The conservation of metallic archaeological and historic artefacts is a major challenge whether they are ancient bronzes or relics of our more recent industrial past. Based on the work of Working Party 21 Corrosion of Archaeological and Historical Artefacts within the European Federation of Corrosion (EFC), this important book summarises key recent research on analytical techniques, understanding corrosion processes and preventing the corrosion of cultural heritage metallic artefacts.
After an introductory part on some of the key issues in this area, part two reviews the range of analytical techniques for measuring and analysing corrosion processes, including time resolved spectroelectrochemistry, voltammetry and laser induced breakdown spectroscopy. Part three reviews different types of corrosion processes for a range of artefacts, whilst part four discusses on-site monitoring techniques. The final part of the book summaries a range of conservation techniques and strategies to conserve cultural heritage metallic artefacts.
Corrosion and conservation of cultural heritage metallic artefacts is an important reference for all those involved in archaeology and conservation, including governments, museums as well as those undertaking research in archaeology and corrosion science.
Summarises key research on analytical techniques for measuring and analysing corrosion processesProvides detailed understanding of corrosion processes and corrosion preventionDiscusses on-site monitoring techniques

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Conservation practitioners seek predictable and successful procedures and treatments for controlling corrosion of heritage metals that conform to aesthetic and ethical boundaries set by prevailing cultural, historical, and archaeological contexts. Understanding metallic corrosion and its prevention is informed by scientific research provided by heritage scientists, conservators themselves and, to a lesser extent, corrosion scientists who may be in academia or industry.Bridging the Gap: Corrosion Science For Heritage Contexts explores the decision-making processes for preserving heritage metals and examines the collaborative, interdisciplinary relationships that underpin them.Through themed chapters, the book is designed to develop and strengthen collaboration between these three groups of professionals, creating a synergy that benefits research and practice for the preservation of heritage metals. It builds an overview of metals conservation across a broad range of heritage contexts, from indoor museum displays to fixed outdoor structures and moving objects. Researchers and practitioners provide critical insights into corrosion problems within heritage, current corrosion mitigation procedures and the evidence supporting best practice guidance.The book will be a valuable reference resource for corrosion and corrosion protection scientists; heritage preservation scientists; conservation practitioners and students studying preservation of cultural objects.

The past three decades of research on human motivation have presented theories of cognitive decision-making that fail to account for numerous behavioral paradoxes such as the disproportional rise in motivation following the reduction in anxiety. This text provides empirical evidence and a broad theoretical framework for integrating cognitive, emotional and motivational psychology though a systems-oriented perspective.

A young messenger. A secret mission. A kingdom in peril. When Tiuri answers a desperate call for help, he finds himself on a dangerous errand that could cost him his life. He must deliver a secret letter to the king who lives across the Great Mountains - and the future of the entire realm depends on his message. It means abandoning his home, breaking all the rules and leaving everything behind - even the knighthood he has dreamed of for so long. He must trust no one. He must keep his true identity a secret. Above all, he must never reveal what is in the letter. The fate of the kingdom rests on him. Part of the new Pushkin Children's Classics series of thrilling, magical and inspiring stories from around the world, which young readers will return to time and again. Translated by Laura Watkinson. Tonke Dragt was born in Jakarta in 1930 and spent most of her childhood in Indonesia. Her family moved to the Netherlands after the war and, after studying at the Royal Academy of Art in The Hague, Dragt became an art teacher. She published her first book in 1961, followed a year later by The Letter for the King, which won the Children's Book of the Year award and has been translated into sixteen languages. Dragt was awarded the State Prize for Youth Literature in 1976 and was knighted in 2001. She died in 2024. Laura Watkinson is a full-time translator from Dutch, Italian and German. She has translated many titles for Pushkin Children's Books, including Jan Terlouw's Winter in Wartime, Tonke Dragt's The Letter for the King and Annet Schaap's Lampie. She lives in Amsterdam.

A stunning gift edition of the Sunday Times and Telegraph Children’s Book of the Year—the “action-packed” sequel to The Letter for the King (Daily Mail) Young Sir Tiuri searches for a missing knight in the perilous, magical forest of the Wild Wood—where discerning friend from foe is no easy task . . . One of the King’s most trusted knights has vanished in the snow, so young Sir Tiuri and his best friend Piak must journey into the shadowy heart of the forest to find him. The Wild Wood is a place of mysteries, rumors and whispered tales. A place of lost cities, ancient curses, robbers, princesses, and Men in Green. As the darkness surrounds him and reports grow of secret plots and ruthless enemies, Tiuri finds himself alone and fighting for survival—caught in a world where good and evil wear the same face, and the wrong move could cost him his life.

On the day Cato came into the world, her mother left it. Cato's dad has been a mere shadow of a person ever since, and Cato has given up reaching out to him. When she finds a mysterious card from an abandoned movie theatre and discovers it has reopened, Cato decides to go take a look. There appears to be something strange about the cinema. The movies showing there are no ordinary movies and somehow the cinema seems to be in connection with the past... Looking for adventure and the truth about her mother, Cato is swept into a dangerous journey through time and memories, straight to a place deep within her heart. A place she had always managed to keep locked away. And then she faces a choice that will change her life, and that of her father, forever.

When the Coalition Government came to power in 2010 in claimed it would deliver not just austerity, as necessary as that apparently was, but also fairness. This volume subjects this pledge to critical interrogation by exposing the interests behind the policy programme pursued and their damaging effects on class inequalities. Situated within a recognition of the longer-term rise of neoliberal politics, reflections on the status of sociology as a source of critique and current debates over the relationship between the cultural and economic dimensions of social class, the contributors cover an impressively wide range of relevant topics, from education, family policy and community to crime and consumption, shedding new light on the experience of domination in the early 21st Century.

The industry "bible" is back and it's better than ever. The Art of Digital Video has served as the ultimate reference guide for those working with digital video for generations. Now this classic has been revised and re-written by international consultant and industry leader John Watkinson to include important technical updates on this ever-evolving topic.
The format has also been improved to include optional sections that provide additional information that you can choose to skip or investigate further, depending on your interests and comfort level with the subject. As the worlds of film, digital imaging, and computing have converged, this book has evolved to remain current and relevant, while still remaining the classic that experts in the field have trusted for years.
* Must-have updates throughout this must-have guide
* Re-written by a widely acclaimed author and authority in the field
* More information on emerging technologies