Frederick Douglass' 1845 Narrative is accompanied by a preface and explanatory footnotes. Included are contemporary perspectives, along with essays, a chronology and bibliography.

The much-anticipated Third Edition brings together the work of 140 writers from 1746 to the present writing in all genres, as well as performers of vernacular forms from spirituals and sermons to jazz and hip hop. Fresh scholarship, new visuals and media, and new selections with an emphasis on contemporary writers combine to make The Norton Anthology of African American Literature an even better teaching tool for instructors and an unmatched value for students."

The much-anticipated Third Edition brings together the work of 140 writers from 1746 to the present writing in all genres, as well as performers of vernacular forms from spirituals and sermons to jazz and hip hop. Fresh scholarship, new visuals and media, and new selections with an emphasis on contemporary writers combine to make The Norton Anthology of African American Literature an even better teaching tool for instructors and an unmatched value for students."

`My life had its beginning in the midst of the most miserable, desolate, and discouraging surroundings.' For half a century from its publication in 1901 Up from Slavery was the best known book written by an African American. The life of ex-slave Booker T Washington embodied the legendary rise of the American self-made man, and his autobiography gave prominence for the first time to the voice of a group which had to pull itself up from extreme adversity. Washington attributes his success to his belief in many of the virtues celebrated by Benjamin Franklin: selflessness, industry, pragmatism, and optimism. But from behind the mask of the humble, plainspoken schoolmaster come hints that reveal Washington the ambitious and tough-minded analyst of power who had to balance the demands of blacks with the constraints imposed on him by whites. To read Up from Slavery is to explore the means by which Washington rose to become the most influential and powerful black American of his time. How far he compromised African American rights in order to achieve his aims remains a matter of controversy. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Conjoined twins have long been a subject of fantasy, fascination, and freak shows. In this first collection of its kind, Millie-Christine McKoy, African American twins born in 1851, and Daisy and Violet Hilton, English twins born in 1908, speak for themselves through memoirs that help us understand what it is like to live physically joined to someone else.
" Conjoined Twins in Black and White "provides contemporary readers with the twins' autobiographies, the first two "show histories" to be republished since their original appearance, a previously unpublished novella, and a nineteenth-century medical examination, each of which attempts to define these women and reveal the issues of race, gender, and the body prompted by the twins themselves. The McKoys, born slaves, were kidnapped and taken to Britain, where they worked as entertainers until they were reunited with their mother in an emotional chance encounter. The Hiltons, cast away by their horrified mother at birth, worked the carnival circuit as vaudeville performers until the WWII economy forced them to the burlesque stage. The hardships, along with the triumphs, experienced by these very different sister sets lend insight into our fascination with conjoined twins.

Although millions of Russians lived as serfs until the middle of the nineteenth century, little is known about their lives. Identifying and documenting the conditions of Russian serfs has proven difficult because the Russian state discouraged literacy among the serfs and censored public expressions of dissent. To date scholars have identified only twenty known Russian serf narratives.
"Four Russian Serf Narratives" contains four of these accounts and is the first translated collection of autobiographies by serfs. Scholar and translator John MacKay brings to light for an English-language audience a diverse sampling of Russian serf narratives, ranging from an autobiographical poem to stories of adventure and escape. "Autobiography" (1785) recounts a highly educated serf's attempt to escape to Europe, where he hoped to study architecture. The long testimonial poem "News About Russia" (ca. 1849) laments the conditions under which the author and his fellow serfs lived. In "The Story of My Life and Wanderings" (1881) a serf tradesman tells of his attempt to simultaneously escape serfdom and captivity from Chechen mountaineers. The fragmentary "Notes of a Serf Woman" (1911) testifies to the harshness of peasant life with extraordinary acuity and descriptive power.
These accounts offer readers a glimpse, from the point of view of the serfs themselves, into the realities of one of the largest systems of unfree labor in history. The volume also allows comparison with slave narratives produced in the United States and elsewhere, adding an important dimension to knowledge of the institution of slavery and the experience of enslavement in modern times.

Philip Holden reveals deeply gendered connections between the writing of individual lives and of the narratives of nations emerging from colonialism. ""Autobiography and Decolonization"" is the first book to give serious academic attention to autobiographies of nationalist leaders in the process of decolonization, attending to them not simply as partial historical documents, but as texts involved in remaking the world views of their readers.Holden examines Mohandas K. Gandhi's ""An Autobiography: The Story of My Experiments with Truth"", Marcus Garvey's fragmentary Autobiography, Joseph Ephraim Casely Hayford's ""Ethiopia Unbound:, Lee Kuan Yew's ""The Singapore Story"", Nelson Mandela's ""Long Walk to Freedom"", Jawaharlal Nehru's ""An Autobiography"", and Kwame Nkrumah's ""Ghana: The Autobiography of Kwame Nkrumah"".Holden argues that these examples of life writing have had significant influence on the formation of new, and often profoundly gendered, national identities. These narratives constitute the nation less as an imagined community than as an imagined individual. Moving from the past to the promise of the future, they mediate relationships between public and private, and between individual and collective stories. Ultimately, they show how the construction of modern selfhood is inextricably linked to the construction of a postcolonial polity.

Exploring nearly sixty years of memoir and autobiography, "Writing Desire" examines the changing identity of gay men writing within a historical context. Distinguished scholar and psychoanalyst Bertram J. Cohler has carefully selected a diverse group of ten men, including historians, activists, journalists, poets, performance artists, and bloggers, whose life writing evokes the evolution of gay life in twentieth-century America.
By contrasting the personal experience of these disparate writers, Cohler illustrates the social transformations that these men helped shape. Among Cohler's diverse subjects is Alan Helms, whose journey from Indiana to New York's gay society represents the passage of men who came of age in the 1950s and 1960s, when homosexuality was considered a hidden "disease." The liberating effects of Stonewall's aftermath are chronicled in the life of Arnie Kantrowitz, the prototypical activist for gay rights in the 1970s and the founder the Gay and Lesbian Alliance against Defamation. The artistic works of Tim Miller and Mark Doty evoke loss and shock during of the early stages of the AIDS epidemic in the 1980s. Cohler rounds out this collective group portrait by looking at the newest generation of writers in the Internet age via the blog of BrYaN, who did the previously unthinkable: he "outed" himself to millions of people.
A compelling mix of social history and personal biography, "Writing Desire" distills the experience of three generations of gay America

The career of any black writer in nineteenth-century American was fraught with difficulties, and William Andrews undertakes to explain how and why Charles Waddell Chesnutt (1858-1932) became the first Negro novelist of importance: ""Steering a difficult course between becoming co-opted by his white literary supporters and becoming alienated from then and their access to the publishing medium, Chesnutt became the first Afro-American writer to use the white-controlled mass media in the service of serious fiction on behalf of the black community."" Awarded the Spingarn Medal in 1928 by the National Association for the Advancement of coloured People, Chesnutt admitted without apologies that because of his own experiences, most of his writings concentrated on issue about racial identity. Only one-eighth Negro and able to pass for Caucasian, Chesnutt dramatized the dilemma of others like him. The House Behind the Cedars (1900), Chesnutt's most autobiographical novel, evokes the world of ""bright mulatto"" caste in post-Civil War North Carolina and pictures the punitive consequences of being of mixed heritage. Chesnutt not only made a crucial break with many literary conventions regarding Afro-American life, crafting his authentic material with artistic distinction, he also broached the moral issue of the racial caste system and dared to suggest that a gradual blending of the races would alleviate a pernicious blight on the nation's moral progress. Andrews argues that ""along with Cable in The Grandissimes and Mark Twain in Pudd'nhead Wilson, Chesnutt anticipated Faulkner in focusing on miscegenation, even more than slavery, as the repressed myth of the American past and a powerful metaphor of southern post-Civil War history."" Although Chesnutt's career suffered setback and though he was faced with compromises he consistently saw America's race problem as intrinsically moral rather than social or political. In his fiction he pictures the strengths of Afro-Americans and affirms their human dignity and heroic will. William L. Andrews provides an account of essentially all that Chesnutt wrote, covering the unpublished manuscripts as well as the more successful efforts and viewing these materials in he context of the author's times and of his total career. Though the scope of this book extends beyond textual criticism, the thoughtful discussions of Chesnutt's works afford us a vivid and gratifying acquaintance with the fiction and also account for an important episode in American letters and history.

Films possess virtually unlimited power for crafting broad interpretations of American history. Nineteenth-century America has proven especially conducive to Hollywood imaginations, producing indelible images like the plight of Davy Crockett and the defenders of the Alamo, Pickett's doomed charge at Gettysburg, the proliferation and destruction of plantation slavery in the American South, Custer's fateful decision to divide his forces at Little Big Horn, and the onset of immigration and industrialization that saw Old World lifestyles and customs dissolve amid rapidly changing environments. Balancing historical nuance with passion for cinematic narratives, Writing History with Lightning confronts how movies about nineteenth-century America influence the ways in which mass audiences remember, understand, and envision the nation's past. In these twenty-six essays- divided by the editors into sections on topics like frontiers, slavery, the Civil War, the Lost Cause, and the West- notable historians engage with films and the historical events they ostensibly depict. Instead of just separating fact from fiction, the essays contemplate the extent to which movies generate and promulgate collective memories of American history. Along with new takes on familiar classics like Young Mr. Lincoln and They Died with Their Boots On, the volume covers several films released in recent years, including The Revenant, 12 Years a Slave, The Birth of a Nation, Free State of Jones, and The Hateful Eight. The authors address Hollywood epics like The Alamo and Amistad, arguing that these movies flatten the historical record to promote nationalist visions. The contributors also examine overlooked films like Hester Street and Daughters of the Dust, considering their portraits of marginalized communities as transformative perspectives on American culture. By surveying films about nineteenth-century America, Writing History with Lightning analyzes how movies create popular understandings of American history and why those interpretations change over time.

"The distinction among slaves is as marked, as the classes of society are in any aristocratic community. Some refusing to associate with others whom they deem to be beneath them, in point of character, color, condition, or the superior importance of their respective masters." Henry Bibb, fugitive slave, editor, and antislavery activist, stated this in his Narrative of the Life and Adventures of Henry Bibb (1849). In William L. Andrews's magisterial study of an entire generation of slave narrators, more than 60 mid-nineteenth-century narratives reveal how work, family, skills, and connections made for social and economic differences among the enslaved of the South. Slave narrators disclosed class-based reasons for violence that broke out between "impudent," "gentleman," and "lady" slaves and their resentful "mean masters." Andrews's far-reaching book shows that status and class played key roles in the self- and social awareness and in the processes of liberation portrayed in the narratives of the most celebrated fugitives from U.S. slavery, such as Frederick Douglass, Harriet Jacobs, William Wells Brown, and William and Ellen Craft. Slavery and Class in the American South explains why social and economic distinctions developed and how they functioned among the enslaved. Noting that the majority of the slave narrators came from the higher echelons of the enslaved, Andrews also pays close attention to the narratives that have received the least notice from scholars, those from the most exploited class, the "field hands." By examining the lives of the most and least acclaimed heroes and heroines of the slave narrative, Andrews shows how the dividing edge of social class cut two ways, sometimes separating upper and lower strata of slaves to their enslavers' advantage, but at other times fueling pride, aspiration, and a sense of just deserts among some of the enslaved that could be satisfied by nothing less than complete freedom. The culmination of a career spent studying African American literature, this comprehensive study of the antebellum slave narrative offers a ground-breaking consideration of a unique genre of American literature.

Unlike the popular "Uncle Remus" stories of Joel Chandler Harris, Charles W. Chesnutt's tales probe psychological depths in black people unheard of before in Southern regional writing. They also expose the anguish of mixed-race men and women and the consequences of racial hatred, mob violence, and moral compromise.

This important collection contains all the stories in his two published volumes, The Conjure Woman and The Wife of His Youth, along with two uncollected works: the tragic "Dave's Neckliss" and "Baxter's Procustes," Chesnutt's parting shot at prejudice.

"Sisters of the Spirit... should interest a wider audience.... These fascinating accounts can stand on their own.... Mr. Andrews has made them even more accessible by providing a comprehensive introduction and helpful footnotes... but he does not intrude on the text itself." New York Times Book Review

..". informative and inspiring reading." The Journal of American History

Jarena Lee, Zilpha Elaw, and Julia Foote underwent a revolution in their own sense of self that helped to launch a feminist revolution in American religious life and in American society as a whole."

The pre-Civil War autobiographies of famous fugitives such as Frederick Douglass, William Wells Brown, and Harriet Jacobs form the bedrock of the African American narrative tradition. After emancipation arrived in 1865, former slaves continued to write about their experience of enslavement and their upward struggle to realize the promise of freedom and citizenship. Slave Narratives After Slavery reprints five of the most important and revealing first-person narratives of slavery and freedom published after 1865. Elizabeth Keckleys controversial Behind the Scenes (1868) introduced white America to the industry and progressive outlook of an emerging black middle class. The little-known Narrative of the life of John Quincy Adams, When in Slavery, and Now as a Freeman (1872) gave eloquent voice to the African American working class as it migrated from the South to the North in search of opportunity. William Wells Browns My Southern Home (1880) retooled the image of slavery delineated in his widely-read antebellum Narrative and offered his reader a first-hand assessment of the South at the close of Reconstruction. Lucy Ann Delaney used From the Darkness Cometh the Light (1891) to pay tribute to her enslaved mother and to exemplify the qualities of mind and spirit that had ensured her own fulfillment in freedom. Louis Hughess Thirty Years a Slave (1897) spoke for a generation of black Americans who, perceiving the spread of segregation across the South, sought to remind the nation of the horrors of its racial history and of the continued dedication of the once enslaved to dignity, opportunity, and independence.

"Contexts and Composition History" includes a selection of letters between Washington and his editor, Lyman Abbott, that reveals the process by which Up From Slavery was planned and written. Reviews from The Nation, North American Review, and Colored American Magazine offer examples of contemporary reaction to the book. An excerpt from My Larger Education includes Washington's impressions of Frederick Douglass and of his African American critics (among them W. E. B. Du Bois) and reveals his reaction to the mounting criticism of his social, economic, and political programs during the last years of his life. "Criticism" offers a collection of eight essays that present a variety of perspectives on Up From Slavery by W. E. B. Du Bois, Kelly Miller, August Meier, Louis R. Harlan, Sidonie Smith, James M. Cox, Houston A. Baker, Jr., and William L. Andrews. Together, these essays represent ninety years of the best critical and historical analysis of Up From Slavery and its author. A Chronology and Selected Bibliography are included.

Who Am I? is the bittersweet memoir of a Chinese American who came to this country as a twenty-year-old graduate student and stayed to become one of America's most innovative intellectuals, whose work has explored the aesthetic and moral dimensions of human relations with landscape, nature, and environment. This unusually introspective autobiography mixes Yi-Fu Tuan's reflections on a life filled with recognition, accolades, and affection with what he deems moral failings, his lack of courage - including the courage to be open about his homosexuality.

The first African American to publish a book in the South, the author of the first female slave narrative in the United States, the father of black nationalism in America - these and other founders of African American literature have a surprising connection to one another: they all hailed from the state of North Carolina. This collection of poetry, fiction, autobiography, and essays showcases some of the best work of eight influential African American writers from North Carolina during the nineteenth and early twentieth centuries. In his introduction, William L. Andrews explores the reasons why black North Carolinians made such a disproportionate contribution (in quantity and lasting quality) to African American literature as compared to that of other southern states with larger African American populations. The authors in this anthology parlayed both the advantages and disadvantages of their North Carolina beginnings into an African American literary tradition unrivaled by that of any other state in the South. Writers included here are Charles W. Chesnutt, Anna Julia Cooper, David Bryant Fulton, George Moses Horton, Harriet Jacobs, Lunsford Lane, Moses Roper, and David Walker.

This casebook reprints a selection of the most important and most representative reviews, criticism, and scholarly analysis of Richard Wright's Black Boy (American Hunger): A Record of Childhood and Youth (1991).

Classic African Women's Narrtives is a one-volume compilation of the best and the best-known fictional, autobiographical, and journalistic writing by African American women during the first great era of a black women's writing in the U.S., from 1831 to 1865. The book contains a wide range of original achievements in African American women's literary history, including the first spiritual autobiography, the first short story, the first novel, and the first autobiography by a black woman.

Beloved is without a doubt the most read, most often taught, and most often written about among Toni Morrison's six novels. In this casebook of previously published essays, the editors have collected, from among dozens of excellent possibilities, what they consider to be seven of the best in the group. In addition to the seven essays by contemporary scholars, the Casebook includes a poem and an abolitionist's tract published after slave woman Margaret Garner killed her child to save her from slavery. Carefully chosen, these pieces will give teachers and students easy access to some of the best materials published on Beloved

In the eighteenth century, a small group of black men met the challenge of the Enlightenment by mastering the arts and sciences and writing themselves into history. The battle lines were clear--literacy stood as the ultimate measure of humanity to the white arbiters of Western culture. If blacks could succeed in this sphere, they would prove that African and European humanity were inseparable. Without a literary record, blacks seemed predestined for slavery.The small but dedicated group--now known as the Black Atlantic writers--who stepped forward to meet this challenge published their autobiographies in the late eighteenth and early nineteenth centuries. They not only defied the popular opinion of the time that blacks were unfit for letters, but inaugurated the Black American and Black British literary traditions.While slave narratives are often excerpted and anthologized, they are rarely collected in their entirety. "Pioneers of the Black Atlantic "is the first anthology to include the complete texts of the five most important and influential narratives of the eighteenth century. Included here are the writings of James Albert Ukawsaw Gronniosaw, John Marrant, Ottobah Cugoano, Olaudah Equiano, and John Jea.Their stories, resonant still in our racially divided world, are landmarks in the history of autobiography and human rights.

With the continued expansion of the literary canon, multicultural works of modern literary fiction and autobiography have assumed an increasing importance for students and scholars of American literature. This exciting new series assembles key documents and criticism concerning these works that have so recently become central components of the American literature curriculum. Each casebook will reprint documents relating to the work's historical context and reception, present the best in critical essays, and when possible, feature an interview of the author. The series will provide, for the first time, an accessible forum in which readers can come to a fuller understanding of these contemporary masterpieces and the unique aspects of American ethnic, racial, or cultural experience that they so ably portray.
This casebook to Morrison's classic novel presents seven essays that represent the best in contemporary criticism of the book. In addition, the book includes a poem and an abolitionist's tra published after a slave named Margaret Garner killed her child to save her from slavery--the very incident Morrison fictionalizes in Beloved.

The book contains the biography of an American bondman William Wells Brown, which was written by his daughter Josephine Brown. It also presents the precedent-setting biography of Martin R. Delany, which helped to introduce an analytical approach to biography writing in African-American letters. An unabashed success story of one man's military career during the Civil War and his subsequent work in the Freedman's Bureau during Reconstruction, this book, written at a crucial juncture in American history, creates a vivid portrait of a man who comes to represent the voice of national union, mediation of conflict between blacks and whites in the South, and a fair and equitable democratic society.

Mrs Seacole, a free-born Jamaican daughter of a Scottish army officer and a free black woman, recounts her childhood, her years as a storekeeper in a Central American frontier town, and her role as a battlefield `doctress' to British troops in the Crimea.

The History of Mary Prince, a West Indian Slave (1831) was the first female slave narrative from the Americas. The Story of Mattie J. Jackson (1866) recounts a quest for personal freedom and ends with a family reunion in the North after the Civil War. The Memoir of Old Elizabeth, a Colored Woman (1863) is the tale of a ninety-seven-year-old ex-slave who became a preacher. Lucy A. Delaney's From the Darkness Cometh the Light or Struggles for Freedom (c. 1891) records a former slave's achievements in the quarter-century after the end of the Civil War. Kate Drumgoold and Annie L. Burton also describe their successes in the post-war North while eulogizing black motherhood in the ante-bellum South.