The conservation of metallic archaeological and historic artefacts is a major challenge whether they are ancient bronzes or relics of our more recent industrial past. Based on the work of Working Party 21 Corrosion of Archaeological and Historical Artefacts within the European Federation of Corrosion (EFC), this important book summarises key recent research on analytical techniques, understanding corrosion processes and preventing the corrosion of cultural heritage metallic artefacts.
After an introductory part on some of the key issues in this area, part two reviews the range of analytical techniques for measuring and analysing corrosion processes, including time resolved spectroelectrochemistry, voltammetry and laser induced breakdown spectroscopy. Part three reviews different types of corrosion processes for a range of artefacts, whilst part four discusses on-site monitoring techniques. The final part of the book summaries a range of conservation techniques and strategies to conserve cultural heritage metallic artefacts.
Corrosion and conservation of cultural heritage metallic artefacts is an important reference for all those involved in archaeology and conservation, including governments, museums as well as those undertaking research in archaeology and corrosion science.
Summarises key research on analytical techniques for measuring and analysing corrosion processesProvides detailed understanding of corrosion processes and corrosion preventionDiscusses on-site monitoring techniques

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

On the day Cato came into the world, her mother left it. Cato's dad has been a mere shadow of a person ever since, and Cato has given up reaching out to him. When she finds a mysterious card from an abandoned movie theatre and discovers it has reopened, Cato decides to go take a look. There appears to be something strange about the cinema. The movies showing there are no ordinary movies and somehow the cinema seems to be in connection with the past... Looking for adventure and the truth about her mother, Cato is swept into a dangerous journey through time and memories, straight to a place deep within her heart. A place she had always managed to keep locked away. And then she faces a choice that will change her life, and that of her father, forever.

A young messenger. A secret mission. A kingdom in peril. When Tiuri answers a desperate call for help, he finds himself on a dangerous errand that could cost him his life. He must deliver a secret letter to the king who lives across the Great Mountains - and the future of the entire realm depends on his message. It means abandoning his home, breaking all the rules and leaving everything behind - even the knighthood he has dreamed of for so long. He must trust no one. He must keep his true identity a secret. Above all, he must never reveal what is in the letter. The fate of the kingdom rests on him. Part of the new Pushkin Children's Classics series of thrilling, magical and inspiring stories from around the world, which young readers will return to time and again. Translated by Laura Watkinson. Tonke Dragt was born in Jakarta in 1930 and spent most of her childhood in Indonesia. Her family moved to the Netherlands after the war and, after studying at the Royal Academy of Art in The Hague, Dragt became an art teacher. She published her first book in 1961, followed a year later by The Letter for the King, which won the Children's Book of the Year award and has been translated into sixteen languages. Dragt was awarded the State Prize for Youth Literature in 1976 and was knighted in 2001. She died in 2024. Laura Watkinson is a full-time translator from Dutch, Italian and German. She has translated many titles for Pushkin Children's Books, including Jan Terlouw's Winter in Wartime, Tonke Dragt's The Letter for the King and Annet Schaap's Lampie. She lives in Amsterdam.

A stunning gift edition of the Sunday Times and Telegraph Children’s Book of the Year—the “action-packed” sequel to The Letter for the King (Daily Mail) Young Sir Tiuri searches for a missing knight in the perilous, magical forest of the Wild Wood—where discerning friend from foe is no easy task . . . One of the King’s most trusted knights has vanished in the snow, so young Sir Tiuri and his best friend Piak must journey into the shadowy heart of the forest to find him. The Wild Wood is a place of mysteries, rumors and whispered tales. A place of lost cities, ancient curses, robbers, princesses, and Men in Green. As the darkness surrounds him and reports grow of secret plots and ruthless enemies, Tiuri finds himself alone and fighting for survival—caught in a world where good and evil wear the same face, and the wrong move could cost him his life.

The past three decades of research on human motivation have presented theories of cognitive decision-making that fail to account for numerous behavioral paradoxes such as the disproportional rise in motivation following the reduction in anxiety. This text provides empirical evidence and a broad theoretical framework for integrating cognitive, emotional and motivational psychology though a systems-oriented perspective.

The fungi are one of the great groups of living organisms, comparable in numbers of species, diversity and ecological significance with animals, plants, protists and bacteria. This textbook deals with all fundamental and applied aspects of mycology, illustrated by reference to well studied species from major fungal groups. Since the publication of the first edition of The Fungi, there have been many important advances in the field of mycology. This second up-to-date edition has been revised and substantially expanded, and incorporates the application of methods of molecular biology, especially DNA technology to mycology.
KEY FEATURES:
* Question and answer section at the end of each chapter
* Modern classification based on Molecular phylogeny
* Detail of the recent increased understanding of the organelles and processes involved in hyphal growth
* New molecular understanding of mating type genes
* The latest on molecular recognition in the infection process
* The use of DNA technology in engineering plant resistance to fungal diseases
* New section on medical mycology
* Fungal mycology in animals
* The latest on the use of genetically manipulated fungi to produce products earlier obtained from mammals

When Yes ran into problems recording their tenth album in Paris at the end of 1979, it was almost the end. Yet in the 80s, the band rallied, firstly as part of an unlikely collaboration with new wave duo The Buggles, then with 90125, the most successful album of their career, which spawned a number one hit in the USA with 'Owner Of A Lonely Heart'. The band failed to capitalise on this success, however, lingering too long over its successor Big Generator and by the end of the decade, Yes had effectively split into two versions of the same group. With most authors concentrating on the group's 1970s career, Yes in the 1980s looks in forensic detail at this relatively underexamined era of the band's history, featuring rarely seen photos researched by author David Watkinson. The book follows the careers of all nine significant members of the group during a turbulent decade which saw huge highs but also many lows. Not only does it consider the three albums the band itself made across the decade, but also the solo careers and other groups - including Asia, XYZ, The Buggles, Jon and Vangelis and GTR - formed by those musicians as the decade wound towards a reunion of sorts in the early 1990s