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The conservation of metallic archaeological and historic artefacts
is a major challenge whether they are ancient bronzes or relics of
our more recent industrial past. Based on the work of Working Party
21 Corrosion of Archaeological and Historical Artefacts within the
European Federation of Corrosion (EFC), this important book
summarises key recent research on analytical techniques,
understanding corrosion processes and preventing the corrosion of
cultural heritage metallic artefacts.
After an introductory part on some of the key issues in this area,
part two reviews the range of analytical techniques for measuring
and analysing corrosion processes, including time resolved
spectroelectrochemistry, voltammetry and laser induced breakdown
spectroscopy. Part three reviews different types of corrosion
processes for a range of artefacts, whilst part four discusses
on-site monitoring techniques. The final part of the book summaries
a range of conservation techniques and strategies to conserve
cultural heritage metallic artefacts.
Corrosion and conservation of cultural heritage metallic artefacts
is an important reference for all those involved in archaeology and
conservation, including governments, museums as well as those
undertaking research in archaeology and corrosion science.
Summarises key research on analytical techniques for measuring and
analysing corrosion processesProvides detailed understanding of
corrosion processes and corrosion preventionDiscusses on-site
monitoring techniques
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The Letter for the King (Paperback)
Tonke Dragt; Illustrated by Tonke Dragt; Translated by Laura Watkinson
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R278
R217
Discovery Miles 2 170
Save R61 (22%)
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Ships in 9 - 17 working days
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A young messenger. A secret mission. A kingdom in peril.
When Tiuri answers a desperate call for help, he finds himself on a dangerous errand that could cost him his life. He must deliver a secret letter to the king who lives across the Great Mountains - and the future of the entire realm depends on his message.
It means abandoning his home, breaking all the rules and leaving everything behind - even the knighthood he has dreamed of for so long. He must trust no one. He must keep his true identity a secret. Above all, he must never reveal what is in the letter.
The fate of the kingdom rests on him.
Part of the new Pushkin Children's Classics series of thrilling, magical and inspiring stories from around the world, which young readers will return to time and again.
Translated by Laura Watkinson.
Tonke Dragt was born in Jakarta in 1930 and spent most of her childhood in Indonesia. Her family moved to the Netherlands after the war and, after studying at the Royal Academy of Art in The Hague, Dragt became an art teacher. She published her first book in 1961, followed a year later by The Letter for the King, which won the Children's Book of the Year award and has been translated into sixteen languages. Dragt was awarded the State Prize for Youth Literature in 1976 and was knighted in 2001. She died in 2024.
Laura Watkinson is a full-time translator from Dutch, Italian and German. She has translated many titles for Pushkin Children's Books, including Jan Terlouw's Winter in Wartime, Tonke Dragt's The Letter for the King and Annet Schaap's Lampie. She lives in Amsterdam.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
On the day Cato came into the world, her mother left it. Cato's dad
has been a mere shadow of a person ever since, and Cato has given
up reaching out to him. When she finds a mysterious card from an
abandoned movie theatre and discovers it has reopened, Cato decides
to go take a look. There appears to be something strange about the
cinema. The movies showing there are no ordinary movies and somehow
the cinema seems to be in connection with the past... Looking for
adventure and the truth about her mother, Cato is swept into a
dangerous journey through time and memories, straight to a place
deep within her heart. A place she had always managed to keep
locked away. And then she faces a choice that will change her life,
and that of her father, forever.
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Girls
Annet Schaap; Translated by Laura Watkinson
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R263
R210
Discovery Miles 2 100
Save R53 (20%)
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Ships in 9 - 17 working days
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The past three decades of research on human motivation have
presented theories of cognitive decision-making that fail to
account for numerous behavioral paradoxes such as the
disproportional rise in motivation following the reduction in
anxiety. This text provides empirical evidence and a broad
theoretical framework for integrating cognitive, emotional and
motivational psychology though a systems-oriented perspective.
When Yes ran into problems recording their tenth album in Paris at
the end of 1979, it was almost the end. Yet in the 80s, the band
rallied, firstly as part of an unlikely collaboration with new wave
duo The Buggles, then with 90125, the most successful album of
their career, which spawned a number one hit in the USA with 'Owner
Of A Lonely Heart'. The band failed to capitalise on this success,
however, lingering too long over its successor Big Generator and by
the end of the decade, Yes had effectively split into two versions
of the same group. With most authors concentrating on the group's
1970s career, Yes in the 1980s looks in forensic detail at this
relatively underexamined era of the band's history, featuring
rarely seen photos researched by author David Watkinson. The book
follows the careers of all nine significant members of the group
during a turbulent decade which saw huge highs but also many lows.
Not only does it consider the three albums the band itself made
across the decade, but also the solo careers and other groups -
including Asia, XYZ, The Buggles, Jon and Vangelis and GTR - formed
by those musicians as the decade wound towards a reunion of sorts
in the early 1990s
When the Coalition Government came to power in 2010 in claimed it
would deliver not just austerity, as necessary as that apparently
was, but also fairness. This volume subjects this pledge to
critical interrogation by exposing the interests behind the policy
programme pursued and their damaging effects on class inequalities.
Situated within a recognition of the longer-term rise of neoliberal
politics, reflections on the status of sociology as a source of
critique and current debates over the relationship between the
cultural and economic dimensions of social class, the contributors
cover an impressively wide range of relevant topics, from
education, family policy and community to crime and consumption,
shedding new light on the experience of domination in the early
21st Century.
Conservation practitioners seek predictable and successful
procedures and treatments for controlling corrosion of heritage
metals that conform to aesthetic and ethical boundaries set by
prevailing cultural, historical, and archaeological contexts.
Understanding metallic corrosion and its prevention is informed by
scientific research provided by heritage scientists, conservators
themselves and, to a lesser extent, corrosion scientists who may be
in academia or industry.Bridging the Gap: Corrosion Science For
Heritage Contexts explores the decision-making processes for
preserving heritage metals and examines the collaborative,
interdisciplinary relationships that underpin them.Through themed
chapters, the book is designed to develop and strengthen
collaboration between these three groups of professionals, creating
a synergy that benefits research and practice for the preservation
of heritage metals. It builds an overview of metals conservation
across a broad range of heritage contexts, from indoor museum
displays to fixed outdoor structures and moving objects.
Researchers and practitioners provide critical insights into
corrosion problems within heritage, current corrosion mitigation
procedures and the evidence supporting best practice guidance.The
book will be a valuable reference resource for corrosion and
corrosion protection scientists; heritage preservation scientists;
conservation practitioners and students studying preservation of
cultural objects.
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