From the claustrophobic environment of Haworth Parsonage emerged an astonishing range and diversity of character and talent. Between them the two youngest Bronte sisters wrote three novels, each sharply individual in style, purpose and subject-matter. The title, first published in 1968, discusses and illustrates the similarities and differences in the writings of Emily and Anne Bronte, paying particular attention to their place in the development of the Victorian novel. He stresses the complexities of structure and characterisation in Wuthering Heights, introducing the reader first to the background of the novel. This book will be of interest to students of English Literature.

William Blake (1757 - 1827) is one of the great figures in literature, by turns poet, artist and visonary. Profoundly libertarian in outlook, Blake's engagement with the issues of his day is well known and this - along with his own idiosynratic concerns - flows through his poetry and art. Like Milton before him, the prodigality of his allusions and references is little short of astonishing. Consquently, his longer viosnary poems can challege the modern reader, who will find in this avowedly open edition all they might need to interpret the poetry. W. H. Stevenson's Blake is a masterpiece of scrupulous scholarship. It is, as the editor makes clear in his introduction, 'designed to be widely, and fluently, read' and this Third Edition incorporates many changes to further that aim. Many of the headnotes have been rewritten and the footnotes updated. The full texts of the early prose tracts, All Religions are One and There is no Natural Religion, are included for the first time. In many instances, Blake's capitalisation has been restored, better to convey the expressive individuality of his writing. In addition, a full colour plate section contains a representation of Blake's most significant paintings and designs. As the 250th anniversary of his birth approaches, Blake has perhaps more readers than ever before; Blake: The Complete Poems will stand those readers, new and old, in good stead for many years to come.

Without an understanding of Biblical stories, readers lose out on much of the richness of English literature, as authors from Milton through T.S. Eliot to Jeanette Winterson draw inspiration from Biblical stories in their own writing. This user-friendly annotated selection of key passages from the King James's Bible clarifies the key themes, characters, stories and genealogies for students, offering timelines, a bibliography, and a detailed index for quick and easy reference. The original 1984 version, of which this is a revised edition, was written by Bill Stevenson as a response to his students' difficulty with biblical references in literature - a selection from the King James's Bible that would give the student a notion of what the book contains, including the history of the 1611 text, the strands of imagery that bind the whole together. It gives the student a brief overview of the political, historical and religious contexts of the stories in the Bible as well as a brief history of the different versions of the Bible.

Without an understanding of Biblical stories, readers lose out on much of the richness of English literature, as authors from Milton through T.S. Eliot to Jeanette Winterson draw inspiration from Biblical stories in their own writing. This user-friendly annotated selection of key passages from the King James's Bible clarifies the key themes, characters, stories and genealogies for students, offering timelines, a bibliography, and a detailed index for quick and easy reference. The original 1984 version, of which this is a revised edition, was written by Bill Stevenson as a response to his students' difficulty with biblical references in literature - a selection from the King James's Bible that would give the student a notion of what the book contains, including the history of the 1611 text, the strands of imagery that bind the whole together. It gives the student a brief overview of the political, historical and religious contexts of the stories in the Bible as well as a brief history of the different versions of the Bible.

From the claustrophobic environment of Haworth Parsonage emerged an astonishing range and diversity of character and talent. Between them the two youngest Bronte sisters wrote three novels, each sharply individual in style, purpose and subject-matter. The title, first published in 1968, discusses and illustrates the similarities and differences in the writings of Emily and Anne Bronte, paying particular attention to their place in the development of the Victorian novel. He stresses the complexities of structure and characterisation in Wuthering Heights, introducing the reader first to the background of the novel. This book will be of interest to students of English Literature.

This collection of nineteen early English charters, in Old English and Latin, was formed in the eighteenth century, lost from sight for one hundred years in Ireland, and sent for auction in the early 1890s, when it was purchased by the Bodleian Library, Oxford. It includes original charters of Anglo-Saxon kings including Aethelstan and Aethelred, and refers to estates as far apart as Cornwall and St Albans. The documents were edited by A. S. Napier (1853 1916) and W. H. Stevenson (1858 1924), and published in 1895. The book contains thorough notes on historical and philological aspects of the texts, and a detailed index. The editors set new standards, voicing stern criticism of the pioneering works of Kemble and Birch (also reissued in this series) as regards authenticity and dating. Their work inspired new editions of the Anglo-Saxon charters, one in the first half of the twentieth century, the other still ongoing.

William Blake (1757 - 1827) is one of the great figures in literature, by turns poet, artist and visonary. Profoundly libertarian in outlook, Blake's engagement with the issues of his day is well known and this - along with his own idiosynratic concerns - flows through his poetry and art. Like Milton before him, the prodigality of his allusions and references is little short of astonishing. Consquently, his longer viosnary poems can challege the modern reader, who will find in this avowedly open edition all they might need to interpret the poetry. W. H. Stevenson's Blake is a masterpiece of scrupulous scholarship. It is, as the editor makes clear in his introduction, 'designed to be widely, and fluently, read' and this Third Edition incorporates many changes to further that aim. Many of the headnotes have been rewritten and the footnotes updated. The full texts of the early prose tracts, All Religions are One and There is no Natural Religion, are included for the first time. In many instances, Blake's capitalisation has been restored, better to convey the expressive individuality of his writing. In addition, a full colour plate section contains a representation of Blake's most significant paintings and designs. As the 250th anniversary of his birth approaches, Blake has perhaps more readers than ever before; Blake: The Complete Poems will stand those readers, new and old, in good stead for many years to come.