*The standard work of reference on the subject, consulted by dealers, collectors, auctioneers, valuers and students of furniture*Provides an amazing range of superb illustrations with a clear classification of the furniture, all within the context of the period*Contains a pictorial index with items arranged in chronological order for quick and easy identificationVictor Chinnery's scholarly work covers the history and development of furniture in oak and kindred timbers in the British Isles and New England, from the Middle Ages through to 1800. The subject is broken down into a logical sequence of aspects and each section is generously illustrated. The furniture shown ranges from the finest examples of the period, to the sort of sturdy and workmanlike pieces which modern collectors will find affordable. The study of oak furniture is a remarkably rich and varied subject, which reflects at several levels the social and domestic life of many generations of our ancestors. Victor Chinnery has explored and clarified many important topics, whilst fully realizing that scholarship in this field is still very much in its infancy. One of the most profound influences on the appearance of furniture in the sixteenth and seventeenth centuries was the system of rigid demarcations operated by the different furniture making trades, and in which the work of the joiners was the most important. The author explains the techniques and materials of the different trades, as well as other considerations of vital interest to the modern collector and curator. The furniture of Connecticut and Massachusetts in the seventeenth century is presented as an extension of the range of styles to be found in other English provinces at the same date.

This book is a comprehensive resource covering the principles and practice of the conservation and restoration of furniture. A review of the historical development of furniture introduces a wide range of structural types and materials that may be encountered, including wood, ivory, turtleshell, horn and metals, as well as decorative surfaces such as paint, japanning, lacquer and gilding. The nature and behaviour of these materials is explained and used as a basis from which to explore the mechanisms and consequences of deterioration caused by environment and use. Building on this foundation, the book shows how to develop and implement logical solutions to conservation problems.

Combining the practical knowledge and experience of a team of conservators active in the field, with theoretical and reference material from diverse sources, Conservation of Furniture uses and integrated approach to produce a book that will prove invaluable to anyone working in or studying this subject area.

`Pietre dure' are mosaic designs made from semi-precious stones. This richly illustrated, large format book brilliantly captures the beauty and craftsmanship of this ancient technique of `painting in stone', looking at decorative stonework techniques from prehistory to the present day, but focusing in particular on the period from its rebirth in 16th-century Rome to the developments of the 19th century.

For at least 150 years, Thomas Chippendale has been synonymous with beautifully made eighteenth-century furniture in a variety of styles - Rococo, Chinese, Gothic and Neoclassical. Born in Otley, Yorkshire, in 1718, Chippendale rose to fame because of his revolutionary design book, The Gentleman and Cabinet Maker's Director, published in 1754. That same year he set up his famous workshops in St Martin's Lane, creating some of the most magnificent furniture ever made in Britain. This beautifully illustrated history focuses on Britain's most famous furniture maker and designer, including the worldwide phenomenon 'Chippendale style' that became popular in Europe, North America and Asia after his death in 1779. Today, his influence lives on with the ongoing production of 'Chippendale' furniture, while the eighteenth-century originals are selling for millions at auction.

From Alvar Aalto to Marco Zanuso, Chairs introduces over 1,000 groundbreaking innovations by the world's greatest designers. Tracing the history of the modern chair from 1800 to the present day, revered experts Charlotte and Peter Fiell comprehensively guide you through the fascinating world of seating design - from the functional office chair to the limited edition art piece. With more than 1,000 exquisite images alongside fascinating insights into the conception, design and production of these masterpieces, this definitive collection includes design classics such as Josef Hoffmann's Sitzmaschine, Robin Day's Polyprop and computer-generated masterworks by Zhang Zhoujie, amongst many more.

The first comprehensive study of William Ince and John Mayhew's famous eighteenth-century cabinetmaking partnership, complemented by high-quality photographs of their work. The partnership of William Ince (1737-1804) and John Mayhew (1736-1811) ran from 1758 to 1804, and was one of the most enduring and well-connected collaborations in Georgian London's tight-knit cabinetmaking community. The partners' clientele was probably larger, and their work was arguably more influential over a longer period, than most other leading metropolitan makers - perhaps even than that of their older contemporary, the celebrated Thomas Chippendale. Despite their considerable output and an impressive tally of clients and commissions, much of Ince and Mayhew's work has remained unidentified until recent times. The authors' substantial research in private family archives, county record offices and bank archives has allowed them to uncover much new evidence about the business and its influence within cabinetmaking circles. In Industry and Ingenuity, the results of these new investigations are presented alongside an impressive selection of more than 500 colourful, vibrant photographs of Ince and Mayhew's works, many previously unpublished, which together emphasise the partnership's proper position in the pantheon of great eighteenth-century cabinetmakers.

Expertly crafted from thousands of tiny and intricately arranged pieces, micromosaics appear at first glance to be miniature paintings. Closer inspection reveals the extraordinary skill of the virtuoso makers, who were able to create exquisite images brimming with drama and atmosphere. Focusing on 30 highlights from the V&A's superlative Rosalinde and Arthur Gilbert Collection, which includes some of the finest examples of micromosaics made, this new book explores the technical aspects of micromosaic construction, its roots in antiquity, their incredible popularity in the last quarter of the eighteenth century, and their evolution through the nineteenth century until the technique virtually vanished in the early 1900s

Luke Hughes & Company's enduring and meticulously engineered furniture, an eloquent response both to the architecture it inhabits and to the true Arts and Crafts spirit, has been placed at the forefront of the 'craft-led renaissance in British manufacturing.' Flexible in use, commercially viable and environmentally sustainable, the work furnishes many of the world's most distinguished buildings, from Westminster Abbey, the Tower of London and most of the Oxford and Cambridge University colleges to the Keystone Academy in Beijing and one of New York City's most vibrant synagogues. Through an introduction to the studio and 25 case studies, Furniture in Architecture explores the company's place in the Arts and Crafts tradition and examines the philosophy and work of founder Luke Hughes. Aidan Walker sheds light on how the studio balances modern manufacturing technologies with abiding craft values, rendering the small furniture workshop a relevant and profitable proposition even when fulfilling large-scale commissions. This fascinating survey defines the elements of successful design and addresses the meaning of craft and craftsmanship in the digital age.

Trimmings are often overlooked as mere details of a furnished interior but in the past they were seen as vital and costly elements in the decoration of a room. They were used not only on curtains and beds but also on wall hangings, upholstered seat furniture and cushions, providing a visual feast for the eye with their colour and intricate detail. Sometimes more expensive than the rich fabrics they enhanced, trimmings are often the only surviving evidence of a lost decorative scheme, reapplied to replacement textiles or found as fragments in the attic. This book, the first of its kind, traces their history in Britain and Ireland from 1320 to 1970, examining the design and usage of tassels, fringe, braid (woven lace), gimp and cord and their dependence on French fashion. Lavishly illustrated with new photography, the substantial text links surviving items in historic houses and museums to written evidence, paintings, drawings and other primary sources to provide a firm framework for dating pieces of less-certain provenance. The importance of the 'laceman', the maker of these trimmings, is also examined within an economic and social context, together with the relationship to the upholsterer and interior decorator in the creation of a fashionable room.

Victorian furnishers and decorators Collinson & Lock were a model of the art furniture business of the last quarter of the nineteenth century. This book is the first wide-ranging study of this once highly important company. It will give insights into the workings and productions of a London furnishing business in the period. It also provides information on a wide variety of topics including furniture design developments, interior design styles, business practices, working practices and techniques, and the firm's customers and competitors. Clive Edwards first considers the structure of the London 'art furniture' trade and its development to locate the firm in its community. He then traces the growth of the firm's business, its involvement with important international exhibitions, the designers they worked with, and the furniture and interiors they produced. This important book then outlines and discusses Collinson & Lock's creations ranging from seminal pieces that were designed for an exclusive clientele, to those displayed at national and international exhibitions between 1871 and 1900, through to batch produced objects that still maintained the quality and design that the firm was famous for. The involvement of the firm with both public and private interior decoration commissions is also examined through case studies, including those in the Anglo-Japanese, Queen Anne, Old English, and Renaissance styles used in the later Victorian period. Drawing on the author's extensive knowledge of nineteenth-century furniture and interiors, this book meets a need for a fully researched and illustrated reference work on this famous firm. If you have an interest in the history of furniture and interior design, if you are involved with furniture collections either on a private basis or professionally, or you simply have an interest in the decorative arts and culture of the period, this book should be on your shelves.

This concise yet wide-ranging survey of collectable antique furniture, illustrated throughout in full colour, guides the new collector through almost three centuries of Western Furniture with clarity and authority. Invaluable as a reference tool, it offers collectors the means to identify key features of a wide variety of pieces, ranging from the Gothic and Renaissance period to Art Nouveau, and the beginning of the twentieth century. The book is structured chronologically by century and, within each time period, by country. Existing collectors will find all titles in the series act as a handy and portable reference, and beginners will welcome a reliable, accessible starting point from which their interests can develop. Readers will find succinct sections detailing all major phases in Western Furniture, with full-colour coverage of English, American, French, Italian, German, Austrian, Low Countries, Spanish and Portuguese pieces. The work of important furniture designers is discussed, from the French ebenistes and Chippendale, through key 19th century figures such as Biedermeier, Pugin and Stickley and the mass producers of bentwood such as the Austrian Thonet, to the Belgian and French Art Nouveau designers.

The Wallace Collection houses over 500 pieces of 18th-century French furniture, produced by craftsmen such as Andre-Charles Boulle. The pieces include: a commode made for the bedroom of Louis XV at Versailles; three secretaires made for Marie-Antoinette; and two Caffieri chandeliers given by Louis XV to his eldest daughter. This three-volume catalogue of 18th-century furniture from the Wallace Collection replaces the 1956 publication by the late Sir Francis Watson. It contains 337 entries, some covering more than one piece of furniture, detailing the materials, construction and decoration of each piece, along with its history, dating, style and maker. Volume One comprises Gothic and Renaissance-style furniture, carved furniture, lacquer furniture and barometers and clocks. Volume Two covers Boulle furniture and veneered furniture. Finally, Volume Three focuses on gilt bronze. There is also an introduction, recounting the part played by different generations of the Hertford family in acquiring the furniture.

Build one of the most iconic and elegant forms in American furniture history. Expert furniture crafter Kubalak teaches how to craft a reproduction of one of the most highly embellished and finest examples ever made. Using step-by-step photos, Kubalak directs the serious student through this complex project by breaking it into several subprojects, then combining them into the completed piece. Each subproject has its own chapter that provides pattern drawings, exploded views, detailed instructions, and abundant photographs of every step. Additional chapters focus on case construction, subassemblies, and finishing. Although this is an advanced project, the instruction is logical and complete so that the serious reader, independent of skill, can successfully work through the steps. Full-size project plans are included. Build your own version that will be a family heirloom for generations.

This comprehensive yet highly browsable reference offers concise definitions, clear line drawings, and photographs of the elements and features that make up American furniture of all types. Written by an expert furniture maker and woodworker with over 50 years of experience, this is the most extensive and modern resource of its kind. Covering historical and contemporary furniture design, the alphabetized terms include individual elements (such as cartouche, pediment, and hood), types of furniture, and styles of design. Detailed line drawings and photos of beautiful museum pieces augment the text. Informative sidebars throughout delve into the passion and beauty behind fine furniture's artistic energy-lives of notable American furniture designers and craftsmen, guided views of masterworks, help in understanding certain styles, and more. This is an invaluable tool for furniture makers, antique dealers and buyers, and anyone interested in American furniture.

Kimbel and Cabus were among the most progressive design reformers of their time. This is the first publication to explore the timeless American immigrant success story of the trailblazing New York City design team who captured national attention with their imaginative furniture forms and defined a significant aesthetic in the United States. Kimbel and Cabus produced an amazing variety of Modern Gothic furniture and worked in a panoply of styles to satisfy the broadest range of markets. They also produced one of the first photographic catalogues for use as a selling tool. Their remarkable story is painstakingly reconstructed using primary sources to illuminate the importance of this progressive company as illustrated through period documents including advertisements, city directories, census and credit reports, and other printed materials alongside new photography.

Chinese furniture design had been improved through the centuries, maturing during the 14th century. The Qing furniture developed from Ming style furniture; it was attractive with ornate novel decorative elements. In the olden days of China, those who had resources could afford to live in a gracious residence such as the four-closed courtyard house (siheyuan). The four-closed courtyard house is the Chinese art of enclosing space to create an ideal environment for habitation. The multifunctional Chinese classical furniture facilitates the indoor and outdoor activities of its inhabitants. Siheyuan is divided into chambers such as the Hall, female chamber etc. This book provides details on which pieces of furniture should be displayed in each chamber, as well as full-colour illustrations and diagrams of how each piece was made and assembled. This includes three-dimensional drawings by Philip Mak and perspective views of the interior of various rooms. The author guides the readers through them, narrating the placement of furniture with inherent social implications. For easy reference, each piece is numbered and a more detailed description available in the catalogue section of this book. Text in English and Chinese.

English founder Ann Lee and a small group of followers brought the Shaker faith to New England in 1774. Dedicated to a simple, communal lifestyle outside of society, this movement spread throughout New England and the Midwest during the eighteenth and nineteenth centuries. The furniture produced by Shakers for their own use was beautiful in its simplicity and functionality. 300 historical and modern photos provide a visual tour of masterpieces of Shaker furniture and an introduction to the faithful artisans who produced them. Among the items displayed are benches, blanket chests, cases of drawers, chairs, counters, cupboards, desks, rockers, stands, tables, wall clocks, workbenches, and work tables. This book will be a treasure for all who enjoy, own, and create handmade furniture.

Full reprint of 1762 style book with 200 plates plus 24 photos.

From Rubens paintings to Chippendale cabinets to elaborate Palladian doll houses, the enormous range of priceless objects held in the Trust's hundreds of historic properties is unequalled, and many of them are still housed in the places for which they were originally designed or bought. Divided into themed chapters such as Paintings, Sculpture, Textiles, Furniture and Woodwork, and Ceramics, "Treasures from the National Trust" explains the pieces for those with little knowledge of art history and antiques and those more versed in the subjects alike. Special features illuminate the work of key painters, designers, and craftsmen while historical timelines give a quick visual context for the artworks. The treasures featured in the book range from single pieces, such as Andrea del Sarto's luminous "Madonna and Child with St. John" at Ascott and the monumental "St. Michael Overcoming Satan "at Petworth House, to collections of multiple pieces, such as majolica at Polesden Lacey, miniatures at Ham House, and the unrivaled collection of musical instruments at Fenton House. Pieces are chosen for both their beauty and historical interest, and range from precious clocks, costumes, and books to more unusual pieces, such as the bicycles at Snowshill Manor and even a decommissioned atomic bomb casing. The pieces span the centuries from ancient Greek vases to 20th-century modernist furniture. Featuring stunning photography and fascinating text, this book is an essential guide to the very best of Britain's heritage, and makes Britain's treasures available to all.