World War II sent the youth of the world across the globe in odd alliances against each other. Never before had a conflict been fought simultaneously in so many diverse landscapes on premises that often seemed unrelated. Never before had a conflict been fought in so many different ways - from rocket attacks on London to jungle fighting in Burma to armor strikes in Libya. It was only in time that these battles coalesced into one war. In The Second World Wars, esteemed military historian Victor Davis Hanson examines how and why this happened, focusing in detail on how the war was fought in the air, at sea, and on land-and thus where, when, and why the Allies won. Throughout, Hanson also situates World War II squarely within the history of war in the West over the past 2,500 years. In profound ways, World War II was unique: the most lethal event in human history, with 50 million dead, the vast majority of them civilians. But, as Hanson demonstrates, the war's origins were not entirely novel; it was reformulations of ancient ideas of racial and cultural superiority that fueled the global bloodbath.

The West and Islam--the sword and the scimitar--have clashed since the mid-seventh century, when, according to Muslim tradition, the Byzantine emperor rejected Prophet Muhammad's order to abandon Christianity and convert to Islam, unleashing a centuries-long jihad on Christendom. Sword and Scimitar chronicles the significant battles that arose from this ages-old Islamic jihad, beginning with the first major Islamic attack on Christian land in 636, through the occupation of the Middle East that prompted the Crusades and the far-flung conquests of the Ottoman Turks, to the European colonization of the Muslim world in the 1800s, when Islam largely went on the retreat--until its reemergence in recent times. Using original sources in Arabic, Greek, Latin, and Turkish, preeminent historian Raymond Ibrahim describes each battle in vivid detail and explains the effect the outcome had on larger historical currents of the age and how the military lessons of the battle reflect the cultural faultlines between Islam and the West. The majority of these landmark battles are now forgotten or considered inconsequential. Yet today, as the West faces a resurgence of this enduring Islamic jihad, Sword and Scimitar provides the needed historical context to understand the current relationship between the West and the Islamic world, and why the Islamic State is merely the latest chapter of an old history.

The West and Islam--the sword and the scimitar--have clashed since the mid-seventh century, when, according to Muslim tradition, the Byzantine emperor rejected Prophet Muhammad's order to abandon Christianity and convert to Islam, unleashing a centuries-long jihad on Christendom. Sword and Scimitar chronicles the significant battles that arose from this ages-old Islamic jihad, beginning with the first major Islamic attack on Christian land in 636, through the occupation of the Middle East that prompted the Crusades and the far-flung conquests of the Ottoman Turks, to the European colonization of the Muslim world in the 1800s, when Islam largely went on the retreat--until its reemergence in recent times. Using original sources in Arabic, Greek, Latin, and Turkish, preeminent historian Raymond Ibrahim describes each battle in vivid detail and explains the effect the outcome had on larger historical currents of the age and how the military lessons of the battle reflect the cultural faultlines between Islam and the West. The majority of these landmark battles are now forgotten or considered inconsequential. Yet today, as the West faces a resurgence of this enduring Islamic jihad, Sword and Scimitar provides the needed historical context to understand the current relationship between the West and the Islamic world, and why the Islamic State is merely the latest chapter of an old history.

Human history is full of the stories of peasants, subjects, and tribes. Yet the concept of the "citizen" is historically rare-and was among America's most valued ideals for over two centuries. But without shock treatment, warns historian Victor Davis Hanson, American citizenship as we have known it may soon vanish. In The Dying Citizen, Hanson outlines the historical forces that led to this crisis. The evisceration of the middle class over the last fifty years has made many Americans dependent on the federal government. Open borders have undermined the idea of allegiance to a particular place. Identity politics have eradicated our collective civic sense of self. And a top-heavy administrative state has endangered personal liberty, along with formal efforts to weaken the Constitution. As in the revolutionary years of 1848, 1917, and 1968, 2020 ripped away our complacency about the future. But in the aftermath, we as Americans can rebuild and recover what we have lost. The choice is ours.

A New York Times bestseller, "The Dying Citizen is essential reading for any American who cares about the fate of our nation" (Mark R. Levin)Human history is full of the stories of peasants, subjects, and tribes. Yet the concept of the "citizen" is historically rare-and was among America's most valued ideals for over two centuries. But without shock treatment, warns Victor Davis Hanson, American citizenship may soon vanish.In The Dying Citizen, Hanson outlines the forces that led to this crisis. The evisceration of the middle class has made many Americans dependent on the federal government. Open borders have undermined allegiance to a particular place. Identity politics have eradicated our collective sense of self. And a top-heavy state has endangered personal liberty.With a new epilogue that assesses how the events of 2021 have further diminished the meaning of American citizenship, The Dying Citizen is a clarion call to rebuild our collective national identity.

In The Case for Trump, acclaimed historian and political commentator Victor Davis Hanson explains how a celebrity businessman with no political or military experience triumphed over sixteen well-qualified Republican rivals, a Democrat with a quarter-billion-dollar war chest, and a hostile media and Washington establishment to become President of the United States--and an extremely successful president at that. Hanson sets Trump in his broad political and social context to explain Trump's and ongoing political appeal to a broad swath of American voters. Growing anger at globalization, a stalled economy, immigration, costly and unfruitful overseas interventions, perceived poor trade deals, and political correctness meant by 2016 that if there were not a loud Trump outsider, he would likely have had to be invented. Trump and Trump alone saw a political opening in defending the forgotten working classes of the interior, who were alienated not only by Democrats but by elite republican candidates. (In 2012, one Republican taxi driver explained his decision to sit out the election altogether: "Geez, Romney came to Michigan wearing his wing-tips with starched jeans!") And despite the apocalyptic imaginings of both the Left and the Never Trump Right, one year into his presidency Trump boasts an impressive record of achievement of a kind rarely attained by an incoming president. Trump has realized economic and foreign policy results not seen in a generation, cutting through stasis and dismantling a corrupt old order. Hanson is not naive about Trump's self-destructive behavior (the relentless tweeting, the threats to fire Mueller and so on) but ultimately sees him as a kind of tragic political hero, something out a Sophocles play or an American Western. His accomplishments are a direct result of his personal excesses--the fact that he is not traditionally presidential has enabled him to bring long-overdue changes in foreign and domestic policy. We could not survive a series of presidencies as volatile as Trump's, Hanson acknowledges. But "given the direction of the country over the last 16 years, half the population, the proverbial townspeople of the western, wanted some outsider, even with a dubious past, to ride in and do things that most normal politicians not only would not but could not do -- before exiting stage left or riding off into the sunset."