A discussion of the fascinating interplay between communication, politics and religion in early modern England suggesting a new framework for the politics of print culture. This book challenges the idea that the loss of pre-publication licensing in 1695 unleashed a free press on an unsuspecting political class, setting England on the path to modernity. England did not move from a position of complete control of the press to one of complete freedom. Instead, it moved from pre-publication censorship to post-publication restraint. Political and religious authorities and their agents continued to shape and manipulate information. Authors, printers, publishers and book agents were continually harassed. The book trade reacted by practicing self-censorship. At times of political calm, government and the book trade colluded in a policy of policing rather than punishment. The Restraint of the Press in England problematizes the notion of the birth of modernity, a moment claimed by many prominent scholars to have taken place at the transition from the seventeenth into the eighteenth century. What emerges from this study is not a steady move to liberalism, democracy or modernity. Rather, after 1695, England was a religious and politically fractured society, in which ideas of the sovereignty of the people and the power of public opinion were being established and argued about.

Gunnar Myrdal was a Nobel Memorial Prize Laureate in Economics in 1974. This study examines the manner in which his intellectual style left an impact on the shaping of Sweden's welfare state, on race relations in the United States, and on post-World War Two economic cooperation in Europe.

This handbook provides a guide for individualized, responsive, and meaningful care to patients with severe mental illness. It begins with an overview of the foundational aspects of recovery - definitions and assessment, recovery principles, recovery research, and applications of recovery principles in in inpatient psychiatry. Subsequent chapters offer in-depth analyses of provider competencies, the patient's role in personal choices and decision making, and the deeper healing goals of recovery. The handbook also offers detailed treatment modalities, including cognitive remediation, psychological and psychiatric services, nursing and occupational therapy services, peer support, and pharmacological treatment. Featured topics include: Sexuality and sexual health in the inpatient psychiatric setting. The power of stigma and the usage of SAMHSA (Substance Abuse and Mental Health Services Administration) principles to combat stigma. Legal advocacy. Self-advocacy and empowerment. Methods to enhance resilience and sustain recovery in inpatients. Common errors and solutions during the transformation to recovery-oriented systems. The Handbook of Recovery in Inpatient Psychiatry is a must-have resource for researchers, graduate students, clinicians, and related professionals/practitioners in psychology, psychiatry, social work, nursing, rehabilitation therapy, occupational therapy, physical therapy, and allied professionals in related mental health and medical disciplines.

This collection brings together historians, political theorists and literary scholars to provide historical perspectives on the modern debate over freedom of speech, particularly the question of whether limitations might be necessary given religious pluralism and concerns about hate speech. It integrates religion into the history of free speech and rethinks what is sometimes regarded as a coherent tradition of more or less absolutist justifications for free expression. Contributors examine the aims and effectiveness of government policies, the sometimes contingent ways in which freedom of speech became a reality and a wide range of canonical and non-canonical texts in which contemporaries outlined their ideas and ideals. Overall, the book argues that while the period from 1500 to 1850 witnessed considerable change in terms of both ideas and practices, these were more or less distinct from those that characterise modern debates. -- .

This study examines the manner in which Gunnar Myrdal's intellectual style left an impact on the shaping of Sweden's welfare state, on race relations in the United States, on post-World War Two economic cooperation in Europe, and on the analysis of Third World economic development.

This handbook provides a guide for individualized, responsive, and meaningful care to patients with severe mental illness. It begins with an overview of the foundational aspects of recovery - definitions and assessment, recovery principles, recovery research, and applications of recovery principles in in inpatient psychiatry. Subsequent chapters offer in-depth analyses of provider competencies, the patient's role in personal choices and decision making, and the deeper healing goals of recovery. The handbook also offers detailed treatment modalities, including cognitive remediation, psychological and psychiatric services, nursing and occupational therapy services, peer support, and pharmacological treatment. Featured topics include: Sexuality and sexual health in the inpatient psychiatric setting. The power of stigma and the usage of SAMHSA (Substance Abuse and Mental Health Services Administration) principles to combat stigma. Legal advocacy. Self-advocacy and empowerment. Methods to enhance resilience and sustain recovery in inpatients. Common errors and solutions during the transformation to recovery-oriented systems. The Handbook of Recovery in Inpatient Psychiatry is a must-have resource for researchers, graduate students, clinicians, and related professionals/practitioners in psychology, psychiatry, social work, nursing, rehabilitation therapy, occupational therapy, physical therapy, and allied professionals in related mental health and medical disciplines.

This Is A New Release Of The Original 1868 Edition.

This wonderful volume belongs in the bookcase of all New York historians. More than 150 years old, this ancient text is rich in historical perspective and information that is no longer available to the modern researcher. The work begins with a general outline of New York history. Thereafter, the book is arranged alphabetically by county. Dictionary-like entries for each town are listed alphabetically within each county section. The entries give the location and history of each town, including date of settlement, famous and notable residents, important events, population statistics, number of dwellings, churches and schools, local Indians, and so on. Comprehensively annotated and profusely illustrated with engravings of towns, historic structures and distinctive natural features. This volume contains an index of counties, townships and villages, plus a separate index of subjects and full names; as well as a map of the state of New York "from the latest authorities."

The title describes this work quite well. It opens with a sixty-page outline history of the state from aboriginal times down to the date of publication, while the balance consists of brief histories of all the counties and towns as of 1845. Early settlers and prominent citizens are frequently mentioned. The illustrations are mostly village scenes, old homes, etc., but a few are maps of Revolutionary War battles. A new index to names of people and places has been added which makes the work much more useful as a reference.

Chances are you've probably heard Handel's Messiah at least once, if not many times. Maybe you've even performed it, as have countless musicians around the world. After all, it's probably one of the best-loved, and certainly one of the best-known, musical works in the standard repertoire. But if you thought you knew all there was to know about the great composer's famous oratorio, think again. For example, it may surprise you to learn that: Handel's first impulse to compose the work came not from religious or even musical inspiration. It had a whole lot more to do with money. The first performance of Messiah took place not in London but in Dublin - and not with a huge choir and orchestra but with only a relative handful of musicians. Although church groups and clergy members now praise Messiah as a fine example of religious music at its best, Handel had to disguise his oratorio for its first performance in London in order to sneak it past the church authorities. The Hallelujah chorus wasn't originally called that at all, but had a different name. Although Handel was proud of Messiah, he didn't think it was his best work. His favorite oratorio is one hardly anyone has ever heard of, much less heard. All these and many more entertaining (and entirely true ) facts await your discovery as internationally bestselling author David W. Barber takes you on another delightful romp through the pages of music history - as it ought to be taught