Every day, most of us will read or watch something in the news that is based on statistics in some way. Sometimes it'll be obvious - 'X people develop cancer every year' - and sometimes less obvious - 'How smartphones destroyed a generation'. Statistics are an immensely powerful tool for understanding the world, but in the wrong hands they can be dangerous. Introducing you to the common mistakes that journalists make and the tricks they sometimes deploy, HOW TO READ NUMBERS is a vital guide that will help you understand when and how to trust the numbers in the news - and, just as importantly, when not to.

Thomas Bayes was an eighteenth-century Presbyterian minister and amateur mathematician whose obscure life belied the profound impact of his work. Like most research into probability at the time, his theorem - independently discovered a few years later by Pierre-Simon Laplace, the great French mathematician - was mainly seen as relevant to games of chance, like dice and cards. But its implications soon became clear, affecting fields as diverse as medicine, law and artificial intelligence. Bayes' theorem helps explain why highly accurate screening tests can lead to false positives, causing unnecessary anxiety for patients. A failure to account for it in court it has put innocent people in jail. But its influence goes far beyond practical applications. A cornerstone of rational thought, Bayesian principles are used in modelling and forecasting. 'Superforecasters', a group of expert predictors who outperform CIA analysts, use a Bayesian approach. And many argue that Bayes' theorem is not just a useful tool, but a description of almost everything - that it is the underlying architecture of rationality. Fusing biography, razor-sharp science communication and intellectual history, EVERYTHING IS PREDICTABLE is a captivating tour of Bayes' theorem and its impact on modern life. From medical testing to artificial intelligence, Tom Chivers shows how a single compelling idea can have far-reaching consequences.

This anthology celebrates the 10th anniversary of one of the UK's most innovative literary publishers. Since 2004 a small independent publisher in East London has been producing some of the most exciting poetry and experimental fiction anywhere, publishing new works by the likes of Ross Sutherland, Emily Critchley, Melissa Lee-Houghton, Luke Kennard and Roddy Lumsden. This new anthology celebrates the first decade of Penned in the Margins, bringing together over seventy-five of the very best poems and texts carefully selected by editor Tom Chivers.

'A lyrical meditation on landscapes and cities, vivid reportage and a memoir. And also a beautifully realised and moving read.' Financial Times 'A beguiling mix of history, geology, folklore and memoir that captivated me from the first page.' Lara Maiklem, author of Mudlarking 'Tom Chivers brings a poet's sensibility to this book about the hidden parts of the capital, mixing the past with the present, the known with the unknown and his personal story with social history and geology.' Bernardine Evaristo, author of Girl, Woman, Other What secrets lie beneath a city? Tom Chivers follows hidden pathways, explores lost islands and uncovers the geological mysteries that burst up through the pavement and bubble to the surface of our streets. From Roman ruins to a submerged playhouse, from an abandoned Tube station to underground rivers, Chivers leads us on a journey into the depths of the city he loves. A lyrical interrogation of a capital city, a landscape and our connection to place, London Clay celebrates urban edgelands: in-between spaces where the natural world and the metropolis collide. Through a combination of historical research, vivid reportage and personal memoir, it will transform how you see London, and cities everywhere. 'Tom Chivers, with the forensic eye of an investigator, the soul of a poet, is an engaging presence; a guide we would do well to follow.' Iain Sinclair, author of The Last London

Are paperclips going to destroy life as we know it?
What can Mickey Mouse teach us about how to programme AI?
Could a more rational approach to life be what saves us all?

This is a book about about a community of people who are trying to think rationally about intelligence and what insight they can and can't give us about the future of the human race. It explains why these people are worried about an AI apocalypse, why they might be right, and why they might be wrong. It is a book about the cutting edge of our thinking on intelligence and rationality right now by the people who stay up all night worrying about it.

A Poetry Book Society Special Commendation The Independent 50 Best Summer Reads Welcome to a strange new world in which a poem can be written using only one vowel, processed through computer code, collaged from film trailers, compiled from Facebook status updates, hidden inside a Sudoku puzzle, and even painted on sheep to demonstrate Quantum Theory. Discover a multitude of new and unusual poetic forms - from tweet to time-splice, and from skinny villanelle to breakbeat sonnet - in this inspiring and inventive anthology. Adventures in Form features over ninety poems by forty-six contributors including Patience Agbabi, Christian Bok, Joe Dunthorne, Inua Ellams, Roddy Lumsden, Ian McMillan, Paul Muldoon, Ruth Padel and Hannah Silva. Edited and introduced by Tom Chivers.

'The AI does not hate you, nor does it love you, but you are made of atoms which it can use for something else' This is a book about AI and AI risk. But it's also more importantly about a community of people who are trying to think rationally about intelligence, and the places that these thoughts are taking them, and what insight they can and can't give us about the future of the human race over the next few years. It explains why these people are worried, why they might be right, and why they might be wrong. It is a book about the cutting edge of our thinking on intelligence and rationality right now by the people who stay up all night worrying about it. Along the way, we discover why we probably don't need to worry about a future AI resurrecting a perfect copy of our minds and torturing us for not inventing it sooner, but we perhaps should be concerned about paperclips destroying life as we know it; how Mickey Mouse can teach us an important lesson about how to programme AI; and why Spock is not as logical as we think he is.

City State showcases the work of twenty-seven London writers between the ages of 16 and 36. From hyperlinked walks of Battersea bombsites and guerilla gardening projects to jagged urban lyrics and dark hymns to the East End, City State presents a confident, entertaining and truly diverse snapshot of the best new poetry from London.

Where can the poem go in the age of the supercomputer? What do Wordsworth, Byron and British rapper Roots Manuva have in common? Would Emily Dickinson have preferred Facebook or Twitter? Does the future look - Oulipian? Is slam poetry any good, and what is "post-avant" anyway? These are just some of the questions posed in Stress Fractures, a new and wide-ranging collection of essays on the future of poetry.

How To Build A City is the Crashaw Prize-winning debut collection of poetry by Tom Chivers. It is a poetic interrogation of the twenty-first century urban experience, drawing on the history, culture, society and topography of London. Chivers takes his cue from radical writers such as Iain Sinclair and Barry MacSweeney to create an impressionist poetry, marked by playful riddling, found texts and unusual juxtapositions. How To Build A City is peopled by ghosts of London's past as well as the distinctly modern spectres of spam email, international terrorism and the credit crunch. The title piece is a choppy, sardonic investigation of contemporary East London, a travelogue that never really leaves Liverpool Street Station. Some of the poems are personal accounts of love and loss, including 'Thom, C & I', a long sequence of lyrical fragments cut from a diary written by the poet's mother. Other poems take the reader away from the city to the fenlands of Medieval East Anglia, apple-heavy Himalayan gardens and the bleak uplands of Northern England. How To Build A City captures the mood of a fluctuating, unstable metropolis that is continually coming to terms with multiple and conflicting identities.