Born on the Seneca Indian Reservation in New York State, Arthur Caswell Parker (1881-1955) was a prominent intellectual leader both within and outside tribal circles. Of mixed Iroquois, Seneca, and Anglican descent, Parker was also a controversial figure-recognized as an advocate for Native Americans but criticized for his assimilationist stance. In this exhaustively researched biography-the first book-length examination of Parker’s life and career-Joy Porter explores complex issues of Indian identity that are as relevant today as in Parker’s time. From childhood on, Parker learned from his well-connected family how to straddle both Indian and white worlds. His great-uncle, Ely S. Parker, was Commissioner of Indian Affairs under Ulysses S. Grant--the first Native American to hold the position. Influenced by family role models and a strong formal education, Parker, who became director of the Rochester Museum, was best known for his work as a "museologist" (a word he coined). Porter shows that although Parker achieved success within the dominant Euro-American culture, he was never entirely at ease with his role as assimilated Indian and voiced frustration at having "to play Indian to be Indian." In expressing this frustration, Parker articulated a challenging predicament for twentieth-century Indians: the need to negotiate imposed stereotypes, to find ways to transcend those stereotypes, and to assert an identity rooted in the present rather than in the past.

For the Seneca Iroquois Indians, song is a crucial means of renewing both medicine and heritage. Two or three times a year, the Little Water Medicine Society of western New York meets to renew the potency of its medicine bundles through singing. These bundles have been inherited from eighteenth century Iroquois war parties, handed down from generation to generation. In this long-awaited book, William N. Fenton describes the remarkable ceremonies of one of the least recorded but most significant medicine societies of the Iroquois Indians. Most of the Senecas who were members of the Little Water Society, or Society of Shamans, have passed away, and their knowledge of ceremonial healing and spiritual renewal is fading. Fenton has written this book to preserve knowledge of the ceremonies and songs for the Iroquois people and as a contribution to anthropology, folklore, ethnomusicology, and American Indian studies. In The Little Water Medicine Society of the Senecas, he presents his original 1933 fieldwork, along with details from the published and unpublished works of other researchers, to describe rituals, poetry, and songs drawn from his more than six decades of research among the Six Nations.

A definitive ethnological study of the Iroquois' subsistence, religious traditions, laws, and customs.

This is a new release of the original 1942 edition.

Contributors Include Floyd G. Lounsbury, Mary R. Haas, William A. Ritchie And Others.

Contributors Include Floyd G. Lounsbury, Mary R. Haas, William A. Ritchie And Others.

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From The Buffalo Historical Society Publications, V27.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

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William N. Fenton's contributions to the understanding of the cultures and histories of the Iroquois are formidable. Fenton grounded his studies in decades of fieldwork among the Senecas, an encyclopedic knowledge of pertinent historical accounts, a keen appreciation for interpretive theory and practice in ethnohistory and anthropology, and an enduring, generous character. "William Fenton: Selected Writings" brings together for the first time Fenton's most influential writings on the Iroquois and anthropology, written across nearly six decades. This volume includes Fenton's classic studies of such key issues as Iroquois folklore, factionalism, and the repatriation of material culture; discussions of theory and practice and the methodology of "upstreaming"; obituaries of colleagues and reviews of other studies of the Iroquois; and summaries of the early Conferences on Iroquois Research. This collection reveals much about the world of the Iroquois, past and present, as well as the career and accomplishments of Fenton himself.

Iroquois Journey is the warm and illuminating memoir of William N. Fenton (1908-2005), a leading scholar who shaped Iroquois studies and modern anthropology in America. The memoir reveals the ambitions and struggles of the man and the many accomplishments of the anthropologist, the complex and sometimes volatile milieu of Native-white relations in upstate New York in the twentieth century, and key theoretical and methodological developments in American anthropology. Fenton's memoir, completed shortly before his death, takes us from his ancestors' lives in the Conewango Valley in western New York to his education at Yale. It affords valuable insights into the decades of his celebrated fieldwork among the Senecas, his distinguished scholarship at the Bureau of American Ethnology in Washington, DC, and his research at the New York State Museum in Albany. Offering portraits of legendary scholars he encountered and enriched through wonderful personal anecdotes, Fenton's memoir is a testament to the importance of anthropology and a reminder of how much the field has changed over the years.

"Iroquois Journey" is the warm and illuminating memoir of William N. Fenton (1908-2005), a leading scholar who shaped Iroquois studies and modern anthropology in America. The memoir reveals the ambitions and struggles of the man and the many accomplishments of the anthropologist, the complex and sometimes volatile milieu of Native-white relations in upstate New York in the twentieth century, and key theoretical and methodological developments in American anthropology. Fenton's memoir, completed shortly before his death, takes us from his ancestors' lives in the Conewango Valley in western New York to his education at Yale. It affords valuable insights into the decades of his celebrated fieldwork among the Senecas, his distinguished scholarship at the Bureau of American Ethnology in Washington, DC, and his research at the New York State Museum in Albany. Offering portraits of legendary scholars he encountered and enriched through wonderful personal anecdotes, Fenton's memoir is a testament to the importance of anthropology and a reminder of how much the field has changed over the years.

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"An in-depth survey of Iroquois culture and history"

This masterful summary represents a major synthesis of the history and culture of the Six Nations from the mid-sixteenth century to the Canandaigua treaty of 1794. William N. Fenton, renowned as the dean of Iroquoian studies, draws on primary sources, in both French and English to create a readable narrative and an invaluable reference for all future scholars of Iroquois polity.

Central to Fenton's study is the tradition of the Great Law, still practiced today by the conservative Iroquois. It is sustained by celebrations of the condolence ceremony when participants mourn a dead chief and install his successor for life on good behavior. This ritual act, reaching back to the dawn of history, maintained the League of the Iroquois, the legendary form of government that gave way over time to the Iroquois Confederacy.

During his last years ethnohistorian Frank G. Speck turned to the study of Iroquois ceremonialism. This 1950 book investigates the religious rites of the Cayuga tribe, one of six in the Iroquois confederation that occupied upstate New York until the American Revolution. In the 1930s and the 1940s Frank Speck observed the Midwinter Ceremony, the Cayuga thanksgiving for the blessings of life and health, performed in long houses on the Six Nations Reserve in Ontario. Collaborating with Alexander General (Deskaheh), the noted Cayuga chief, Speck describes vividly the rites and dances giving thanks to all spiritual entities. Of special interest are the medicine societies that not only prescribed herbs but used powerfully evocative masks in treating the underlying causes of sickness. In a new introduction, William N. Fenton discusses Speck's distinguished career.

"On the Cattaraugus reservation, it was part of a child's initial training to learn why the bear lost its tail, why the chipmunk has a striped back, and why meteors flash in the sky," writes Arthur C. Parker at the beginning of "Seneca Myths and Folk Tales," His blood ties to the Senecas and early familiarity with their culture led to a distinguished career as an archaeologist and to the publication in 1923 of this pioneeering work. Parker recreates the milieu in which the Seneca legends and folktales were told and discusses their basic themes and components before going on to relate more than seventy of them that he heard as a boy. Here is the magical Senecan world populated by unseen good and evil spirits, ghosts, and beings capable of transformation. Included are creation myths; folktales involving contests between mortal youths and assorted powers; tales of love and marriage; and stories about cannibals, talking animals, pygmies, giants, monsters, vampires, and witches.

The Iroquois Book of Rites, the most noteworthy of Hale's studies of the Iroquois, was translated and edited by him from two Indian manuscripts found at Grand River, with the help of informants and interpreters. The various parts of the Book of Rites throw valuable light on the political and social life, as well as the character and capacity, of the Iroquois. A long introduction by Hale contains essays on the League, on the Book of Rites, on the Condoling Council, and on the historical traditions, character, policy and language of the Iroquois. Hale's important book has long been out of print and in demand. It is reprinted here with a valuable introduction on Hale and the significance of his work by William N. Fenton of the New York State Museum and Science Service, University of the State of New York.

Originally published as Bulletin 156 of the Bureau of American Ethnology, Smithsonian Institution in 1953, this volume explores the celebration of the Eagle Dance in New York and Canada during the 1930s and its relationship to the widespread Calumet Dance of the 17th century. Also included is Kurath's detailed analysis of the Eagle Dance music and choreography, based on Fenton's recordings and on her own observations of local performances.