsend continues the important conversation, setting the stage
for future discussion of the issues raised in this groundbreaking
account of a new generation of writing program administrators.
COLIN CHARLTON is Associate Professor of Rhetoric and Composition
and coordinator of developmental reading/writing at the University
of Texas-Pan American. JONIKKA CHARLTON is Associate Professor of
Rhetoric and Composition and coordinator of first-year writing at
the University of Texas-Pan American. TAREZ SAMRA GRABAN is
Assistant Professor of English and coordinator of multilingual
writing at Indiana University. KATHLEEN J. RYAN is Associate
Professor of English and Director of Composition at the University
of Montana. AMY FERDINANDT STOLLEY is Assistant Professor of
English and Writing Program Director at Saint Xavier University.
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