Protecting Your Freedoms in Today’s Cultural Warfare In America, the seeds of tyranny have taken root—and we’re reaching critical tipping points on many cultural battlefronts. In Uncommon Courage, constitutional lawyer Keisha Russell exposes the tactics of those who are undermining the very foundations of our country and explains how you can walk in faith while defending your freedoms. Through an informed examination of today’s divisive topics—including religion, racism, abortion, education, and beyond—Uncommon Courage will help you examine history in light of recent radical cultural shifts, identifying conditions that foster tyranny and explaining the laws designed to protect your liberty engage in compassionate but uncompromising conversations about freedom and faith, backed by a biblical worldview and constitutional principles encourage fellow Christians to uphold the Bible as the founding wisdom of both America and the church and stand by their constitutionally ensured rights Uncommon Courage will prepare you to have a powerful and positive impact in today’s cultural battles. As you bless the hearts of others with the proclamation of God’s truth, you can also influence both culture and government in ways that advance God’s kingdom.

Search is not just a box and ten blue links. Search is a journey: an exploration where what we encounter along the way changes what we seek. But in order to guide people along this journey, designers must understand both the art and science of search.In "Designing the Search Experience, "authors Tony Russell-Rose and Tyler Tate weave together the theories of information seeking with the practice of user interface design.

Understand how people search, and how the concepts of information seeking, information foraging, and sensemaking underpin the search process.

Apply the principles of user-centered design to the search box, search results, faceted navigation, mobile interfaces, social search, and much more.

Design the cross-channel search experiences of tomorrow that span desktop, tablet, mobile, and other devices.

This superbly illustrated book is a comprehensive identification reference to over 550 of the most important and best-known trees of Britain and Europe. A detailed introduction looks at the origins of trees, their evolution over time and the ways in which they have adapted to suit the variety of terrains in which they thrive. The book then presents an extensive illustrated encyclopedia of the most common, popular, prolific or unusual trees found in Britain and Europe. With over 1600 photographs, artworks, illustrations and maps, this encyclopedic resourcebook is perfect for home or study.

This beautifully illustrated volume, substantially updated for this new large-format edition, is the ultimate reference guide to more than 1300 of the most spectacular, best-loved and unusual trees across the globe, from the huge redwoods of California to the banyan trees of south-east Asia. A comprehensive introduction looks at the origins of trees, how they have evolved over time, and the ways in which they have adapted to suit the variety of terrains in which they thrive. The three directories feature trees from Temperate and Tropical America; Britain and Europe; and Africa, Asia and Australasia. Each entry is accompanied by a hand-painted illustration, and includes identification details such as bark texture; leaf shape and size; flowering time; average height; and overall tree shape. It is an authoritative volume that will form a vital part of every family's natural history library.

This book combines three influential and much-quoted books Savannah Syncopators; Blacks, Whites and Blues and Recording the Blues, updated with additional new essays, which collectively confront the problem of how, when and from where the blues emerged and developed. It emphasizes the significance of the African heritage, the mutuality of much white and black music and the role of recording in consolidating the blues. Redressing some of the misconceptions that persist in writing on African-American music, it will be essential reading for all enthusiasts of blues, jazz and country music.

Based on fact, the story tells of a strike by the girls in a match factory in 1888, when unions were still groping for recognition and mass withdrawal of labour was an almost unheard-of strategy in industrial relations. The match-cutters finally rebel against working conditions in which young girls had their jaws rotted away by phosphorus, and discipline was maintained by a system of crippling fines and sanctions. A grim episode, perhaps, but not many minutes of the play are allowed to pass before the natural ebullience of the traditional Cockney sparrow helps to create sparkling entertainment which warms the heart, yet retains the essential drama of the central theme.13 women, 5 men

The Complete Country Music Discography, 1922-1942 compiles details of all country music recording sessions through 1942 in a single volume. Based on record-company files and session logs as well as the recording archives of the Country Music Foundation, this discography documents every commercial country music recording, including unreleased sides. Each entry lists the musicians playing at every session, instrumentation, dates and locations, songwriting credits, and recording master numbers and release numbers. An introduction explains how to use the book, research methodology, and editorial policy; summary histories of each key record company are also provided, along with a bibliography. The discography will include alphabetical indexes to all song titles and to musicians listed.

This superbly illustrated book is a comprehensive identification reference to over 550 of the most important and best-known trees of Britain and Europe, from Iceland in the north to the Mediterranean in the south. A detailed introduction looks at the origins of trees, their evolution over time and the ways in which they have adapted to suit the variety of terrains in which they thrive. The book then presents an extensive illustrated directory of the most common, popular, prolific or unusual trees, including maps illustrating the region in which each tree can be found. With over 1600 beautiful photographs, artworks and illustrations, this volume is perfect for home or study.

There are many biographies and histories of early country music and its creators, but surprisingly little attention has been given to the actual songs at the heart of these narratives. In this groundbreaking book, music historian Tony Russell turns the spotlight on seventy-eight original 78rpm discs of songs and tunes from the 1920s and 1930s, uncovering the hidden stories of how they came to be recorded, the musicians who sang and played them, the record companies that marketed them, and the listeners who absorbed them. In these essays, based upon new research, contemporary newspaper accounts, and previously unpublished interviews, and copiously illustrated with rare images, readers will find songs about home and family, love and courtship, crime and punishment, farms and floods, chain gangs and chain stores, journeys and memories, and many other aspects of life in the period. Rural Rhythm not only charts the tempos and styles of rural and small-town music-making and the origins of present-day country music, but also traces the larger rhythms of life in the American South, Southwest, and Midwest. What emerges is a narrative that ingeniously blends the musical and social history of the era.

In 2015 University Press of Mississippi published Mississippi Fiddle Tunes and Songs from the 1930s by Harry Bolick and Stephen T. Austin to critical acclaim and commercial success. Roughly half of Mississippi's rich, old-time fiddle tradition was documented in that volume and Harry Bolick has spent the intervening years working on this book, its sequel. Beginning with Tony Russell's original mid-1970s fieldwork as a reference, and later working with Russell, Bolick located and transcribed all of the Mississippi 78 rpm string band recordings. Some of the recording artists like the Leake County Revelers, Hoyt Ming and His Pep Steppers, and Narmour & Smith had been well known in the state. Others, like the Collier Trio, were obscure. This collecting work was followed by many field trips to Mississippi searching for and locating the children and grandchildren of the musicians. Previously unheard recordings and stories, unseen photographs and discoveries of nearly unknown local fiddlers, such as Jabe Dillon, John Gatwood, Claude Kennedy, and Homer Grice, followed. The results are now available in this second, companion volume, Fiddle Tunes from Mississippi: Commercial and Informal Recordings, 1920-2018. Two hundred and seventy musical examples supplement the biographies and photographs of the thirty-five artists documented here. Music comes from commercial recordings and small pressings of 78 rpm, 45 rpm, and LP records; collectors' field recordings; and the musicians' own home tape and disc recordings. Taken together, these two volumes represent a delightfully comprehensive survey of Mississippi's fiddle tunes.

Graced by more than 200 illustrations, many of them seldom seen and some never before published, this sparkling volume offers vivid portraits of the men and women who created country music, the artists whose lives and songs formed the rich tradition from which so many others have drawn inspiration. Included here are not only such major figures as Jimmie Rodgers, The Carter Family, Fiddlin' John Carson, Charlie Poole, and Gene Autry, who put country music on America's cultural map, but many fascinating lesser-known figures as well, such as Carson Robison, Otto Gray, Chris Bouchillon, Emry Arthur and dozens more, many of whose stories are told here for the first time. To map some of the winding, untraveled roads that connect today's music to its ancestors, Tony Russell draws upon new research and rare source material, such as contemporary newspaper reports and magazine articles, internet genealogy sites, and his own interviews with the musicians or their families. The result is a lively mix of colorful tales and anecdotes, priceless contemporary accounts of performances, illuminating social and historical context, and well-grounded critical judgment. The illustrations include artist photographs, record labels, song sheets, newspaper clippings, cartoons, and magazine covers, recreating the look and feel of the entire culture of country music. Each essay includes as well a playlist of recommended and currently available recordings for each artist. Finally, the paperback edition now features an extensive index.

This book combines three influential and much-quoted books Savannah Syncopators; Blacks, Whites and Blues and Recording the Blues, updated with additional new essays, which collectively confront the problem of how, when and from where the blues emerged and developed. It emphasizes the significance of the African heritage, the mutuality of much white and black music and the role of recording in consolidating the blues. Redressing some of the misconceptions that persist in writing on African-American music, it will be essential reading for all enthusiasts of blues, jazz and country music.

The Poetry of Mr Minevar is a collection of light reading poems laced with humour, all based on a wide range of subjects from Art, Literature to Science. An ideal birthday or Christmas gift!

In 2015 University Press of Mississippi published Mississippi Fiddle Tunes and Songs from the 1930s by Harry Bolick and Stephen T. Austin to critical acclaim and commercial success. Roughly half of Mississippi's rich, old-time fiddle tradition was documented in that volume and Harry Bolick has spent the intervening years working on this book, its sequel. Beginning with Tony Russell's original mid-1970s fieldwork as a reference, and later working with Russell, Bolick located and transcribed all of the Mississippi 78 rpm string band recordings. Some of the recording artists like the Leake County Revelers, Hoyt Ming and His Pep Steppers, and Narmour & Smith had been well known in the state. Others, like the Collier Trio, were obscure. This collecting work was followed by many field trips to Mississippi searching for and locating the children and grandchildren of the musicians. Previously unheard recordings and stories, unseen photographs and discoveries of nearly unknown local fiddlers, such as Jabe Dillon, John Gatwood, Claude Kennedy, and Homer Grice, followed. The results are now available in this second, companion volume, Fiddle Tunes from Mississippi: Commercial and Informal Recordings, 1920-2018. Two hundred and seventy musical examples supplement the biographies and photographs of the thirty-five artists documented here. Music comes from commercial recordings and small pressings of 78 rpm, 45 rpm, and LP records; collectors' field recordings; and the musicians' own home tape and disc recordings. Taken together, these two volumes represent a delightfully comprehensive survey of Mississippi's fiddle tunes.

British blues fan Mike Leadbitter launched the magazine Blues Unlimited in 1963. The groundbreaking publication fueled the then-nascent, now-legendary blues revival that reclaimed seminal figures like Son House and Skip James from obscurity. Throughout its history, Blues Unlimited heightened the literacy of blues fans, documented the latest news and career histories of countless musicians, and set the standard for revealing long-form interviews. Conducted by Bill Greensmith, Mike Leadbitter, Mike Rowe, John Broven, and others, and covering a who's who of blues masters, these essential interviews from Blues Unlimited shed light on their subjects while gleaning colorful detail from the rough and tumble of blues history. Here is Freddie King playing a string of one-nighters so grueling it destroys his car; five-year-old Fontella Bass gigging at St. Louis funeral homes; and Arthur "Big Boy" Crudup rising from life in a packing crate to music stardom. Here, above all, is an eyewitness history of the blues written in neon lights and tears, an American epic of struggle and transcendence, of Saturday night triumphs and Sunday morning anonymity, of clean picking and dirty deals. Featuring interviews with: Fontella Bass, Ralph Bass, Fred Below, Juke Boy Bonner, Roy Brown, Albert Collins, James Cotton, Arthur "Big Boy" Crudup, Joe Dean, Henry Glover, L.C. Green, Dr. Hepcat, Red Holloway, Louise Johnson, Floyd Jones, Moody Jones, Freddie King, Big Maceo Merriweather, Walter Mitchell, Louis Myers, Johnny Otis, Snooky Pryor, Sparks Brothers, Jimmy Thomas, Jimmy Walker, and Baby Boy Warren.

British blues fan Mike Leadbitter launched the magazine Blues Unlimited in 1963. The groundbreaking publication fueled the then-nascent, now-legendary blues revival that reclaimed seminal figures like Son House and Skip James from obscurity. Throughout its history, Blues Unlimited heightened the literacy of blues fans, documented the latest news and career histories of countless musicians, and set the standard for revealing long-form interviews. Conducted by Bill Greensmith, Mike Leadbitter, Mike Rowe, John Broven, and others, and covering a who's who of blues masters, these essential interviews from Blues Unlimited shed light on their subjects while gleaning colorful detail from the rough and tumble of blues history. Here is Freddie King playing a string of one-nighters so grueling it destroys his car; five-year-old Fontella Bass gigging at St. Louis funeral homes; and Arthur "Big Boy" Crudup rising from life in a packing crate to music stardom. Here, above all, is an eyewitness history of the blues written in neon lights and tears, an American epic of struggle and transcendence, of Saturday night triumphs and Sunday morning anonymity, of clean picking and dirty deals. Featuring interviews with: Fontella Bass, Ralph Bass, Fred Below, Juke Boy Bonner, Roy Brown, Albert Collins, James Cotton, Arthur "Big Boy" Crudup, Joe Dean, Henry Glover, L.C. Green, Dr. Hepcat, Red Holloway, Louise Johnson, Floyd Jones, Moody Jones, Freddie King, Big Maceo Merriweather, Walter Mitchell, Louis Myers, Johnny Otis, Snooky Pryor, Sparks Brothers, Jimmy Thomas, Jimmy Walker, and Baby Boy Warren.

This is the third in a series of books celebrating the finest gardens in Britain and follows on from the best-selling 'The Cotswold's Finest Gardens' and 'The Finest Gardens in Wales'. The Finest Gardens of the South West is an inspirational celebration of the very best gardens in the West Country of England, covering an area from Cornwall to the Wiltshire and Hampshire borders. Using informative, evocative text and stunning imagery, garden writer and broadcaster Tony Russell captures the very essence of the fifty finest gardens within this region and explores their history, design, plants and personalities. The diversity of gardens to be found in the South West and within this book is truly astonishing. Within these pages you will find gardens full of subtropical plants, such as Tresco on the Isles of Scilly and Overbeck's in Devon, modern-day creations at The Eden Project and University of Bristol Botanic Garden, historical restorations at The Lost Gardens of Heligan and Hestercombe in Somerset and botanically important gardens such as the Royal Horticultural Society's garden at Rosemoor and Trewithen in Cornwall. All the gardens featured within this book allow public access at some time during each year. The Finest Gardens of the South West is quite simply one of the finest books on the subject and essential reading for anyone interested in visiting and understanding gardens. Just like its predecessors, it will undoubtedly become a best-selling classic, a book that works equally as well on the coffee table or as a faithful companion in the car.