The compact sets are an easy and inexpensive way of getting started with new painting techniques. Each set contains 12 selected colours, respectively chosen for each technique. Hobby artists are inspired by the high pigmentation and extraordinary brilliance of the colours which can be applied dirctly from tube. The different product features open up new ways of application possibilities.

Traditionally crafted and triple-milled in England, Georgian Oil Colours provide colour consistency from wet to dry and an even performance and finish across all colours.With a smooth and buttery consistency, Georgian Oil Colours are ideal for experimenting with different brush and knife techniques. They are intermixable and have high pigment loads, including traditional pigments such as cadmium and cobalt. Georgian Oil Colours generally require very limited quantities of medium, so they can be used straight from the tube. All colours are lightfast and rated as Permanent (****) or Normally Permanent (***). The surface is typically dry in 4 to 5 days.This set contains: Titanium White Cadmium Yellow Cadmium Red HueFrench UltramarineViridianBurnt Umber Note: Colours may vary.

Dala Artists' Oil Paint has a rich, buttery consistency that is attributed to its composite of quality pigments, as well as being triple milled. It has a high pigment loading, great archival properties and light-fastness. Use in conjunction with the many Dala Artists Oil Mediums for interesting paint alterations and effects.

Dala Artists' Oil Paint has a rich, buttery consistency that is attributed to its composite of quality pigments, as well as being triple milled. It has a high pigment loading, great archival properties and light-fastness. Use in conjunction with the many Dala Artists Oil Mediums for interesting paint alterations and effects.

Dala Painting Pads consist of 20 canvas textured sheets that are suitable for oils, acrylic and craft paint applications.

Cobalt Blue Hue is a clean blue pigment closely resembling Cobalt Blue. Genuine Cobalt was discovered in 1802 by French chemist Thénard as an alternative pigment to the expensive Lapis Lazuli blue.

Bright and beautiful, this accessible range of 55 colours is perfect for artists who need large quantities of colour. All of the paints have been carefully made to bring out the best of each pigment, so you can create bold and lightfast artworks. We think you'll be very pleased with the results.

Made from high-quality pigments, Winton Oil Colours are durable, lightfast and permanent. Delivering consistent colour every time, their ready-to-use formulation in means you can effortlessly work at any scale. Increasing the choice and range with eight new accessible colours, your palette can be broader than ever. Explore the enhanced spectrum for yourself.

French Ultramarine is a rich transparent blue. It was created by French chemist Guimet in 1828 as a synthetic but chemically identical alternative to the expensive pigment derived from Lapis Lazuli.

Bright and beautiful, this accessible range of 55 colours is perfect for artists who need large quantities of colour. All of the paints have been carefully made to bring out the best of each pigment, so you can create bold and lightfast artworks. We think you'll be very pleased with the results.

Made from high-quality pigments, Winton Oil Colours are durable, lightfast and permanent. Delivering consistent colour every time, their ready-to-use formulation in means you can effortlessly work at any scale. Increasing the choice and range with eight new accessible colours, your palette can be broader than ever. Explore the enhanced spectrum for yourself.

A rich violet with a beautiful blue violet undertone that bridges a gap between Dioxazine Purple and French Ultramarine.

Bright and beautiful, this accessible range of 55 colours is perfect for artists who need large quantities of colour. All of the paints have been carefully made to bring out the best of each pigment, so you can create bold and lightfast artworks. We think you'll be very pleased with the results.

Made from high-quality pigments, Winton Oil Colours are durable, lightfast and permanent. Delivering consistent colour every time, their ready-to-use formulation in means you can effortlessly work at any scale. Increasing the choice and range with eight new accessible colours, your palette can be broader than ever. Explore the enhanced spectrum for yourself.

Highly transparent with a blue undertone, Permanent Alizarin Crimson is a vivid red colour. Introduced in 1994, it has been formulated as a highly permanent red pigment.

Bright and beautiful, this accessible range of 55 colours is perfect for artists who need large quantities of colour. All of the paints have been carefully made to bring out the best of each pigment, so you can create bold and lightfast artworks. We think you'll be very pleased with the results.

Made from high-quality pigments, Winton Oil Colours are durable, lightfast and permanent. Delivering consistent colour every time, their ready-to-use formulation in means you can effortlessly work at any scale. Increasing the choice and range with eight new accessible colours, your palette can be broader than ever. Explore the enhanced spectrum for yourself.

Cadmium Yellow Hue is a cool, bright yellow colour. It is an opaque colour closely resembling genuine Cadmium Lemon.

Bright and beautiful, this accessible range of 55 colours is perfect for artists who need large quantities of colour. All of the paints have been carefully made to bring out the best of each pigment, so you can create bold and lightfast artworks. We think you'll be very pleased with the results.

Made from high-quality pigments, Winton Oil Colours are durable, lightfast and permanent. Delivering consistent colour every time, their ready-to-use formulation in means you can effortlessly work at any scale. Increasing the choice and range with eight new accessible colours, your palette can be broader than ever. Explore the enhanced spectrum for yourself.

Raw Umber is a rich brown pigment made by the natural brown clays found in earth. It was named after Umbria, a region in Italy where it was mined.

Bright and beautiful, this accessible range of 55 colours is perfect for artists who need large quantities of colour. All of the paints have been carefully made to bring out the best of each pigment, so you can create bold and lightfast artworks. We think you'll be very pleased with the results.

Made from high-quality pigments, Winton Oil Colours are durable, lightfast and permanent. Delivering consistent colour every time, their ready-to-use formulation in means you can effortlessly work at any scale. Increasing the choice and range with eight new accessible colours, your palette can be broader than ever. Explore the enhanced spectrum for yourself.

Daler-Rowney Graduate Oil is an affordable range of oil paints ideal for students and hobbyists looking for reliability and performance. Graduate Oil colours are smooth, easy to use, and mix well together, drying to a low gloss satin sheen within 5 days.

Colour: Blue Grey
Pigment Index: PB29 PW6 PBk9
Colour Lightfastness: Good
Colour Transparency: Opaque

Traditionally crafted and triple-milled in England, Georgian Oil Colours provide colour consistency from wet to dry and an even performance and finish across all colours.

With a smooth and buttery consistency, Georgian Oil Colours are ideal for experimenting with different brush and knife techniques. They are intermixable and have high pigment loads, including traditional pigments such as cadmium and cobalt. Georgian Oil Colours generally require very limited quantities of medium, so they can be used straight from the tube. All colours are lightfast and rated as Excellent (****) or Good (***). The surface is typically dry in 4 to 5 days.

LUKAS STUDIO OIL Fine Artists’ oil colour, the modern premium quality with an optimised price-performance ratio, is ideally suitable for the demanding artist and student. The oil colours contain only brilliant and valuable pigments with a high lightfastness in high concentration, for exceptional colour intensity and opacity.

A dash (0,5-1,5%) of the finest bleached beeswax as one of the ingredients gives the colour the famous buttery and short consistency and makes the colour-film less brittle for the restorer. The binders are, as in all LUKAS oil assortments, only pure vegetable linseed and sunflower oils of special quality.

Sunflower oil is used in the manufacture of pale shades to greatly reduce the traditional "yellowing" that occurs when made with linseed oil. Moreover, a good and even drying of the colours is guaranteed and the risk of cracking of the surface while the colours are drying is minimised, when used properly. The production of these colours is finalised through the traditional three-roll mills. The typical drying time for oil colours straight through all shades amounts on average from 2 to 4 days with thin brush stroke strength of 100 to 120 μm.

The range has a well-balanced colour spectrum of 48 colours – about 40% of them being single pigmented. It offers the ideal opportunity to work in the area of creative-artistic oil painting. The range allows painting directly from the tube with a fine nuance.

LUKAS STUDIO OIL colours can be used on various painting surfaces, whether on canvases, painting or wooden boards. It is recommended to use a pre-treated painting surface, which is isolated due to its primer, preventing the binder from being absorbed and the colour from losing its shine.

Start with oil painting.
Daler-Rowney Simply Oil colours are a perfect starting point for artists looking to experiment with oils. These soft-bodied colours can be used straight from the tube as they wet easily onto the surface, or thinned down to create glazes. Available in a wide variety of colours, Simply Oil offers great value for money, and together with other products from the Simply Oil range, an easy entry point for artists to begin working with oils.

Made in England.
Daler-Rowney is particularly proud to continue the long heritage of manufacturing Simply Oil Colours in the United Kingdom.

LUKAS STUDIO OIL Fine Artists’ oil colour, the modern premium quality with an optimised price-performance ratio, is ideally suitable for the demanding artist and student. The oil colours contain only brilliant and valuable pigments with a high lightfastness in high concentration, for exceptional colour intensity and opacity.

A dash (0,5-1,5%) of the finest bleached beeswax as one of the ingredients gives the colour the famous buttery and short consistency and makes the colour-film less brittle for the restorer. The binders are, as in all LUKAS oil assortments, only pure vegetable linseed and sunflower oils of special quality.

Sunflower oil is used in the manufacture of pale shades to greatly reduce the traditional "yellowing" that occurs when made with linseed oil. Moreover, a good and even drying of the colours is guaranteed and the risk of cracking of the surface while the colours are drying is minimised, when used properly. The production of these colours is finalised through the traditional three-roll mills. The typical drying time for oil colours straight through all shades amounts on average from 2 to 4 days with thin brush stroke strength of 100 to 120 μm.

The range has a well-balanced colour spectrum of 48 colours – about 40% of them being single pigmented. It offers the ideal opportunity to work in the area of creative-artistic oil painting. The range allows painting directly from the tube with a fine nuance.

LUKAS STUDIO OIL colours can be used on various painting surfaces, whether on canvases, painting or wooden boards. It is recommended to use a pre-treated painting surface, which is isolated due to its primer, preventing the binder from being absorbed and the colour from losing its shine.

Colour: Alizarin Crimson
Pigment Index: PR177
Colour Lightfastness: Good
Colour Transparency: Transparent

Traditionally crafted and triple-milled in England, Georgian Oil Colours provide colour consistency from wet to dry and an even performance and finish across all colours.

With a smooth and buttery consistency, Georgian Oil Colours are ideal for experimenting with different brush and knife techniques. They are intermixable and have high pigment loads, including traditional pigments such as cadmium and cobalt. Georgian Oil Colours generally require very limited quantities of medium, so they can be used straight from the tube. All colours are lightfast and rated as Excellent (****) or Good (***). The surface is typically dry in 4 to 5 days.

Dala Artists' Oil Paint has a rich, buttery consistency that is attributed to it's composite of quality pigments, as well as being triple milled. It has a high pigment loading, great archival properties and light-fastness. Use in conjunction with the many Dala Artists Oil Mediums for interesting paint alterations and effects.

Cadmium Pigments - Cadmium pigments are brilliantly coloured, with good permanence and tinting power.  Cadmium yellow, orange and red have become familiar artists’ colours. The yellows were first used by artist’s in the 1840. Claude Monet’s famous yellow hues for example are painted in cadmium. The reds are relatively modern pigments only becoming commercially available in 1919. 

Dala Artists' Oil Paint has a rich, buttery consistency that is attributed to it's composite of quality pigments, as well as being triple milled. It has a high pigment loading, great archival properties and light-fastness. Use in conjunction with the many Dala Artists Oil Mediums for interesting paint alterations and effects.

Cadmium Pigments - Cadmium pigments are brilliantly coloured, with good permanence and tinting power.  Cadmium yellow, orange and red have become familiar artists’ colours. The yellows were first used by artist’s in the 1840. Claude Monet’s famous yellow hues for example are painted in cadmium. The reds are relatively modern pigments only becoming commercially available in 1919. 

Dala Artists' Oil Paint has a rich, buttery consistency that is attributed to it's composite of quality pigments, as well as being triple milled. It has a high pigment loading, great archival properties and light-fastness. Use in conjunction with the many Dala Artists Oil Mediums for interesting paint alterations and effects.

Cadmium Pigments - Cadmium pigments are brilliantly coloured, with good permanence and tinting power.  Cadmium yellow, orange and red have become familiar artists’ colours. The yellows were first used by artist’s in the 1840. Claude Monet’s famous yellow hues for example are painted in cadmium. The reds are relatively modern pigments only becoming commercially available in 1919. 

Dala Artists' Oil Paint has a rich, buttery consistency that is attributed to it's composite of quality pigments, as well as being triple milled. It has a high pigment loading, great archival properties and light-fastness. Use in conjunction with the many Dala Artists Oil Mediums for interesting paint alterations and effects.

Cadmium Pigments - Cadmium pigments are brilliantly coloured, with good permanence and tinting power.  Cadmium yellow, orange and red have become familiar artists’ colours. The yellows were first used by artist’s in the 1840. Claude Monet’s famous yellow hues for example are painted in cadmium. The reds are relatively modern pigments only becoming commercially available in 1919. 

Dala Artists' Oil Paint has a rich, buttery consistency that is attributed to it's composite of quality pigments, as well as being triple milled. It has a high pigment loading, great archival properties and light-fastness. Use in conjunction with the many Dala Artists Oil Mediums for interesting paint alterations and effects.

Cadmium Pigments - Cadmium pigments are brilliantly coloured, with good permanence and tinting power.  Cadmium yellow, orange and red have become familiar artists’ colours. The yellows were first used by artist’s in the 1840. Claude Monet’s famous yellow hues for example are painted in cadmium. The reds are relatively modern pigments only becoming commercially available in 1919. 

Dala Artists' Oil Paint has a rich, buttery consistency that is attributed to it's composite of quality pigments, as well as being triple milled. It has a high pigment loading, great archival properties and light-fastness. Use in conjunction with the many Dala Artists Oil Mediums for interesting paint alterations and effects.

Cadmium Pigments - Cadmium pigments are brilliantly coloured, with good permanence and tinting power.  Cadmium yellow, orange and red have become familiar artists’ colours. The yellows were first used by artist’s in the 1840. Claude Monet’s famous yellow hues for example are painted in cadmium. The reds are relatively modern pigments only becoming commercially available in 1919. 

Dala Artists' Oil Paint has a rich, buttery consistency that is attributed to it's composite of quality pigments, as well as being triple milled. It has a high pigment loading, great archival properties and light-fastness. Use in conjunction with the many Dala Artists Oil Mediums for interesting paint alterations and effects.

Cadmium Pigments - Cadmium pigments are brilliantly coloured, with good permanence and tinting power.  Cadmium yellow, orange and red have become familiar artists’ colours. The yellows were first used by artist’s in the 1840. Claude Monet’s famous yellow hues for example are painted in cadmium. The reds are relatively modern pigments only becoming commercially available in 1919.