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The Literary Career of Charles W. Chesnutt (Paperback)
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The Literary Career of Charles W. Chesnutt (Paperback)
Series: Southern Literary Studies
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The career of any black writer in nineteenth-century American was
fraught with difficulties, and William Andrews undertakes to
explain how and why Charles Waddell Chesnutt (1858-1932) became the
first Negro novelist of importance: ""Steering a difficult course
between becoming co-opted by his white literary supporters and
becoming alienated from then and their access to the publishing
medium, Chesnutt became the first Afro-American writer to use the
white-controlled mass media in the service of serious fiction on
behalf of the black community."" Awarded the Spingarn Medal in 1928
by the National Association for the Advancement of coloured People,
Chesnutt admitted without apologies that because of his own
experiences, most of his writings concentrated on issue about
racial identity. Only one-eighth Negro and able to pass for
Caucasian, Chesnutt dramatized the dilemma of others like him. The
House Behind the Cedars (1900), Chesnutt's most autobiographical
novel, evokes the world of ""bright mulatto"" caste in post-Civil
War North Carolina and pictures the punitive consequences of being
of mixed heritage. Chesnutt not only made a crucial break with many
literary conventions regarding Afro-American life, crafting his
authentic material with artistic distinction, he also broached the
moral issue of the racial caste system and dared to suggest that a
gradual blending of the races would alleviate a pernicious blight
on the nation's moral progress. Andrews argues that ""along with
Cable in The Grandissimes and Mark Twain in Pudd'nhead Wilson,
Chesnutt anticipated Faulkner in focusing on miscegenation, even
more than slavery, as the repressed myth of the American past and a
powerful metaphor of southern post-Civil War history."" Although
Chesnutt's career suffered setback and though he was faced with
compromises he consistently saw America's race problem as
intrinsically moral rather than social or political. In his fiction
he pictures the strengths of Afro-Americans and affirms their human
dignity and heroic will. William L. Andrews provides an account of
essentially all that Chesnutt wrote, covering the unpublished
manuscripts as well as the more successful efforts and viewing
these materials in he context of the author's times and of his
total career. Though the scope of this book extends beyond textual
criticism, the thoughtful discussions of Chesnutt's works afford us
a vivid and gratifying acquaintance with the fiction and also
account for an important episode in American letters and history.
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