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Arts & Crafts > Fine Art Supplies > Oil Painting Showing 1 - 25 of 4126 matches in Oil Painting
Traditionally crafted and triple-milled in England, Georgian Oil Colours provide colour consistency from wet to dry and an even performance and finish across all colours.With a smooth and buttery consistency, Georgian Oil Colours are ideal for experimenting with different brush and knife techniques. They are intermixable and have high pigment loads, including traditional pigments such as cadmium and cobalt. Georgian Oil Colours generally require very limited quantities of medium, so they can be used straight from the tube. All colours are lightfast and rated as Permanent (****) or Normally Permanent (***). The surface is typically dry in 4 to 5 days.This set contains: Titanium White Cadmium Yellow Cadmium Red HueFrench UltramarineViridianBurnt Umber Note: Colours may vary.
Dala Painting Pads consist of 20 canvas textured sheets that are suitable for oils, acrylic and craft paint applications.
Dala Artists' Oil Paint has a rich, buttery consistency that is attributed to its composite of quality pigments, as well as being triple milled. It has a high pigment loading, great archival properties and light-fastness. Use in conjunction with the many Dala Artists Oil Mediums for interesting paint alterations and effects.
Dala Artists' Oil Paint has a rich, buttery consistency that is attributed to its composite of quality pigments, as well as being triple milled. It has a high pigment loading, great archival properties and light-fastness. Use in conjunction with the many Dala Artists Oil Mediums for interesting paint alterations and effects.
The best quality/price ratio on the market. Oil colour with performance superior to price. A fine, appropriate, satisfying investment. Rewarding for the disproportion between qualitative factors and purchase price. A product that repays. Artisanal, frequently used, superfine. Seventy-seven colours, an infinite assortment of yellows, reds, greens and blues. Absolutely no waxes or additives. Perfectly balanced drying times. The ideal combination of modern and traditional pigments, safe and stable.
Series number: 2
Series number: 1
Daler-Rowney Graduate Oil is an affordable range of oil paints ideal for students and hobbyists looking for reliability and performance. Graduate Oil colours are smooth, easy to use, and mix well together, drying to a low gloss satin sheen within 5 days.
Pigment Index: PB29 PW6 PBk9 Colour Lightfastness: Good Colour Transparency: Opaque Traditionally crafted and triple-milled in England, Georgian Oil Colours provide colour consistency from wet to dry and an even performance and finish across all colours. With a smooth and buttery consistency, Georgian Oil Colours are ideal for experimenting with different brush and knife techniques. They are intermixable and have high pigment loads, including traditional pigments such as cadmium and cobalt. Georgian Oil Colours generally require very limited quantities of medium, so they can be used straight from the tube. All colours are lightfast and rated as Excellent (****) or Good (***). The surface is typically dry in 4 to 5 days.
Daler-Rowney Simply Oil colours are a perfect starting point for artists looking to experiment with oils. These soft-bodied colours can be used straight from the tube as they wet easily onto the surface, or thinned down to create glazes. Available in a wide variety of colours, Simply Oil offers great value for money, and together with other products from the Simply Oil range, an easy entry point for artists to begin working with oils. Made in England. Daler-Rowney is particularly proud to continue the long heritage of manufacturing Simply Oil Colours in the United Kingdom.
Pigment Index: PB29 PW6 PBk9 Colour Lightfastness: Good Colour Transparency: Opaque Traditionally crafted and triple-milled in England, Georgian Oil Colours provide colour consistency from wet to dry and an even performance and finish across all colours. With a smooth and buttery consistency, Georgian Oil Colours are ideal for experimenting with different brush and knife techniques. They are intermixable and have high pigment loads, including traditional pigments such as cadmium and cobalt. Georgian Oil Colours generally require very limited quantities of medium, so they can be used straight from the tube. All colours are lightfast and rated as Excellent (****) or Good (***). The surface is typically dry in 4 to 5 days.
Pigment Index: PR177 Colour Lightfastness: Good Colour Transparency: Transparent Traditionally crafted and triple-milled in England, Georgian Oil Colours provide colour consistency from wet to dry and an even performance and finish across all colours. With a smooth and buttery consistency, Georgian Oil Colours are ideal for experimenting with different brush and knife techniques. They are intermixable and have high pigment loads, including traditional pigments such as cadmium and cobalt. Georgian Oil Colours generally require very limited quantities of medium, so they can be used straight from the tube. All colours are lightfast and rated as Excellent (****) or Good (***). The surface is typically dry in 4 to 5 days.
Cadmium Pigments - Cadmium pigments are brilliantly coloured, with good permanence and tinting power. Cadmium yellow, orange and red have become familiar artists’ colours. The yellows were first used by artist’s in the 1840. Claude Monet’s famous yellow hues for example are painted in cadmium. The reds are relatively modern pigments only becoming commercially available in 1919.
Cadmium Pigments - Cadmium pigments are brilliantly coloured, with good permanence and tinting power. Cadmium yellow, orange and red have become familiar artists’ colours. The yellows were first used by artist’s in the 1840. Claude Monet’s famous yellow hues for example are painted in cadmium. The reds are relatively modern pigments only becoming commercially available in 1919.
Cadmium Pigments - Cadmium pigments are brilliantly coloured, with good permanence and tinting power. Cadmium yellow, orange and red have become familiar artists’ colours. The yellows were first used by artist’s in the 1840. Claude Monet’s famous yellow hues for example are painted in cadmium. The reds are relatively modern pigments only becoming commercially available in 1919.
Cadmium Pigments - Cadmium pigments are brilliantly coloured, with good permanence and tinting power. Cadmium yellow, orange and red have become familiar artists’ colours. The yellows were first used by artist’s in the 1840. Claude Monet’s famous yellow hues for example are painted in cadmium. The reds are relatively modern pigments only becoming commercially available in 1919.
Cadmium Pigments - Cadmium pigments are brilliantly coloured, with good permanence and tinting power. Cadmium yellow, orange and red have become familiar artists’ colours. The yellows were first used by artist’s in the 1840. Claude Monet’s famous yellow hues for example are painted in cadmium. The reds are relatively modern pigments only becoming commercially available in 1919.
Cadmium Pigments - Cadmium pigments are brilliantly coloured, with good permanence and tinting power. Cadmium yellow, orange and red have become familiar artists’ colours. The yellows were first used by artist’s in the 1840. Claude Monet’s famous yellow hues for example are painted in cadmium. The reds are relatively modern pigments only becoming commercially available in 1919.
Cadmium Pigments - Cadmium pigments are brilliantly coloured, with good permanence and tinting power. Cadmium yellow, orange and red have become familiar artists’ colours. The yellows were first used by artist’s in the 1840. Claude Monet’s famous yellow hues for example are painted in cadmium. The reds are relatively modern pigments only becoming commercially available in 1919.
Cadmium Pigments - Cadmium pigments are brilliantly coloured, with good permanence and tinting power. Cadmium yellow, orange and red have become familiar artists’ colours. The yellows were first used by artist’s in the 1840. Claude Monet’s famous yellow hues for example are painted in cadmium. The reds are relatively modern pigments only becoming commercially available in 1919.
Cadmium Pigments - Cadmium pigments are brilliantly coloured, with good permanence and tinting power. Cadmium yellow, orange and red have become familiar artists’ colours. The yellows were first used by artist’s in the 1840. Claude Monet’s famous yellow hues for example are painted in cadmium. The reds are relatively modern pigments only becoming commercially available in 1919.
Cadmium Pigments - Cadmium pigments are brilliantly coloured, with good permanence and tinting power. Cadmium yellow, orange and red have become familiar artists’ colours. The yellows were first used by artist’s in the 1840. Claude Monet’s famous yellow hues for example are painted in cadmium. The reds are relatively modern pigments only becoming commercially available in 1919.
Cadmium Pigments - Cadmium pigments are brilliantly coloured, with good permanence and tinting power. Cadmium yellow, orange and red have become familiar artists’ colours. The yellows were first used by artist’s in the 1840. Claude Monet’s famous yellow hues for example are painted in cadmium. The reds are relatively modern pigments only becoming commercially available in 1919.
Cadmium Pigments - Cadmium pigments are brilliantly coloured, with good permanence and tinting power. Cadmium yellow, orange and red have become familiar artists’ colours. The yellows were first used by artist’s in the 1840. Claude Monet’s famous yellow hues for example are painted in cadmium. The reds are relatively modern pigments only becoming commercially available in 1919. |
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