This collection recovers the continuities between three forms of romance that have often been separated from one another in critical discourse: early modern prose fiction, the dramatic romances staged in England during the 1570s and 1580s, and Shakespeare's late plays. Although Pericles, Cymbeline, Winter's Tale, and The Tempest have long been characterized as "romances," their connections with the popular prose romances of their day and the dramatic romances that preceded them have frequently been overlooked. Constructed to explore those connections, this volume includes original essays that relate at least one prose or dramatic romance to an English play written from 1570 to 1630. The introduction explores the use of the term "dramatic romance" over several centuries and the commercial association between print culture, gender, and drama. Eight essays discuss Shakespeare's plays; three more examine plays by Beaumont, Fletcher, and Massinger. Other authors treated at some length include Boccaccio, Christine de Pizan, Chaucer, Sidney, Greene, Lodge, and Wroth. Barbara Mowat's afterword considers Shakespeare's use of Greek romance. Written by foremost scholars of Shakespeare and early modern prose fiction, this book explores the vital cross-currents that occurred between narrative and dramatic forms of Greek, medieval, and early modern romance.

This collection recovers the continuities between three forms of romance that have often been separated from one another in critical discourse: early modern prose fiction, the dramatic romances staged in England during the 1570s and 1580s, and Shakespeare's late plays. Although Pericles, Cymbeline, Winter's Tale, and The Tempest have long been characterized as "romances," their connections with the popular prose romances of their day and the dramatic romances that preceded them have frequently been overlooked. Constructed to explore those connections, this volume includes original essays that relate at least one prose or dramatic romance to an English play written from 1570 to 1630. The introduction explores the use of the term "dramatic romance" over several centuries and the commercial association between print culture, gender, and drama. Eight essays discuss Shakespeare's plays; three more examine plays by Beaumont, Fletcher, and Massinger. Other authors treated at some length include Boccaccio, Christine de Pizan, Chaucer, Sidney, Greene, Lodge, and Wroth. Barbara Mowat's afterword considers Shakespeare's use of Greek romance. Written by foremost scholars of Shakespeare and early modern prose fiction, this book explores the vital cross-currents that occurred between narrative and dramatic forms of Greek, medieval, and early modern romance.

In Cymbeline, Ancient Britain's female heir to the throne is slandered by a decadent Italian while the Romans invade Britain to retain it as part of their empire. Shakespeare's late romance is full of unpredictable conjunctions that are explored in the comprehensive introduction to this new, fully-illustrated Arden edition. Valerie Wayne takes a transformative look at the play's critical and performance history by examining its attention to gender, calumny and sexuality together with nationhood, colonialism and British identities. The authoritative play text is amply annotated to clarify its language and allusions, and three appendices delineate the play's textual history, its rich use of music and its casting. Offering students and scholars alike a wealth of insight and new research, this edition maintains the rigorous standards of the Arden Shakespeare.

Anne Cooke Bacon was highly educated and was known for her ability to read Latin, Greek, Italian and French. She married Sir Nicholas Bacon, Queen's Keeper of the Great Seal and a member of Elizabeth's Privy Council. The directions of the new Church of England were heavily influenced by her husband and Anne too was actively involved in the religious controversies of her day, her translations position her as a strong advocate for the Protestant cause. Whilst in her early 20s she translated the sermons of Bernardino Ochino, a popular Italian preacher who converted to Calvinism. Her translations were printed in four different volumes of Ochino's sermons (between 1548 and 1570) although the publishers of these editions did not always see fit to name her as the translator. Translations by R. Argentyne were often included in the volumes and, in the earlier editions, he was credited with her work. The text reproduced here comes from the 1551 edition of Fouretene sermons of Barnardine Ochyne ... translated by AC as it not only includes Anne's dedication to her mother and a preface in praise of Anne's work but is the only edition of more than five sermons that does not also reprint translations by Argentyne. As an appendix to the present volume the five sermons translated by AC in the 1551 edition of Certayne sermons of the ryghte famous and excellent clerke ... are included. These five plus the fourteen reprinted in the body of this book constitute all of the sermons that Anne Cooke is known to have translated and published. In 1562 John Jewel's Apologia ecclesiae anglicanae was published in England and was viewed as the authoritative defence of the English Church. Anne Cooke Bacon's translation of it was published in 1564 and became the official English version. The text reprinted here is unusually clear and also has the advantage of including an engraving of Lady Bacon.

In Cymbeline, Ancient Britain's female heir to the throne is slandered by a decadent Italian while the Romans invade Britain to retain it as part of their empire. Shakespeare's late romance is full of unpredictable conjunctions that are explored in the comprehensive introduction to this new, fully-illustrated Arden edition. Valerie Wayne takes a transformative look at the play's critical and performance history by examining its attention to gender, calumny and sexuality together with nationhood, colonialism and British identities. The authoritative play text is amply annotated to clarify its language and allusions, and three appendices delineate the play's textual history, its rich use of music and its casting. Offering students and scholars alike a wealth of insight and new research, this edition maintains the rigorous standards of the Arden Shakespeare.

This collection reveals the valuable work that women achieved in publishing, printing, writing and reading early modern English books, from those who worked in the book trade to those who composed, selected, collected and annotated books. Women gathered rags for paper production, invested in books and oversaw the presses that printed them. Their writing and reading had an impact on their contemporaries and the developing literary canon. A focus on women's work enables these essays to recognize the various forms of labour -- textual and social as well as material and commercial -- that women of different social classes engaged in. Those considered include the very poor, the middling sort who were active in the book trade, and the elite women authors and readers who participated in literary communities. Taken together, these essays convey the impressive work that women accomplished and their frequent collaborations with others in the making, marking, and marketing of early modern English books.

Edmund Tilney dedicated to Queen Elizabeth in I568 a time when she was under considerable pressure to marry a spirited dialogue concerning appropriate behavior in marriage. In Tilney's conduct book, which was modeled on Erasmus's Conjugium and Castiglione's Courtier, fictional counterparts to such notables as Vives, Erasmus, Heloise, and the queen herself all make an appearance to offer advice on how to nurture the flower of friendship within marriage. Extraordinarily popular for a generation following its first publication, it is available here for the first time in a critical edition that includes a comprehensive essay by Valerie Wayne.

In her introduction, Wayne examines the dialogue's competing notions of conjugality within their historical and literary contexts and illustrates the impact of humanism on Protestant and Puritan positions. Since marriage was the most common means by which Renaissance women in Protestant countries could sustain themselves outside their parental home, ideologies of marriage became a primary means by which women were constructed as subjects. Wayne explores the range of ideologies presented in The Flower if Friendship, illuminating the contradictory claims of the humanist position in relation to the conflicts within Elizabethan culture over the queen's resistance to marriage.

This edition of a lively debate on marital and sexual conduct in the Renaissance will be welcomed by students and scholars of Renaissance literature, culture, and history, and by others interested in gender issues and the history of marriage."

This collection reveals the valuable work that women achieved in publishing, printing, writing and reading early modern English books, from those who worked in the book trade to those who composed, selected, collected and annotated books. Women gathered rags for paper production, invested in books and oversaw the presses that printed them. Their writing and reading had an impact on their contemporaries and the developing literary canon. A focus on women's work enables these essays to recognize the various forms of labour -- textual and social as well as material and commercial -- that women of different social classes engaged in. Those considered include the very poor, the middling sort who were active in the book trade, and the elite women authors and readers who participated in literary communities. Taken together, these essays convey the impressive work that women accomplished and their frequent collaborations with others in the making, marking, and marketing of early modern English books.